gaming - page 22

Nobody likes to see a cute baby animal in danger. Sarah McLachlan has worked very hard to ensure that.

Lost Yeti is a cute game about an adorable baby yeti having a cuddly adventure. I never even knew an adventure could be cuddly, but this game taught me that it is not only possible, but preferable.

It’s also a smart, deceptively complicated puzzler that will keep you thinking, tapping, and swearing at those good-for-nothing monsters who pick on that poor little lost yeti for no reason other than that they are jerkfaces.

Spending by Mac and PC gamers will grow to more than $27 billion worldwide in the next three years, according to a new report from market research firm International Data Corporation.

Published Tuesday, the study also predicts that global PC and Mac digital game revenue will rise about 4 percent per year between 2012 and 2017, while North American revenue will slip due to the prevalence of more casual, browser-based games, as well as those on smartphones and tablets. IDC’s Worldwide Digital PC and Mac Gaming 2013–2017 Forecast also predicts a steady drop in subscription revenue from games like World of Warcraft.

Outside of North America, however, things look a bit rosier. IDC says that the digital PC and Mac digital gaming revenue should expand by more than five percent per year in countries with a currently rising standard of living, like Brazil, Russia, India, and China (BRIC).

Barrels have been a staple of video games at least since Donkey Kong used them in his vain attempts to ward off a small, mustachioed man with a penchant for jumping.

What’s the deal with barrels? Is it that they’re easy to draw? Or fun to destroy? Or is it that their size and purpose provide a wealth of possibilities, their wooden or metal frames metaphors for the endless potential that lies within all of us, just waiting for someone to pry off the lid and share our special gifts with the world? Or something else less ridiculous?

Whatever the reason, barrels are awesome, and Tap & Blast, a fun aerial platformer of sorts out now for iOS devices, flipping loves them.

Crescent Moon Games and Dead Mage have created a great action platformer here with Shadow Blade, available now in the App Store for an affordable $1.99.

It comes with Game Center Achievements and iOS 7 controller support, and a touch screen capable control scheme that works fairly well. You can read our review of the game after you watch the video below.

1981’s Qix is one of those games that just won’t die. It’s come out in its original form no fewer than four times, most recently in the Nintendo 3DS handheld’s retro-game marketplace Virtual Console in 2011 (in Japan, anyway). I’ve also seen versions of it as minigames in titles like Bully. It’s a long-lived game with a lot of versions.

And here’s another one.

Line Knight Fortix is a new variation on the old territory-capturing game with a medieval skin including dragons, ogres, and castles. The same basic idea of carving out and capturing territory before enemies cross your path and kill you remains, but you can also unlock weapons and generally just run around being all knightly and cool.

It has a couple playability issues, but it’s mostly decent.

We got a sneak peek at Codename Cygnus, a Kickstarter-funded interactive radio drama game for iOS, at PAX this last fall. Developer Reactive studios has just updated the app with more than 20 Game Center achievements, improved voice recognition, VoiceOver features, and a redesigned iOS 7 friendly interface.

Oh, and it’s cheaper, too.

Let’s take a minute to address the fact that I’m not really sure how to pronounce the title of this game. Is it “B-ombs,” or is it, “Buh-buh-buh-bombs”? My money’s on the second one, and now that we’ve sorted that out, the review can begin.

‘Bombs’ with Too Many Letters is a puzzle-ish game that tasks you with clearing a ridiculous lab of the now-sentient explosives that are now buzzing around all willy-nilly. You do this with plain, stupid, regular bombs. You get three blast per level, and you can set up chain reactions to clear a bunch of what science hath wrought in one shot.

Meanwhile, this game is hilarious.

Crescent Moon Games has published a string of fantastic iOS games of late, including cute-as-pie Mimpi, deep RPG Ravensword: Shadowlands, first person shooter Neon Shadows, and the unforgettable Space Chicks. Each one approaches controls for touch screens in a unique and fairly successful way.

The publisher’s 2D side-scrolling action platformer Shadow Blade takes things even further, utilizing a complex but ultimately responsive control scheme. The game is made in Unity, giving it fluid, console-quality animations, a lush eastern-flavored soundtrack, and a gorgeous look and feel.

This is a fine effort from first-time iOS developer Dead Mage, for sure.

Fans of word games are always looking out for new apps that will let them arrange letters and clear blocks or cross things or whatever else people do when they’re using text as game pieces. Here’s another game that lets you do that.

It’s called Alpha 9, and it’s basically Boggle plus Tetris. Your goal is to form words of at least three letters in order to clear lines from a board to keep the letter blocks dropping from the ceiling from piling up to the top of the screen.

That’s Wall Mode, anyway. It has another game type, but they’re both pretty average.

If you’re used to games taking time to explain what they are and how you play them, then Simian Interface may not be for you.

But you should play it anyway, wuss, because you don’t need that much instruction to understand this one. The game leaves it up to you to figure out what it wants and how to do it, but it’s really not that hard to figure out.

And if you put the time in and go along for the short time it takes to play through it, you’ll get a unique, entirely satisfying experience.

Apparently, I’m a sucker for minimalist puzzle games.

You can find a lot of them in the App Store, and I’ve reviewed more than a few since I’ve been here. I like the simplicity, the clean interface, the solid blocks of color … it’s all very relaxing. And then I play something like Lyne, a new puzzler that looks like those other zen games, but then you start playing it and realize that beneath its sparsely populated surface is a relentless battle for your sanity.

In a good way. Mostly.

Apple products are usually over-hyped. But there’s one that’s radically under-hyped: Apple’s iBeacon positioning system.

So I’m here to turn up the noise on this quiet revolution. You really need to know more about this, because it’s going to change everything.

One of the first video games I ever finished was 1985’s Kung Fu, a port of a Japanese arcade game (Kung Fu Master)for the original Nintendo system. It was a side-scrolling beat ’em up about a guy fighting through five floors of a goon-filled building to rescue his girlfriend, and even though it’s probably not nearly as good as I remember, it’ll always have a special place in my nostalgia bank because I was so good at it back then.

Fightback is a new free-to-play fighter from developer Ninja Theory (makers of super-shiny console games like the PlayStation 3’s Heavenly Sword and the recent reboot of Devil May Cry), and it’s basically an updated version of Kung Fu. It even has the same 2D gameplay and girlfriend-rescuing premise and graphics and music that call back ridiculous action films from the ’80s.

So needless to say, I like this game a lot.

It’s been a little while since I reviewed a tank game, so I picked up Battle Supremacy, a new tread-and-turret action title from the developers of Sky Gamblers out today for iOS devices.

Battle Supremacy takes place during World War II and features authentic vehicles and locations. It’ll have you participating in campaigns in both the European and Pacific Theaters. If you can stop firing long enough to look around, you’ll see birds in the sky and fish in the water. And you can run over absolutely anything that gets in your way. It’s an action-packed, detailed game with incredible graphics.

And honestly, I thought it was kind of boring and clunky.

LAS VEGAS — We’ve been SteelSeries fans for quite a while now, what with their stellar line up of headphones and gaming peripherals for both Mac and iOS.

The Chicago-based company just released what they’re calling the first Bluetooth-enabled official iOS 7 gaming controller, the Stratus.

We hung out with the team a bit at CES, and what we saw looks pretty damn sweet. Check it out.

Episode One of developer Sunside’s six-part, hybrid adventure series is out now in the App Store, and it’s a promising start.

Abducted pulls from a variety of genres to build its sci-fi world and mechanics, including point-and-click (and text!) adventures, role-playing games, and even survival horror. It’s also a really good-looking game with an intriguing setting and enough mysteries to keep you moving on to see what’s next.

And if you have a device that can play it, you’ll enjoy it quite a lot.

The Independent Games Festival (IGF), held every spring at the Game Developers Conference (GDC) in San Francisco, is a celebration of the independent spirit. It’s both a gauge of the cutting edge in game design as well as an increasingly popular event among gamers of all stripe.

This year, the list of nominees for the awards contains a veritable boat-load of games that are available on iOS or Mac. It’s a who’s-who of the hot new games tat everyone’s talking about as well as a notice that mobile gaming is definitely on the map.

Just after we waxed rhapsodic about the new SteelSeries Stratus iOS 7 gaming controller comes a new controller to the news cycle, the Signal RP One.

If the picture above is any indication, this one is sized more like a typical console controller in the Xbox style than SteelSeries’ mini stature, which could bode well for Signal, as not everyone has the tiny hands to deal with a smaller controller device.

If you played the original Feed Me Oil a couple years ago, you probably fell in love with its surreal graphics and fun, physics-based puzzles. If you didn’t, the name is probably confusing the hell out of you. Because you really shouldn’t feed anything oil, right? That’s super gross.

Don’t get stuck on that, though, because Feed Me Oil 2 is out now, and it features the same addictive gameplay with shinier graphics and some new tools to get that oil where it needs to go.

And where it needs to go is, like, right into the mouth of a weird, animal-like hill or something. But again, don’t dwell on that because if you do, you’re missing out on a great game.

Interactive zombie film series The Hunting is back with its third installment, which has you continuing to make life-threatening choices and furiously tapping on your screen to run and fight off crazed undead who want to put the nom on you.

It’s another creepy, high-tension experience that will quickly make you regret playing it with headphones and/or in the dark, both of which I did because I clearly don’t know what’s good for me.

But while the game is still completely scary and harrowing as ever, it fails to build on Part 2’s impressive shotgun blast of terror and what-the-hell-ery.

I went into Ark Saver expecting it to flounder about like the Noah’s Ark mini game in Bible Adventures on NES. I’m incredibly surprised that it is not only playable but pretty addictive.

The goal in Ark Saver is to match the next animal in a long line with its pair as quickly as you can. Each level gives you 30 seconds to pair 50 or more sets, and each level introduces more creatures to match. To get the highest score, you’ll need to maintain a combo streak that breaks every time you tap the wrong picture. Luckily, the only harm breaking a combo repeatedly has is decreasing your overall score.

Okay, so you’ve mastered Super Crate Box, and you’re so good at Super Hexagon that you can’t play it anymore without yawning. And maybe you’ve also bested a Sasquatch at arm-wrestling, and you’re the King of the Oompa-Loompas because those two things are just as likely.

But if you like those other games and are looking for something “inspired by” them, you’d do well to check out Atomic+, a recently released arcade/twitch/minimal title that puts you in the position of an electron that can leap between atomic orbits and has a lot of stuff flying at it constantly.

So maybe not quite like an actual electron, but you get my point.

While adding physical controls instantly improves almost any mobile game, no one wants to carry around a big, bulky control pad all day. But it’s unlikely you’ll have any complaints about taking the iMpulse with you everywhere you go, because it’s so small it fits on your keyring — and it’s compatible with both Android and iOS devices.

There are still a ton of us who game on our Macs. If you’re one of those folks, you’ll know how great a platform the Mac can be. While there may not be as overwhelming an amount of games on Apple’s fantastic computer platform, the ones that are there are of high quality.

And? There are a ton more these days than ever before. 2013 was a great year to be a Mac gamer, with ports of a ton of the big titles of the year, including games like XCOM: Enemy Unknown, Sim City, and Bioshock Infinite.

A bunch of iOS games came to the bigger screens of the Mac, too, with fantastic, hit titles like tower offense, Anomaly 2 and Solstice Arena, a speed massively online battle arena (MOBA) game from Zynga that has some legs, and some smaller indie gems like Gentlemen! from Lucky Frame.

Whether you like the big blockbuster games or the more cerebral indie ones, the Mac platform has a plethora of gaming experiences to choose from. Here are the best ones we’ve seen.

Gaming publisher extraordinaire Square Enix just emailed us here at Cult of Mac to tell us that it has added quite a few more titles, most of them from arcade game publisher, Taito, to the big iOS Holiday Sale.

Most of the games below are 50 to 60 percent off the usual prices, so if you’re in the market (or just the mood) for some great retro iOS games, this is your chance. The sale lasts through January 6, so don’t take too long to head on over to the App Store.