headphones - page 11

Let me count the ways that I have killed so many successive sets of earbuds, whether from Apple or otherwise. Rain, sweat (ears), sweat (general, dripping), wet ear canals from insufficient after-shower toweling. More rain.

You get the idea.

If only I’d had a pair of Klipsch’s new rugged S4i earbuds, which are rubberized against both the elements and also my deadly perspiration.

The earbuds are also fully iReady, with a mic for calls and a three button remote for play/pause/answer and volume control. The specs say that the sensitivity (a good measure of how loud they are) is 110dB and the frequency response goes from 10Hz to 19kHz – a respectable range for a ‘bud.

But the toughness is the thing, and these multicolored cans can put up with most exercise and outdoor activity.

I doubt they can resist my single most common way to break a pair of headphones though – the Tug. The Tug can be achieved in many ways, but has one common element: you forget about a dangling cord and catch it fatally on an immovable object, or your own body. I have ended the life of a pair of Porta Pros by standing from a crouch and catching the cable on a knee. And I butchered a pair of retro Panasonic over-the-ear headphones when the cable snagged on a post in the street.

I should probably be more careful.

The S4is will be available soon.

Source: Klipsch

Thanks: Ashley!

The earbuds that came with your $600 iPhone are junk, and if you bought an iPad, Apple didn’t even include a pair in the box. It’s time to upgrade.

Trouble is, there are all kinds of cans out there. How do you know what set is right for you? Some people (like me) seem to have a pair for every situation. For everyone else, here’s our guide to the best.

Local SF Bay Area startup California Headphones presents two high-performance headphones that combine fetching good looks with a less bottom-heavy audio usually associated with a lot of over-ear headphones aimed at rap/hip-hop listeners. These retro-styled headphones instead emphasize the middle and higher sonic frequencies of guitar and vocal music, the sound milieu of breezy California. And my favorite part is that the headphones come with Duo-Jack smart signal divider, so you and a friend can both listen simultaneously to your iPod.

While other manufacturers might tart up their headphones with loud colors, obnoxious logos and frills, the Klipsch Image One ($150) drops all extraneous nonsense in favor of making you happy through its three impressive strengths: perfomance, comfort and portability — a triple threat that makes these headphones a contender for best traveling companion.

I suppose that product meeting for the V-Moda Vamp went something like this:

Designer: Here it is! The Vamp case. It’s a metal case for the iPhone.

Boss: What the hell is wrong with you? That thing is huge. It’s an embarrassment to the good name of V-Moda. My god. With a box that size you could fit in literally anything. ANYTHING!

(Light bulb goes off over designer’s head)

So far it’s been pretty consistent: Each time we review a set of Ultimate Ears ‘phones, the bar leaps up a few notches as our expectations regarding the outfit’s offerings rise. After reviewing the 350, 700, and especially the 600vi — which garnered a best-in-class verdict — we were expecting the TripleFi 10 ($400) to slay vampires and cure cancer.

Of Ultimate Ears’ more serious offerings — and by serious, I’m referring to UE’s armature-equipped models, which start at $100 — the TripleFi 10 is by far the most serious, with three drivers and a crossover in each ear, pro-level detachable leads, the thickest cable we’ve ever seen on an IEM, Comply foam tips (the best tips, period) and a sound signature that’ll have you madly running through your entire music catalog with a big, gleeful smile plastered all over your face.

What!? Neither Cult publication has ever reviewed Monster’s famed Turbine earphones, even though the IEMs have been hanging on Best Buy end caps for the last several years? Well, that’s an injustice we won’t let stand another day — after all, these are among the best recognized, and most iconic IEMs on the market.

The Turbine is the base model in Monster’s Turbine lineup; though with an MSRP of $180, “base model” seems like a relative term (the two higher models, the Pro Gold and the Pro Copper, are $300 and $400 respectively and are apparently better at reproducing a wider range than the plain-wrapper Turbines reviewed here).

Only in the world of technology could a company get away with calling these earbuds “wireless.” The product is called the BackBeat Go, and the company is Plantronics, and to anybody with more than zero eyes, it’s clear that they are connected by a wire.

Not so, according to the product blurb: “No wires, no hassle, no compromise,” it says. To which we might add “no brains.” Even better, just a few lines later you can read this sentence: “Inline controls let you pause music to take a call, change volume, or skip tracks.”

I’m not a big fan of music processing. As a child of the 1980s, I spent more time tweaking graphic equalizers than I did listening to actual music. And now, I figure if my iPad can’t manage to make an over-compressed MP3 sound good, then not much will help.

But those who prefer their music to be all big bass and punchy highs might find the SRS iWOW-U to be a compelling purchase. The dongle dangles between your iDevice’s jack socket and your headphones, and “will make you say ‘WOW’ within 10 seconds of turning it on,” according to the blurb. Then again, that same blurb also claims that the iWOW-U offers “an amazing HD-quality listening experience,” so take from that what you will.

You know how many tech companies strive to make our experience of their products easier and more transparent so that — in the case of things like the iPad — the product disappears and lets us enjoy whatever it is that it does?

Koss didn’t get that memo, and has launched Striva, an “initiative” which takes something as simple as a headphone and makes it as complicated as an old-school router.

For anyone who spends a lot of time in trains and planes, noise-canceling headphones are pretty much essential. But if you’re walking the streets, then noise canceling can be a pain or even a hazard, isolating you a little too much from your environment.

Luckily, the Able Planet Linx Audio Clear Harmony headphones sound pretty good with noise cancelation both on and off. And they’re also comfy enough to keep on throughout a long journey.

The most common reaction people have when they see me wearing my Koss PortaPros is: “Don’t you work in tech? Can’t you afford some Skullcandies or something, instead of those hand-me-down headphones from the 70s?”

I always want to smack these people for their shameful ignorance and misguided elitism, but don’t… mostly because this is exactly the same reaction I had when, two years ago, I saw a pair of Koss PortaPros perched upon Cult of Mac review editor Charlie Sorrel’s lank, salt-and-peppery head.

Since then, I’ve converted a dozen friends to Koss PortaPros the same way Charlie converted me: by taking them off his head and making me put them on and listen to them for a few seconds. Everyone I’ve converted has sworn by Koss, just like Charlie and I do.

Koss’s PortaPro series isn’t old or antiquated: they’re design and quality are timeless. There’s a difference. But that doesn’t mean a timeless design can’t be improved or added upon, and with the PortaPro KTC line, Koss has done it.

How? How else. A built-in mic and in-line controls for your iPhone. Those sneaky devils.

Earbuds are a compromise. Bang for the buck, you’ll always get better sound and bass from over-the-ear headphones, and probably better comfort as well. Notoriously fragile, you’ll likely get more longevity with headphones than earbuds, too. But these are all the sorts of drawback you live with if you want to listen to your music on the go without carrying around a big pair of cans with you, and all of the technology of earbuds are largely extended towards minimizing their deficits when compared to their bigger, richer brothers.

Enter Sony’s XBA range of earbuds. Spanning four models, each defined by its number of drivers — the Sony XBA-1iP, the Sont XBA-2iP, the Sony XBA-3iP and the Sony XBA-4iP — Sony’s making a concerted effort to deliver high-end over-the-ear sound in a slim, light and portable package. But how well did they do?

It’s a first-world problem to be sure, but that doesn’t make tangled headphone cords any less annoying. Wrapping them around your iDevice helps, but you’ll probably do it too tight and end up breaking the cables. And those reel-em-in hand-cranked spindles so beloved of Sony in the 1990s have disappeared, probably because they’re too much hassle, or just kept getting lost.

Bluetooth promised to be the answer, but still sounds awful and requires recharging one more gadget. So Quirky’s new Wired tangle-free earbuds have got a lot to prove. Can they do it?

BARCELONA, MOBILE WORLD CONGRESS 2012 — SuperTooth, the company behind the excellent, beat-pumping SuperTooth Disco, are ready to boost their product lineup like their speaker boosts your music’s bass. First will be the imaginitively-named SuperTooth 2, followed by the dinky SuperTooth Mini, and some SuperTooth Bluetooth headphones.

Oh man. €3,500 ($4,650) is a ridiculous amount to spend on an external digital-to-analog (DAC) for your iPad, but the Zodiac looks so sweet I’m still tempted. The top-of-the-line Zodiac Gold itself will only set you back €3,000 alone, but when purchased with the optional Voltikus power supply, you hit the bigger figure.

For years now, I’ve been singing the praises of Koss Porta Pro headphones whenever anyone asks me which headphones they should by. Really, for the price, absolutely nothing beats them: they are rugged, extremely comfortable, and sound better than headphones that cost twice as much, all by-products of a classic, time-tested design that has kept mobile audiophiles pleased for decades now, and which Koss stands behind with a lifetime warranty.

The only problem with the Porta Pros is that their design is so classic, so time-tested that it doesn’t feature one of the major necessities of a good pair of on-the-town headphones of the last few years: an in-line mic and remote for answering calls on your iPhone. So hooray! Guess what the Porta Pro KTC (Koss Touch Control) fix?

There are those faithful who will never surrender their little white Apple earbuds. To them we say: Wear proudly. But for the rest, for those who don’t want to deal with sub-par sound, earbuds flopping around and having to hunt for foam covers, come with us — and we’ll show you a world of possibilities.

I distinctly recall a bit of maneuvering when Joe Daileda, head of sales and marketing at MEElectronics, contacted us about reviewing some of their earphones. Joe seemed particularly keen on getting a pair of their ceramic CC51Ps in our hands, but I wanted none of it — being the armature junkie I am, I was fixated on their armature-powered A151s ($75). Joe eventually ended up sending us three models (impressions of the unique, modular SP51 coming soon to a review near you).

Joe’s favoritism may have been entirely in my head — I get like that sometimes; but true enough, the CC51Ps turned out to be a stunning revelation. The A151s? Not so much.

LAS VEGAS, CES 2012 – Or maybe it’s that they’re pretending even less. The amount of bling at the Monster “booth” — it was actually more of a compound, complete with a super-secret inner sanctum — would make Snooki (who was at the show) blush. Their three newly released headphones seemed far more focused on fashion than sound; even Monster founder Nole Lee’s Segway (was it a Segway?) rolled around on gold-rimmed wheels. Then there were the booth fashion shows…

LAS VEGAS, CES 2012 – Amazing to think Sony has never offered an armature-driven earphone before; now that they are, they’re diving in huge time with eleven models. Aussie new kid on the block Audiofly just have one in their new lineup, but it’s a doozy, and it sounded absolutely stunning; we fully expect these to be a huge hit.

LAS VEGAS, CES 2012 — Sennheiser is attacking the audio market with two exciting new headphones: the high-end HD 700s, and the mid-tier anodized-aluminum-crafted Amperior. Both have taken me to my happy place.

LAS VEGAS, NEVADA – Last night the Cult of Mac staff was given a sneak peek at the latest and greatest products at the CES Unveiled event. Here is a small sample of what was shown.

The Sennheiser HD 650’s ($500) audio performance is among the best available, but they won’t be worth their high price tag unless you’re willing to listen to them correctly, and for some, the hassle may not be worth it.

We’re all familiar with Apple’s iconic white earbuds, and those of us who’ve popped for their $80 canalbuds are familiar with how Apple makes higher-end earphones. But Apple doesn’t make headphones — If they did, would they be like the new Incase Sonic ($150) set?