Maybe you’re a budding musician working at a nightclub and don’t know what to do with all the misplaced iPhones left behind. Or maybe you’re just brilliant and a wee bit inebriated.
Either way, we figure this is how you might be spending your time (uh, just don’t forget to activate “Airplane Mode” on ALL the phones). And unlike other hey,-watch-me-turn-a-phone-into-a-musical-instrument performances, this one doesn’t seem quite so much like a peek into Bizarro World.
Next up: Chef Ramsey hosts a Hell’s Kitchen episode where the only cooking utensils are iPhones.
“You know, if you saute scallops on a non-stick iPhone screen, they won’t stick. That’s why it’s called fucking non-stiiiiiiiick!”
Over 6 million songs in the iTunes Music Store. God knows how many albums that translates to, but we must be insane to try and pick 20 albums worth considering for their combination of music and artwork, right?
As long as we’ve got that straight on the front-end, then.
Herewith, a collection of 20 albums available on iTunes, loosely organized by release date (in reverse order) and presented with the thought they might make good additions to the much-ballyhooed iTunes LP upgrade hyped at Apple’s It’s Only Rock and Roll event in September.
No doubt readers may quibble with some (perhaps all!) of our selections; no doubt you’ll have suggestions of your own. Do let us know abut it in comments. All album links open in iTunes.
What it is: Tab Toolkit is a sophisticated guitar practice and education app from Agile Partners, makers of the handy Guitar Toolkit app that came out in 2008. Tab Toolkit lets users read and listen to real-time guitar tablature files, scrolling through songs at the correct tempo, showing both traditional and tablature notation and superimposing fingering notation updated in real-time on a virtual fretboard or piano keyboard.
Why it’s cool: Tab Toolkit is an app for serious guitarists willing to invest $10 in something that will make tab charts come alive on the go. That said, the app is cool because it shows the user exactly where to finger guitar parts as a synthesized version of a song is playing in real time through the iPhone or iPod Touch speakers or headphones. Songs can be stopped and started, scrolled forward and back, and the sound output can be muted to allow users to concentrate on their own playing. The fretboard can even be flipped to accommodate left-handed players.
Tab files can be a bit of a rare beast to come by, with the most useful files optimized for Mac being those created and readable by GuitarPro software, which runs $59.
Online libraries such as GPro Tab offer free sharing of user-generated GuitarPro tabs, which can be a great way to get started in the rich world of online instrument practice and education. Tab Toolkit supports text files and PDF files as well, but the genius behind the app is best appreciated with a GuitarPro tab.
The app supports multitrack parts, so users can learn two different guitar parts to a song, for example, or the bass part, the keyboard part, or even the vocal. Tempos can be speeded up or slowed down, and getting tabs from a user’s computer on to the iPhone are a snap over a wireless network connection – from the web onto the phone they are just as easy using the embedded Safari browser.
This reviewer doesn’t have too many $10 apps on his iPhone, but as a musician, I can say without reservation that Agile Partners have created an incredibly useful, well-thought-out app that performs – so far – flawlessly.
Where to get it:Tab Toolkit went live in the iTunes App Store on Tuesday; it sells for $9.99
I’m going to climb out on a limb here and suggest that most people don’t use their headphones to dig trenches or compute the rotational velocity of Jupiter. No, headphones are for sound reproduction. Shure’s new SRH440 Professional Studio Headphones do nothing more or less than that, do it very well, and at the bargain price of about $100.
Brit pop man-of-the moment Gary Go calls his iPhone the “fifth member of his band” and was the first musician to rock out on the device in front of 70,000 fans.
Go was on our radar last spring, when it was announced that he’d be using his iPhone to accompany his opening act, along with a four member human band, for boy band veterans Take That at London’s Wembley Stadium.
More on facing fans armed with an iPhone and the video after the jump.
The music industry is planning to introduce new laws that would require Apple to pay for music in downloaded movies and TV Shows — and iTunes’ 30-second song previews.
The move comes from the industry’s royalty-collection agencies — ASCAP, BMI and others — which collect royalties on music that’s broadcast or performed.
The agencies collect royalties on songs played on the radio or your local dive-bar jukebox, but say they are left out of the digital revolution. Artists are not being paid for music downloaded in movies and TV shows, or previews on Amazon, iTunes and other digital outlets, the agencies say. So they’re lobbying Congress to bring Apple and others in line with cable and broadcast outlets.
On the one hand, the agencies make a compelling point about the consumption of music. Music used to be public. It was broadcast on the radio of performed at concerts, and the industry had mechanisms for collecting royalties on this. But now music is private. It’s loaded onto iPods and played through computers — but there’s no mechanisms for monetizing these new consumption patterns.
“This is really a fight about the future,” one industry spokesman tells CNet. “As more and more people watch TV or movies over an Internet line as opposed to cable or broadcast signal, then we’re going to lose the income of the performance.”
This doesn’t sound unreasonable, but 30 second song previews? As CNet notes: “For many, this would also undoubtedly confirm their perception that those overseeing the music industry are greedy.”
Apple is expected to announce the availability of pre-cut ringtones made from popular music tracks at next week’s media event on September 9, according to a report Wednesday at CNET News.
Despite being able to easily make their own ringtones out of any mp3 file for free, consumers have in the past shown a willingness to pay as much as $3 to hear a few seconds of a favorite song when receiving an incoming phone call.
An Apple spokesman declined to comment for the report and no details are available about what the company might charge for ringtones, but the formerly booming, high-margin source of music industry revenues saw a 24% decline from 2007 – 2008, according to a recent report from the research firm SNL Kagan.
With many expecting little more than some tweaks to iTunes and a possible refresh of the iPod line next week, Apple appears to have done a good job of setting the stage for a blockbuster announcement of some kind.
On the other hand, Apple can’t be expected to put a ding in the universe with every single press conference; maybe what we’ll get next week will only amount to “Hey, Look – Ringtones!”
As expected, Apple is hosting a special “Rock and Roll” media event on Sept. 9 and is sending invites to members of the press.
The tag line for the event is: “It’s only rock and roll, but we like it” – a play on the Rolling Stones song “It’s Only Rock ‘n’ Roll (But I Like It).”
Some had speculated the event would be tied to the reissue of the Beatles catalog on the same day: 09/09/09. The band is re-issuing its entire remastered catalog and The Beatles: Rock Band game. But using a line from Rolling Stones now makes that seem unlikely.
The event is likely to showcase Apple’s holiday lineup of iPods, which are widely expected to get cameras, and a new version of iTunes with social networking features.
Although many are hoping the event will also see the introduction of an Apple tablet, that seems unlikely. But an appearance by Steve Jobs does not. If he hosts the event, it’ll be the first public appearance by Steve Jobs since his liver transplant earlier this year.
The event is being held at 10:00 AM PST at the Yerba Buena Center for the Arts in San Francisco, the venue of several previous Apple media events.
Apple Corps Ltd and EMI music announced Tuesday the impending release of newly re-mastered versions of every song in The Beatles’ original catalogue. The worldwide CD release is scheduled for September 9, and could be one part of a marketing trifecta that coincides with both the release of “The Beatles: Rock Band” video game and a special keynote event scheduled for the same day by Apple, Inc.
A team of engineers working with state-of-the-art digital recording technology alongside vintage studio equipment labored the past four years at Abbey Road Studios in London to create the first digital re-masters of all twelve original Beatles albums in stereo, as well as the collections “Past Masters Vol. I and II, and all of the band’s recordings that were mixed for mono release.
The two boxed sets will comprise 28 compact discs and feature artwork as originally released in the UK with CD replicas of the original sleeves, and all original inserts and label designs.
Apple, Inc. has invited a number of music industry professionals and press to a keynote event on the same date as the Beatles’ music and video game releases, though there is no official word on what will be on tap from the company behind iTunes and the iPod.
Speculation has centered on the possibility Apple would release its long-awaited Tablet product, though chances of that happening appear to be on the wane. Observers now are looking for updates to the iPod line and possibly for the release of the next iteration of iTunes.
Given recent news that one out of four songs are purchased now on iTunes, it may well be The Beatles and EMI have got a good reason for letting Apple distribute the band’s catalogue.
Hit the jump for the full press release and list of albums/songs included in the release.
UPDATE: Check out purported screenshots of iTunes 9 showing social networking integration from German blogger Tobias Bischoff after the jump.
The coming version of iTunes 9 will feature social networking on steroids, and Apple may be developing a standalone social networking application as well, if an account Tuesday from Boy Genius Report proves accurate.
Citing a “a pretty reliable source” named Lindsey, the site reported over the weekend that iTunes 9 would feature “some kind of Twitter/Facebook/Last.fm integration” along with Blu-Ray and functionality to visually organize and arrange iPhone and iPod Touch applications.
The source appears to have described Apple’s plans further, saying the company is working on a separate “Social” application it plans to release at some uncertain future date. The app would integrate with iTunes to let users broadcast what music they are currently listening to, permit sharing of music with people on their network (but um, iTunes lets you do that now), connect with friend’s friends, and update all of their online statuses at the same time.
It’s not hard to imagine Apple would be working on social networking, since it’s pretty much the biggest trend on the Internet today. It will be interesting to see what the company’s take on social communications looks like, especially in the light of the fact that social networking capabilities are among the more compelling aspects of LaLa — a competing music distribution outlet CoM reported on previously.
It will also be interesting to see just how much “broadcasting” and “sharing” music labels and artists rights organizations such as ASCAP and BMI are going to stand for in the brave new social world that appears to be just over the horizon.
Apple is developing a new media file format to deliver digital music along with collateral material such as artwork, lyrics, liner notes, songs, videos, and images all from a centralized album launch page, according to a report Monday at The AppleBlog.
Citing “various whispers and rumbling around the web,” the report said the new file format is code-named “Cocktail” for the variety of ingredients it will bring to the user experience.
Apparently, major music labels including Sony, Warner, Universal, and EMI are also spearheading their own version of an enhanced file format in the hope of not being outdone by what amounts to a significant potential upgrade for iTunes.
Apple is considered by many to have effectively “saved” the music industry by inventing the iPod and iTunes, with the major labels having resented the company’s pricing power and ability to dictate distribution terms ever since.
If true, the rumored new file format could make for nice end-user eye candy while providing entertainment for those amused by the ongoing struggle for world domination among Apple and the major media distributors.
Apple’s iTunes – the only online music distributor that matters, according to one well-placed music lawyer – may get additional competition before year-end, if an exclusive Wired report published Monday proves accurate.
Spotify, a music service boasting over 6 million songs that can be accessed on-demand and customized into personalized, editable, downloadable playlists, is currently available only in Europe but the company is feverishly working to sign distribution agreements with copyright holders and music labels to bring both a desktop and an iPhone application to American consumers as soon as possible, according to the report.
Spotify’s potential to compete with iTunes in the US remains speculative at this point, and the company understands that despite having created a slick iPhone app to which Wired writer Eliot Van Buskirk gives rave pre-release reviews, Apple could put the kibosh on the whole thing if it determines Spotify “replicates functionality” provided by Apple’s native iTunes application. “It’s going to be very interesting to see if Apple lets this through or sees us as competition — fingers crossed,” explained Spotify communications manager Jim Butcher.
Whether or not the iPhone app is approved, when the company gets its US distribution agreements in order it seems likely that many will check out some of the interesting features the desktop service will have to offer, such as the ability to stream playlists created by other Spotify members and to access an ad-free version of the service with a premium account.
It will be interesting, too, to see how Spotify differs from and compares with Lala, another iTunes competitor with great potential already available in the US.