Apple rolled out major improvements to Final Cut Pro X on Tuesday that promise to make life a little easier for remote video editors. The changes are designed to speed up workflows and enhance portability.
Being stuck at home with nothing to do but watch the world collapse around us is kind of a downer, but there are some upsides. One is that people are getting creative. Like, literally creative — making more music, writing and sharing videos. The other silver lining is that app-makers are offering big discounts and extended trials for some amazing apps.
For instance, Apple now offers a free, three-month trial of its music-production app, Logic Pro X. And Ableton just matched this offer with its Live Suite.
Apple gave its video editing software Final Cut Pro X a big new update this morning that includes new features like 3D titles and GPU-accelerated RED RAW processing. A number of updates were also added to Final Cut Pro X’s companion apps Compressor and Motion.
The Final Cut Pro 10.2 release is the 15th update since Apple drastically overhauled its video editing software in 2011, bringing more professional features to draw in more video producers. Perhaps the biggest features is the addition of iTunes Store Package to Compressor that makes it easier than ever for movie makers to package and sell an films on iTunes.
“From Hollywood blockbuster directors to first time movie makers, Final Cut Pro X is changing the way we edit movies today,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing. “The updated Final Cut Pro X, Motion and Compressor make it even easier to edit, title and package everything from short videos to feature-length films.”
If you plan on seeing Focus starring Will Smith and Margot Robbie this weekend, you will be watching the first major studio film edited entirely with Final Cut Pro X.
Originally criticized as “iMovie Pro” for its incredibly simplistic interface and feature set, Final Cut Pro X has managed to start wooing Hollywood filmmakers by slowly adding back missed tools along with new ones. Now the directors behind Focus think it’s the future of movie editing.