Macworld magazine has given Apple’s controversial update of Final Cut Pro X a cautious thumbs up.
The new version of Final Cut Pro rocked the video editing world with its ruthless embrace of the new at the expense of the old. Lots of veteran FCP editors are outraged by the update, which has a whole new code base and workflow. The new software can’t even open old FCP projects!
But Macworld says that’s the price to pay for progress. The new software has been rewritten for a tapeless, metadata-based video workflow, and though incomplete, it’s a huge imporvement:
With Final Cut Pro X, Apple is once again out to completely re-invent the video industry. This is a truly groundbreaking release for a 1.0 software version, and I hope that the professional features that many video editors currently use will be made available soon.
Macworld: Review: Final Cut Pro X
Leander Kahney is the editor and publisher of Cult of Mac.
Leander is a longtime technology reporter and the author of six acclaimed books about Apple, including two New York Times bestsellers: Jony Ive: The Genius Behind Apple’s Greatest Products and Inside Steve’s Brain, a biography of Steve Jobs.
He’s also written a top-selling biography of Apple CEO Tim Cook and authored Cult of Mac and Cult of iPod, which both won prestigious design awards. Most recently, he was co-author of Cult of Mac, 2nd Edition.
Leander has been reporting about Apple and technology for nearly 30 years.
Before founding Cult of Mac as an independent publication, Leander was news editor at Wired.com, where he was responsible for the day-to-day running of the Wired.com website. He headed up a team of six section editors, a dozen reporters and a large pool of freelancers. Together the team produced a daily digest of stories about the impact of science and technology, and won several awards, including several Webby Awards, 2X Knight-Batten Awards for Innovation in Journalism and the 2010 MIN (Magazine Industry Newsletter) award for best blog, among others.
Before being promoted to news editor, Leander was Wired.com’s senior reporter, primarily covering Apple. During that time, Leander published a ton of scoops, including the first in-depth report about the development of the iPod. Leander attended almost every keynote speech and special product launch presented by Steve Jobs, including the historic launches of the iPhone and iPad. He also reported from almost every Macworld Expo in the late ’90s and early ‘2000s, including, sadly, the last shows in Boston, San Francisco and Tokyo. His reporting for Wired.com formed the basis of the first Cult of Mac book, and subsequently this website.
Before joining Wired, Leander was a senior reporter at the legendary MacWeek, the storied and long-running weekly that documented Apple and its community in the 1980s and ’90s.
Leander has written for Wired magazine (including the Issue 16.04 cover story about Steve Jobs’ leadership at Apple, entitled Evil/Genius), Scientific American, The Guardian, The Observer, The San Francisco Chronicle and many other publications.
Leander is an expert on:
Apple and Apple history
Steve Jobs, Jony Ive, Tim Cook and Apple leadership
Apple community
iPhone and iOS
iPad and iPadOS
Mac and macOS
Apple Watch and watchOS
Apple TV and tvOS
AirPods
Leander has a postgrad diploma in artificial intelligence from the University of Aberdeen, and a BSc (Hons) in experimental psychology from the University of Sussex.
He has a diploma in journalism from the UK’s National Council for the Training of Journalists.
Leander lives in San Francisco, California, and is married with four children. He’s an avid biker and has ridden in many long-distance bike events, including California’s legendary Death Ride.
You can find out more about Leander on LinkedIn and Facebook. You can follow him on X at @lkahney or Instagram.
8 responses to “Macworld Gives Final Cut Pro X a Cautious Thumbs Up”
That is way i love Apple.
Those people have big balls.
Wise risk taking leads you forward.
Hope the newness’ bumpy road end soon.
Wise risk taking good. Stupid risk taking bad.
FCP X isn’t particularly wise. By not having the ability to import old projects, they’ve basically told their entire professional user base that they don’t matter. Adobe and Avid are going to pick up a lot of customers over the next couple months.
The article in MacWorld says that you need to keep the old FCP as the new one is transitional. It is not meant to wholly replace the old product.
“and though incomplete”
AKA beta… and a $300 beta at that.