New Apple TV+ thriller/comedy Severance takes a visit to a motivational museum this week. Actors Adam Scott, Britt Lower, Patricia Arquette, John Turturro and Yul Vasquez continue to do amazing work with their offbeat characters in this satirical study of the depressing nature of punching the clock.
Severance’s unique look and science fiction premise continue to pay dividends rich enough to get over some of the hurdles the show occasionally throws at the rational part of your brain.
Apple TV+’s The Afterparty, the show with a kaleidoscopic approach to genre, hits a new low this week as it becomes a dreadful procedural for its penultimate episode. The show has been many things by now — an unfunny cartoon, a musical, an action movie, an arthouse experiment — but it’s never fully just given into being bad television on purpose before now.
There’s something frankly a little insulting about being asked to watch a half-hearted impression of something The Afterparty creator Christopher Miller and the show’s writers keep telling us is bad and a waste of time and unrealistic. I’d much rather just watch a rerun of JAG on Pluto TV than continue with this baleful re-creation.
What, for heaven’s sakes, is the point of The Afterparty?
This week on Apple TV+ show The Afterparty, we hear from the final suspect who attended the reunion that ended with pop star Xavier’s murder. So, if you’ve loved hearing about these events over and over — congratulations! You’re getting them one more time, this time delivered in the form of an unremarkable animated TV show.
Newly single mom Zoë takes Detective Danner through her version of the events that took place that deadly night. Naturally, she makes plenty of detours to talk about her life as a mom and a divorcee, and how hard all of this has been for her.
Her story would prove more compelling if these points hadn’t already been made in the previous five episodes of this dreadful show. It only took half of this short season for The Afterparty to run out of steam. All in all, it’s a pitiful display from comedy performers who should know better.
The Afterparty, Apple TV+’s Rashomon-style comedy of perspectives, finally looks back at the party before the party. Outkast is on the stereo, the cast get bad haircuts, and everyone makes embarrassing mistakes. Could this explain Xavier’s death?
The show hasn’t done much to engender any good will toward its cast of characters, and this week’s stunt episode doesn’t help things. The Afterparty seems quite taken with the idea of the cast reliving their glory days. But the sight of them all looking younger isn’t quite the gas the writers and director Chris Miller seem to think it is.
Apple TV+’s murder mystery/comedy The Afterparty soldiers on this week, investigating drunken party girl (and former valedictorian) Chelsea.
The genre-hopping show, which made a fitful start with last week’s first three mirthless episodes, has no better luck with this week’s half-hearted, half-remembered crime story than it did as a poorly thought-out musical or rom-com.
At this point, it’s a genuine question whether the writers and producers knew what they were doing when The Afterparty snagged a full-season order. Not even the ordinarily reliable Tiffany Haddish seems to be having any fun in this blinkered affair.
Apple TV+’s newest comedy The Afterparty is a lifeless, listless and laughless murder mystery in seven parts told by dozens of narrators. The premise is novel: Each episode, the first three of which premiere Friday, parodies a different storytelling genre.
Executive produced, written and directed by Christopher Miller and Phil Lord of The Lego Movie fame — and starring a who’s who of contemporary comedians — the show had everything going for it. It is, however, an almost complete misfire.
The Afterparty is neither funny nor fun enough to ever create an identity stronger than any of what it’s lampooning.
The interrupted second season of Central Park will resume on March 4. The Apple TV+ musical comedy has eight more episodes with the madcap adventures of the Tillerman family.
The series has garnered multiple Emmy nominations, and the first half of the second season has a amazing 100% approval rating on Rotten Tomatoes.
Dickinson bids us farewell this week — too soon, but beautifully. What lies in store for Emily and her family in their final outing? Can she overcome history to find a happy ending denied her by fact and legacy?
The Apple TV+ alt-history show says goodbye on a sweet, lightly ambiguous note — and finds its strength in invention. Emily Dickinson we hardly knew ye.
Apple TV+’s The Shrink Next Door, starring Will Ferrell and Paul Rudd, mercifully comes to a close this week after eight very long episodes. Marty goes looking for the missing pieces of his life after 30 years under Ike’s care, and finds a lot of dead ends.
Can he repair his life after so long messing everything up? It’s an open question whether he, or anyone around him, will be willing to forgive him. This series finally parts ways with its central pair and lets them both off with a warning, in the grand scheme of things.
Reconciliations abound and new beginnings rear their heads on the penultimate episode of Dickinson, the alt-history Apple TV+ series about the great poet and her family and friends. And the show prepares to say goodbye in fine, fine form.
Dickinson finally answers its loose-end questions about Emily Dickinson’s place in history (and, indeed, the place of art and poetry in a more general sense). The show finally explores what it means to want to create during a destructive time — and it’s a shame the showrunners won’t be able to do more after landing in such a beautiful place. There’s still some sitcom business, but that’s less important.
Dickinson, Apple TV+’s soon-to-be-missed show about the great poet, arrives at its moment of truth this week. The episode, titled “My Life had stood – a Loaded Gun -,” is the one the entire show has been building toward — and there are still two left to go before this final season concludes.
Will Emily Dickinson become who history understands her to be, or is there some greater truth for this version of the poet? Strong performances and fearless writing guide the show into uncharted territory this week.
Emily and Lavinia visit the future in this very special episode of Dickinson, Apple TV+s alt-history romp about the great poet. They head to 1955 while Austin gets desperate, Betty gets lonely, Henry gets creative, and Mr. and Mrs. Dickinson get high.
It’s a wild episode this week, rootless and maybe a little too cute, but that’s not unusual for Dickinson.
Apple TV+’s true comedy The Shrink Next Door heads into its endgame this week. Manipulative psychiatrist Ike has all but moved into his patient Marty’s house in the Hamptons. And the bad doctor has started professionally throwing parties.
However, the longer the party goes on, the less fun it feels. The same is true of this show, which increasingly feels like it should have been a two-hour movie — if it needed to exist at all.
Apple TV+’s true comedy The Shrink Next Door jumps forward to 1990 this week as Ike and Marty take the next step toward their collective doom: They go in on a housing project together. Ike is ready to become one of the beautiful people, something Marty always shied away from despite his massive inherited wealth, and they’re going to do battle over something Marty loves.
The show, which stars Paul Rudd and Will Ferrell, laid the groundwork for a one-sided battle of wills — and now it pushes everything too far. It will be difficult to get excited for another minute of this show after the episode’s conclusion.
This week on Dickinson, the girls are off to the lunatic asylum and Henry needs to find his inner housewife to help his recruits pass an inspection.
This week’s episode of the Apple TV+ feminist alt-history fable is one of the strongest yet — and it makes the looming finale all the more bittersweet. Just when the creative team seems to be hitting its stride and enjoying themselves, the end must come.
It’s an old-fashioned family sing-along on this week’s Dickinson, Apple TV+’s show about the Belle of Amherst and the tempestuous times in which she lived.
Lots of talk about legacy and darkness cloud an evening’s celebration during the episode, titled “Sang from the Heart, Sire.” Can Mr. Dickinson’s birthday party (or his reputation) survive?
Apple TV+ comedy The Shrink Next Door takes a step toward chaos and a step away from reconciliation this week. Marty and his psychiatrist, Ike, start a business together, which means they’re financially tied to each other. Marty has finally stopped giving in to everyone’s demands, but Ike is there to step in and replace every demanding person in Marty’s life.
This is not going to end well.
A premiere date for a hotly anticipated Apple TV+ series has finally been revealed. The Afterparty starring Tiffany Haddish and a collection of other comedians will make its debut on Apple’s streaming service on Friday, January 28.
The very unusual murder mystery was created by film virtuosos Phil Lord and Chris Miller.
Emily wonders about her place in the world during the Civil War, and the poet gets a little help from some colleagues — while the Dickinsons get fleas and Henry gets a new job.
It’s an eventful week on Dickinson, Apple TV+’s feminist fantasia. And, as usual, the simplest answer is often the right one.
Apple TV+ is two years old and there are plenty of new films and series to look forward to in the third year. The streaming service has us eagerly awaiting two comedies, a tragedy, two murder mysteries and an animated movie, all premiering in just the next four months.
Here are the Apple TV+ additions we’re having the hardest time waiting for.
The gamer-themed workplace comedy Mythic Quest has been picked up for seasons three and four on Apple TV+. Not surprising: season two of the show enjoys a 100% critics approval score from Rotten Tomatoes.
The ensemble cast will return for more dysfunctional but somehow warm hearted office shenanigans.
The first trailer for The Shrink Next Door introduces the characters that fuel this upcoming dark comedy based on true events. The limited series, which stars Will Ferrell, Paul Rudd and Kathryn Hahn, debuts November 12 on Apple TV+.
The two-minute clip released Tuesday introduces us to the wealthy Martin “Marty” Markowitz (Ferrell) and his longtime therapist Dr. Isaac “Ike” Herschkopf (Rudd), who uses his charm and friendliness for exploitation and manipulation.
Apple TV+ brings its first bilingual sitcom to audiences with Acapulco, a workplace comedy with a nostalgic bent. Eugenio Derbez produces and stars in this look back at Mexican resort culture in the 1980s.
Will audiences continue their love affair with the Latin star?
TV industry virtuosos Phil Lord and Chris Miller created a very unusual comedy series for Apple TV+. The Afterparty is about a murder but each episode is seen through a different suspect’s perspective and shot in a different film genre.
The laughs start in the first trailer for the show, which debuted Thursday. Watch it now
Jon Stewart is back on TV with more control, more freedom and more gray hair. His new Apple TV+ show, The Problem With Jon Stewart, debuts Thursday and promises to tackle the tough questions facing the world.
But has America missed its smart-ass in chief since he departed The Daily Show in 2015? Is there still a place for Stewart’s left-leaning (fire)brand of comedy in the modern media landscape? Can TV actually exert any kind of power on public opinion anymore? Tune in every week on Apple TV+ to find out.