Lewis Wallace - page 30

SAN FRANCISCO — Twenty-five years ago, a bike messenger sat in his garage and used an old-school Singer sewing machine to stitch his mark on the world.

That bike messenger was Rob Honeycutt, and the bags he made in 1989 were called Scumbags. They were designed for use by the city’s notorious two-wheeled delivery riders, whose fashion sense tended toward crude cutoffs, T-shirts and hoodies.

A year later, Honeycutt changed his operation’s name to Timbuk2, and the company’s been crafting an increasingly ambitious line of bags ever since, expanding far beyond the world of tattooed dudes on fixies.

“Timbuk2 wasn’t going to the office 25 years ago,” CEO Patti Cazzato told Cult of Mac during a recent tour of the company’s Mission district factory, where all of Timbuk2’s custom bags are made.

Was Apple’s livestreamed iPad event really such a big yawn? Search Twitter for “#AppleEvent yawn” or “Apple boring” and you’ll see tweet after tweet bemoaning the boring nature of Thursday’s press conference. It got so tedious for some, there were dozens of photos of napping dogs.

“Most boring Apple event ever,” tweeted one. “Bring back the Chinese translation.”

Maybe some of those folks are being facetious, but there’s a grain of truth in the tweets: Nothing about Thursday’s event, except for maybe Stephen Colbert’s crackup comedy bit with Craig Federighi, was super-compelling on the surface. Many of the specs had been leaked (some even by Apple itself), and the rumor mill proved pretty accurate in the run-up to the presentation.

Still, this was no Phantom Menace. I mean really, what were people expecting? Jetpacks, aliens and electric cars?

This is Apple’s big dilemma right now: How do you top yourself when you make the best products in the world?

When Twin Peaks mesmerized us with its weird mix of mystery, mysticism and Americana in the early ’90s, smartphones didn’t exist. But even if the iPhone had already conquered the world, it’s possible nobody in the small Pacific Northwest town that served as the show’s setting would have owned one.

The forested fantasyland of Twin Peaks was a purposely backward backdrop upon which series creators David Lynch and Mark Frost could project their twisted vision of the darkness that lurks below the wholesome surface of American society. While the show was set in 1989, the small-town setting was a deliberate throwback to ’50s-style innocence, which was quickly shattered by the discovery of a beautiful teen’s corpse.

When Twin Peaks resurfaces in 2016 on Showtime, the cultural landscape will have changed radically from where the series left off a quarter-century ago. What kind of fascinating freak show will Lynch and Frost craft as they bring the show into the digital age?

ROSEVILLE, California – This is where your electronics go to die.

In a nondescript, 200,000-square-foot warehouse 20 miles northeast of Sacramento, box after box of discarded electronics and parts sit at Sims Recycling Solutions, awaiting their date with the “mega-shredder” at the end of the line. That’s where four rows of 22 hardened-steel blades will rip and grind the metal housings and circuit boards into tiny chunks.

“We recycle almost everything,” said Bill Vasquez, Sims’ vice president of U.S. operations, during Cult of Mac’s recent tour of the facility. He said more than 99 percent of the materials that pass through Sims’ doors gets recycled. “Our focus is to divert everything from landfill as much as possible.”

With Bendgate causing some worrywarts to question the structural integrity of the iPhone 6 and 6 Plus, Consumer Reports set out to answer the question: “How much force does it take for a phone to bend — and not bend back?”

The independent consumer-testing outfit took six smartphones — including both iPhone 6 models and an iPhone 5s — into the lab and subjected them to experiments using an Instron compression testing machine. The results are surprising.

Here’s what they found (along with a video showing Consumer Reports’ torture testing).

The iPhone 6’s sleek design is undeniably sexy, but the big glass display and those sexy curved edges can cause problems if you leave your phone sitting on a smooth surface.

If you’re not careful, you could find your iPhone in pieces on the floor.

You don’t need a new iPhone to enjoy the awesome power of iOS 8. Loaded with new features and built-in apps, Apple’s latest mobile OS is its most powerful yet.

As intuitive as it is, there are plenty of tips and tricks that will help you truly get the most out of iOS 8 — even starting before you pull the trigger on the free upgrade. Just in case you don’t feel like reading all 182 pages of Apple’s official iOS 8 user guide, here’s a roundup of Cult of Mac’s most helpful iOS 8 tips and tricks. (We will update this post as we dive deeper into iOS 8 in coming weeks.)

Apple fans will never revel in the glory of another Stevenote. But an essay that imagines how Steve Jobs would have introduced the Apple Watch just might be the next best thing.

Lesson No. 1: He wouldn’t have called it the “Apple Watch.”

Thousands of angry iPhone users have found an album they weren’t looking for: U2’s Songs of Innocence.

Instead of making the band’s mediocre new album an opt-in freebie, Apple jammed it down the throats of a half-billion iTunes Store customers, enraging some of the company’s most loyal fans. Whether they wanted the album or not, it’s now showing up as “purchased” in individuals’ iTunes libraries on their computers and phones.

When Tim Cook trotted out the Irish rockers for a limp finale to Tuesday’s big Apple Watch announcement, he called giving away the band’s new record “the largest album release of all time” — but now it looks like one of the dumbest.

Dragging U2 onstage to end Apple’s big iPhone 6 event was more than a disappointing denouement to an otherwise solid piece of marketing theater: It was a tacit admission that the recorded music industry is gasping for its last breath.

During his peculiar onstage banter with Bono, Apple CEO Tim Cook called the iTunes-exclusive release of U2’s new album, Songs of Innocence, “the largest album release of all time.” He also crowed that dumping the record for free on iTunes’ half-billion users would make music history.

It did, but for all the wrong reasons.

A comic book movie about misfit space superheroes might not seem to have much in common with Apple’s long-rumored entry into wearable computing. However, for a handful of reasons, Guardians of the Galaxy is to Marvel Studios what the iWatch is to Apple –- a high-profile release that’s critical to the company’s future success.

Here’s why.

Who are the Guardians of the Galaxy and why should you care? Marvel Studios gave lucky fans a nice long look at the weird team of space heroes during an extended sneak preview of the upcoming Guardians of the Galaxy movie.

The 17 minutes of footage introduced the five key players: Peter Quill, aka Star-Lord (played by Chris Pratt); talking raccoon Rocket and his treelike buddy/protector Groot; beefy blue badass Drax the Destroyer (part-time WWE wrestler Dave Bautista); and steely, green-skinned assassin Gamora (Zoe Saldana). It also gave us a sustained looked at the movie’s not-so-secret weapon: humor.

Siri: “How long should a keynote last?”

As anyone who watched Wednesday’s nearly three-hour livestream of the Google I/O kickoff, the answer to that question should be 90 minutes or less.

As the event dragged on, the tone on Twitter went from restrained interest about Google’s somewhat underwhelming announcements to reports of sleeping reporters and jabs at the ponderous presentation’s length. “Apple just launched a keynote shortener,” tweeted Dave Pell.

What’s your take on iOS 8, Swift and OS X Yosemite?

Got your own favorite features in Apple’s latest releases? Let us know in the comments below.

Photos: Jim Merithew/Cult of Mac

Instead of dropping a smartwatch or some other hardware bombshell at WWDC 2014, Apple showcased the futuristic tools it will use to extend its rapidly growing empire.

“Apple engineers platforms, devices and services together,” said Apple CEO Tim Cook as he wrapped up the Worldwide Developers Conference keynote Monday in San Francisco. “We do this so we can create a seamless experience for our users that is unparalleled in the industry. This is something only Apple can do.”

Casual observers (and stock analysts) might fret that there was no big wearables reveal, no amazing new Apple TV, not even a spec boost for an existing device during the highly anticipated WWDC kickoff. Yet while there were was absolutely no talk of new hardware, Apple offered an exciting peek at where the world is headed next with iOS 8 and OS X Yosemite, both of which are available to developers now and will be released to the public this fall.

“We’re always future-focused,” said Cook, who shared presenting duties with Craig Federighi, Apple’s senior vice president of software engineering, and others. Here’s a look at the shiny, translucent, interconnected future Apple is focusing on.

To me, the 1976 Gibson Explorer means lust at first sight, love at first feel and that rarest of man-machine crushes: an enduring passion that persists long after I plunked down my hard-earned cash.

Gibson’s luthiers prototyped the Explorer (alongside pointy siblings the Flying V and the apocryphal Moderne) in the ’50s. The space race was on, rock ‘n’ roll was coming into its own and cars boasted bold curves and sci-fi fins. The Explorer and Flying V were released in 1958, a year after the Soviets launched Sputnik 1. (The Moderne didn’t makes its official debut until 1982.)

Like the beautiful but doomed Power Mac G4 Cube, the radically shaped guitars were clearly ahead of their time: These pointy instruments, which years later would become staples of heavy metal and hard-rock style, flopped hard. Gibson discontinued both lines within a few years.

In 1976, spurred by the success of competitors’ Explorer clones, Gibson came to its senses and reissued the Explorer. The natural mahogany finish on the best of these, much like the lighter Korina of the original models, gave the strangely shaped guitars a retro-futuristic look. That marriage of old and new is coming back into fashion now as designers tumble to the innate beauty of natural materials.

The Power Mac G4 Cube, introduced in July 2000, delivered a fair amount of Apple computing power in a unique see-through enclosure made of acrylic glass. Designed by Jony Ive, the futuristic-looking Cube offered a glimpse of the sleek industrial design that would come to epitomize Apple’s upscale take on consumer technology.

“I just remember it being this incredibly elegant, sexy machine that looked nothing like a computer,” said Randall Greenwell, director of photography at The Virginian-Pilot and a longtime Apple aficionado, in an email to Cult of Mac.

The Mac turns 30 today. It’s a big day for Apple, and obviously it’s a big day for every member of the Cult of Mac (that means you!).

Here’s a roundup of all our stories about the Mac’s milestone:

Siri has a dark side. Try to send a text in a movie theater, and you might feel the life-destroying wrath of Apple’s perky AI helper.

That’s the message delivered in a new PSA-style video that’s the Alamo Drafthouse‘s latest salvo in the war on rude moviegoers. The creative clip, which will be shown ahead of screenings of Spike Jonze’s Her at the indie tastemaker’s theaters, uses the voice of Siri to send an anti-texting message.

It’s not easy making a posthumous movie about the world’s most well-known and beloved control freak. Just ask Joshua Michael Stern, director of new Steve Jobs biopic Jobs. The film delves into the early days of Apple Computer as Stern paints a picture of a man he calls a “brutally honest character.”

Don’t go into the PG-13 Jobs expecting any bombshells about Apple’s late, great maximum leader — you won’t find any. Instead, what you’ll get is a straightforward cinematic take on Jobs’ early partnership with Apple co-founder Steve Wozniak (played mostly for comic relief by Josh Gad), a healthy dose of Hollywood-style boardroom intrigue and a few glimpses into Jobs’ personal life. Many of the scenes, whether factually accurate or not, have been woven into the tapestry of tech history. And Jobs, who died of pancreatic cancer in 2011, obviously isn’t around to fact-check the past or exert his famous control over the final product.

“Part of the shackles for me as a director was, we really had to do everything that was sort of public domain, you know, we couldn’t stray too far off of what we basically knew about Steve,” Stern told Cult of Mac during a recent interview at the Ritz-Carlton hotel in San Francisco. “But the interesting thing about Steve, being such an enigma, there really isn’t that much more to know at all. I mean, everyone knows what they know.”

Some space geeks are calling today “The Day the Earth Smiled,” because the Cassini probe is set to take a picture of our planet as seen from Saturn later this afternoon. To honor this momentous occasion, the maker of astronomy software SkySafari is giving away basic versions for iOS and OS X (and discounting the Android version) through Sunday.