Cameras, cameras, cameras. German photographic trade show Photokina is just around the corner, and the big names are outing their latest models before the news pipes get completely clogged with the tangled hair and soap scum of new releases. So this week we have a bunch of cool new cameras and accessories, including a GoPro harness for your pooch, along with the usual mix of gadgets designed to make you want to part with your cash.
An update to the already-discontinued X20, this compact swaps the old optical viewfinder for a hi-res electronic finder, gets a bigger tilting rear LCD and adds a control wheel around the lens. It keeps the amazing X-Trans II sensor and 28-112mm (equivalent) ƒ2-2.8 zoom, and packs a new Classic Chrome film mode. I want this so hard. $600
Evernote’s Pfeiffer Collection is not – as you might hope – a range of productivity tools designed by 1980s actress and icon Michelle Pfeiffer. It is instead a set of desk tidies, made from various materials including walnut and “bright.” They’re intended to hold old-school detritus like paperclips and pens, plus modern junk like iPhones, SIM cards and even an iPad. $106
The best part of Pentax’s new mid-level K-S1 is the strip of pulsing LEDs on the hand grip. Pentax missed a chance to build the “Knight Rider of cameras” with its choice of green over red LEDs, but still. This pointless addition will flash to count down the self timer, and the light around the shutter release will turn red in video mode. $750
Bluelounge’s Soba is a cable-routing kit that will wrangle wayward wires, keeping them tidy in a “Vortex” tube and letting them exit where you need them. The kit comes with 10 feet of zip-closed tubing, a y-splitter and mounting caps (brackets). I have one here and ready to test, but it looks like there’s some effort involved in planning it all out, so maybe I’ll just have one more coffee first… $25
Of course GoPro’s dog harness is called the Fetch. Of course. The Fetch straps onto the dog’s back, secured around its shoulders, chest and belly, and the camera can be mounted up top or down below. This is probably my favorite product of the year so far, and the photo above is definitely the best product shot for 2014. If I had a dog I’d be out with one of those playing frisbee right now. $70
Olympus makes the best Micro Four Thirds bodies right now (and that’s coming from someone who owns a great Panasonic). This one’s even better, with a 180-degree flip-screen that activates “selfie mode” when fully extended (there's a shutter button on the touchscreen), built-in Wi-Fi to share that selfie to your iPhone, a 16MP sensor and a 14-42 mm (equivalent) ƒ3.5-5.6 kit lens. From $700.
Moleskine’s newest notebook has an almost-invisible dot pattern on the pages that makes it work with your Livescribe pen. The pen has a camera in its nose that tracks your every stroke and scribble and sends it all to your iPhone or iPad as editable text, creating a perfect digital copy of your paper notes. Now you can continue your Moleskine habit, but with added digitization. $30
Love: accessory iPhone lenses. Hate: Those stupid stick-on metal rings the lenses’ magnets stick to.
The answer is the new magnetic plate that now ships with every set of lenses sold by Photojojo. The plates, color-coded to your iPhone, stick over the entire glass strip at the top rear of the iPhone 5/s, so you can use these lenses and still get the iPhone in a case. Bonus – you can slide the lens out of the way when not in use. From $20.
This Schiller water bike is to the pedalo what a sweet S-Works road racer is to a recumbent bike. It’s slick, speedy and way overpriced. A Gates carbon drive turns a NuVinci transmission, which turns two propellers. You can even use the handlebars to steer the thing, and it’s only $6,500.
Hyperlapse, the new time-lapse video app from Instagram, is taking the Web by storm. In today’s video, Cult of Mac goes hands-on with the free app to show you exactly how to use it to make incredible videos.
We also explain why Hyperlapse beats out iOS 8’s built-in time-lapse feature, and we’ll show you some of the best videos made with Instagram’s new app so far.
This one is SOOC (straight out of the camera). Thanks to Jim Powers (alias Windwatcher), as well as Fany & Anthony (alias Nonsenz), for their previous Kaptures of the Colosseum in Rome. That really helped us to find out where we could take off for our KAP session this afternoon. (Google Earth was also very useful.) The weather was just beautiful, the light warm as Rome can be, the wind was light and strong enough for the only kite we had with us (Dan Leigh delta R8 Travel version) and for our dual-camera autoKAP rig equipped with a Canon S95 and GoPro HD. No authority to tell us not to fly a kite, KAP at its best. A great session we are happy to share.
We stayed in Iguaçu Falls for three days -- one day for a hike on the Brazilian side, one day for a hike on the Argentinean side and one day to hopefully KAP them. For the first two days the weather was just perfect: no clouds, beautiful light, a very pleasant temperature and humidity and ... no wind at all. The last day of our stay saw some clouds, wind and a very dull light, but at least we had some wind and KAPing the falls seemed possible, even if I knew that the results would not be the best. There is a very dense forest by the falls and the closest we could take off (according to Google Earth and scouting the neighborhood) was roughly 800 meters from the 'Garganta del Diablo' on the lawn of the Hotel das Cataratas. A bit far, but not much choice, and I thought that taking some height would be the solution. But of course we had to deal with the helicopters (which are supposed to fly at 500 meters or 1,600 feet) and Heidy was so stressed that the entire session only lasted 15 minutes. The wind was very unstable, the Fled was moving like the wipers on my car, the rig was jumping all over but nevertheless we managed to get half a dozen of almost "keepers." Time for a Caipirinha!
Faafaite Vaa is a traditional Polynesian outrigger canoe that can sometimes be chartered for private events. This was one our friend's (who is 99 percent blind) birthday and this charter was just a blast for him. Once out in the open ocean, we had a steady wind of 25 to 30 knots with very limited space to move.
The sea conditions were pretty rough. We had to launch the kite from the back of the canoe but had to put a life jacket on (just in case). The PFK Nighthawk Delta was the ideal kite for the job and the dual-camera autokap rig (Ricoh GX 200 + GoProHD) was not that easy to launch as we had to protect it from seawater and while making sure everything was fine.
A very warm "mahalo, mauruuru, merci" to Tom Benedict, who guided us through the telescopes of Mauna Kea Observatories and, more specifically, the Canada France Hawaii which hosts a world-class, 3.6-meter optical/infrared telescope. The summit of Mauna Kea is 4,200 meters high (almost as high as Mont Blanc ... .4,852 meters) and the sunset above the clouds is a fantastic show to watch; the moving shadow of the mountain on the clouds is an even more spectacular vision. Just a perfect setting for a crazy KAP session where oxygen is lacking and the least effort is huge but Tom, just in case, had an oxygen tank in the observatory as well as a pulsometer for heart beat and oxygen level in the blood. KAPing at 4,200 meters altitude is a very interesting experience; the air is not as dense as at sea level and despite a good 15-knots wind, the Dan Leigh Delta R8 was just enough to lift the autoKAP rig (RC rigs would not be allowed so as not to interfere with the radio telescopes). This was way too short. I can imagine a time-lapse of the sun going down over the clouds, a time-lapse of the growing shadow of Mauna Kea, another, higher KAP session looking straight down. Some good excuses to come back!
Sunrise on Raimiti seen from a kite with a Leica M9
This morning, Dec. 27, 2011, sunrise was at 5:12 a.m. and not a single cloud in the sky, Northeast trade winds blowing steadily at 20 knots, the ideal strength to lift the autoKAP rig and the Leica M9 with its 24 mm Elmarit lens. I was not totally satisfied with my previous sunrise with the Sony Nex 5 and thought the Leica M9 would give me the sharpness I was looking for. ISO 200, f4, 1/1500 sec. When looking at the original size, the difference is stunning. This session is one that probably gave me the most satisfaction since I started KAP a few years ago. Satisfaction with the light, the R8 flight, the subject, the ambiance, the pleasure and the results."
The Blue Lagoon in the atoll of Rangiroa is about an hour by speedboat from the main village, and is a pristine and virgin spot on the west coast of the atoll. Baby sharks grow up in the shallow waters before joining the hundreds of adult blacktip sharks in deeper waters. Baby blacktip sharks are curious and always hungry; it was just pure magic to feed them and watch the seagulls fight with the sharks for food. It just took us a few minutes and some dead fish to attract both sharks and seagulls, time to position the kite, the camera and to take a few pictures. I was not too sure about having both the seagulls and sharks on the same picture but I suppose it was a good day.
The sun was out by 7:40 a.m. and we only had a window of three minutes of perfect light. The kite was already up in the air and as soon as the sun rose over the ocean the rig was up above the Moais. It was interesting to see that a dozen other visitors had also made it for sunrise, but all of them were facing the sun, we were looking for the shadows!
Organized by the population of the island of Maupiti once every 10 years, this traditional fishing technique is a collective effort where the entire population of the island (1,200 people) participates. Over 200 boats and rafts circle the island’s lagoon, each throwing in the water a stone held on a string, to hopefully push the fish inside a 3 kilometer long vegetal net which will be brought back on the beach.This year, this “stone fishing” was the conclusion of a South Pacific UNESCO symposium on sustainable development and the fish were released except for one caught by French Senator Richard Tuheiava, born in Maupiti. Maupiti is an island 20 miles west of Bora Bora, French Polynesia.
KAP over Taro Fields in Areva, Rurutu, French Polynesia
Taro is a tropical plant grown primarily as a vegetable food for its edible corm, and secondarily as a leaf vegetable. It is considered a staple in oceanic cultures. It is believed to be one of the earliest cultivated plants. The name "taro" is from Tahitian or other Polynesian languages; the plant is also called kalo (from Hawaiian), gabi in The Philippines, dalo in Fiji, seppankizhangu in Tamil, Arvee in Hindi and Karkalo in Nepali.This KAP session was probably one of the most challenging we ever had. The taro field is located right behind a 100 meter high cliff protected from dominant winds but creating incredible venturi and vortex between the ground and 150 meters. "Clean air" is about 200 meters high and the whole challenge was to get the R8 delta up to this stable altitude before attaching the camera to the string.
The SV/Star Flyer set sails from the lagoon of Raiatea.A very intense KAP session, at the begining there was not enough wind to lift the camera but quicly the white storm in the background brought rain and Beaufort 5 winds and we only had a very short window of 5 minutes. Considering this is AutoKAP, I guess we were quite lucky !On this picture the storm is almost here !Thanks to the Star Flyer for a wonderful break and a special "merci" "mauruuru" to the Polish Captain who accepted that we launch our kite from his ship!!!
Rising Sun AutoKAP on Dune 45 in Sossusvlei, Namib Desert Namibia
Dune 45 raises roughly 120 meters ( 400 feet) above the ground; It is one of the few dunes where the ascencion is authorized.At sunrise the colors are absolutely exceptional and a few visitors have already climbed the Dune to admire the sunrise from the summit.
We studied maps, tides, weather forecasts as we wanted to shoot a vertical wide angle image right above the Angel on top of the Mont St Michel.The Angel (Michel Angel) raises at 157 meters (520 feet), and the idea was to bring the kite and camera right above it. This was my first VHF radio assisted autoKAP session... with Heidy radio-guiding me on the other side of the Mont. (almost as efficient as a video link!)The Ricoh GX 200 was attached 100 meters (300 feet) below the Dan Leigh Delta R8 to get some “clean” air, most of the shots were made from 15 to 50 meters (50 to 150 feet) above the angel and I had close to 400 meters (1300 feet) of line out. Thanks to Emmanuel (alias Maneke) for his assistance!
KAP on Sydney Opera House 2008 – Act III… Oct 25, 2008
A warm THANK YOU to Pat, the security officer on duty this afternoon. Pat already gave me clearance back in February and again was very nice to authorize me another KAP session over the Opera House.I originally wanted to shoot right on top of the buiding but the shape and the architecture created too much turbulence.
Maitai Dream Fakarava, Tuamotu Archipelago Aug 11, 2007
Fakarava is the second largest Atoll in the Tuamotu archipelago, an hours flight North Est of Tahiti. Population of 473 and only one hotel the Maitai Dream.The french painter Matisse was inspired by Fakarava in 1932 when he discovered the incredible palette of "blues".
Stone fishing is a traditional technique in French Polynesia, but traditions are fading away. (We were fortunate enough to participate in 2009 for the last one that was organized on the island of Maupiti).To close the mayor’s congress, the city hall of the island of Taha’a organized a stone fishing ceremony on August 03, 2012. The weather forecast looked good (15-20 knots of south east wind); space was available on Air Tahiti, as well as at the Hawaiki nui, a local hotel. A few phone calls to find a boat to take us to the ceremony and here we are, Heidy & I, for an Xtreme KAP session. Certainly one of the most challenging we ever had.Here is how this special fishing technique works. A fish trap is build on the beach by the lagoon. From this trap a 60ft long and 5ft wide canal which ends in a giant funnel where more than 100 boats will “push” schools of fish that hundreds of fisherman will guide by throwing stones hung on a rope in the water. By the time they get to the funnel, fishermen jump into the water and “push” the fish in the canal towards the beach fish trap where the local authorities will have the opportunity to harpoon the first fish that show up. (The others will be released… the fish not the officials.)
No wind for this KAP session, we just had to tow the kite at the desired speed from the back of a Toyota Land Cruiser. Lots of fun, but a bit acrobatic to launch and retrieve the rig and camera without crashing.Altitude of the Salar is 3800 meters above sea level and the air is not as dense. Average speed of the car was 40 Km/h and we had to drive around twice to frame these shots in AutoKAP without video downlink.
Short 06-24 private runway on an atoll in the south Pacific.
Go fly a kite. Marketing exec Pierre Lesage finds the practice relaxing after a busy week overseeing operations at eight hotels. It’s also perfect for shooting photos.
“Since the drones came out a few years ago, kite aerial photography lost interest for a few photographers that are just looking for photographic results,” says Lesage. “I am also looking for results but I need that poetic aspect of doing it with a kite, and as long as there is wind I never have problem with batteries.”
Quadcopters are a thrill but flying kites is the zen alternative — and the photographic results are postcard perfect. It’s a way to mix tinkering with fresh air and can be as easy as picking up a prefab rig or as complicated as diving into the world of schematics and solder.
There's still something magical about the Leica M6, a rangefinder camera introduced in 1984. Photo: Jim Merithew/Cult of Mac
Who won the Super Bowl in 1984? Apple did. Aired during the third quarter of the big game, the "1984" commercial introduces the Macintosh to an unsuspecting public (and generates a ton of buzz).
Judge Harry T. Stone presides over hilarity in Night Court, a sitcom that starts its nine-season run in 1984.
Any mission, any time, any place: Robo Force's Maxx Steele reports for duty in 1984.
Shape-shifting pop star Michael Jackson bags a record eight Grammys in 1984 for his record-shattering album Thriller.
The rivalry between classical composers Antonio Salieri and Wolfgang Amadeus Mozart captures critics' fancy in 1984 movie Amadeus.
What time is it? Game time. The Casio Cosmo-Flight gives new meaning to the term "wrist rocket" in the mid-'80s.
Truman Capote, the famously troubled author of In Cold Blood, dies of liver cancer August 25, 1984, at age 59.
Prince double dips with Purple Rain, a movie (and accompanying soundtrack) about a Minneapolis musician. Everybody goes crazy.
Indian Prime Minister Indira Gandhi is assassinated on October 31, 1984, a day after her final speech, which included the sadly prophetic line: "I am alive today, I may not be there tomorrow. I shall continue to serve till my last breath."
When I worked on my college paper a million years ago, my buddy Bruno had Leicas. This made him the coolest person in the whole wide world.
The cameras were tiny and had the smoothest-operating lenses I had ever touched. They were a feat of German engineering. For me, it was love at first sight. I don’t know why, but I couldn’t stop lusting for one of those tiny black boxes.
I immediately started my quest to get one. I had to have a Leica. And because this was the mid-’80s, I definitely wanted an M6, which was introduced in 1984. Hell, it was advanced. It had a meter. The first real meter in a Leica, if you disregard the much-maligned M5.
The Autographer puts photography on autopilot. Photo: David Pierini/Cult of Mac
CHICAGO — I thought I was boarding the train with a camera that gave me a cloak of invisibility.
But even before the train began moving away from the station, the eyes of a man with a handlebar mustache drew a bead on my Autographer, a tiny, continuous-shooting photographic device clipped to my breast pocket.
He furled his brow. He did not blink. What was he thinking? Could he see the lens? Was he wondering if that thing was on? Maybe some insecurity set in, but the vibe felt like he was suspicious.
X100S by Fujifilm Category: Cameras Works With: Uh, hands? Price: $1,200
First, remember one thing: this isn’t a full review of the Fujifilm X100S, even though I had to write it up there in the title to please our CMS. I’ve only had the thing for a few days, and even though Cult of Mac isn’t DP Review, a few days isn’t enough to evaluate an iPhone case, let alone a camera like the X100S.
On the other hand, the X100S is So Hot Right Now, and I’ve been staying up tip 3AM since I got it because I can’t stop playing with the thing. Combining those two interesting facts leads me to think that an in-depth first look might be a good idea — especially as you can now convert the RAW files on your Mac using the just-released Lightroom 4.4.
Let’s take a look — You might want to go make a cup of coffee first.
We checked out Olympus‘s gorgeous new M.ZUIKO DIGITAL ED 60mm f/2.8 “Nature Macro” lens, along with this fall’s additional release to the Japanese company’s excellent PEN series cameras, the PEN E-PM2 ($599). This new PEN compact system digital camera will please both experienced and neophyte photographers alike.
One truly great feature of these PEN series cameras is the highly responsive touch shutter release, which instantly autofocuses on the tapped area of the camera’s high-resolution 3’ LCD screen and captures. It’s amazing, allowing intricate images of even the smallest close-up subjects at lightning-fast speeds.
If Apple made an iCamera, it would look like this. The Iris, a concept design by Mimi Zou, is so pared down that it doesn’t even have one button. And like Apple’s designs, this minimal approach brings some compromises.
Relax -- don't do it. Photo illustration Jeff Cable
Got a super-fast Canon 5D MkIII? Love that you can just pop out the SD card and slide it straight into your Retina iPad via the camera connection kit? Not so fast – literally. Photographer Jeff Cable has done the math and found that the camera’s SD slot is slow, slow slow compared the the CF slot, and then it actually gets worse.
There’s making things out of Lego, and then there’s making things out of Lego. And H.Y. Leung’s amazing white Leica M8 is firmly in the latter camp. His replica rangefinder might just be the best Lego fake we’ve ever seen (outside of anything to do with Star Wars, of course).