Reviews - page 108

While we knew almost everything there was to know about the iPhone 5s prior to its official unveiling last week, I don’t think anybody expected Apple to announce a fancy new case to go with it.

The Cupertino company has released an iPad case or cover for every model it has ever made, but this is the first time it has provided first-party iPhone protection since the iPhone 4 Bumper back in 2010. But I’m glad it’s back in the case business.

The new iPhone 5s case — which fits the iPhone 5, too, by the way — is made from soft, premium leather and designed to “look and feel luxurious,” Apple says. It is precision crafted for a tight fit that maintain’s your iPhone’s sleek, slim design, and its microfiber lining promises to protect its aluminum shell from scuffs and scratches.

The case is available in six pretty colors, and it’s priced at $39.95. That’s pretty expensive for a case of this kind, but is it worth it?

You know how it goes: You’re the king, you have prestige and power and piles of riches all around you … and then some goblin shows up and steals your pants.

Alright, maybe none of that has ever happened to me, ever, but it is the premise of Trouserheart, a new hack-and-slash action game out today by developer 10tons (makers of the Joining Hands puzzle series).

Given the “epic quest to rescue kidnapped pants” premise, you’d expect Trouserheart to be a pretty light affair. And it is, but it’s also a solid, satisfying experience.

Time to come clean: I play guitar and sing in a disco band. I know, I know, the backlash against that kind of music has been going on since 1977. Trust me, I know.

But the way people respond to this still-valid, we-use-real-instruments form of music is so much better than the way they used to when I played guitar in modern or classic rock bands. In those days, the most reaction I’d see in an audience was a foot tap, or maybe–if I was lucky–a head bob or two. Happy, gorgeous people dancing their butts off? So much more fun.

Now, playing in a cover band requires knowing a lot of music, like the chords for the 50 plus songs that we play. As I also take on half the lead singing duties, so I’m required to know the lyrics as well. I don’t do this for a living; I do it for fun and some beer and gear money. I don’t have tons of time to memorize all those songs, let alone the new ones we learn every few months. So I use lyric sheets. I used to use them on paper, but boy is that annoyingly old school and easily lost.

Now I use my iPad (and an amazing app called GigBook) to organize and keep track of my lyric sheets. And I also use the incomparable iKlip 2 iPad holder to attach that iPad to the microphone stand right in front of me.

When our own Rob LeFevre reviewed the Earskins, he was surprised to find them to be an “essential accessory” for his EarPods. I decided to give them a go too. And guess what? They really are essential: I actually have a spare set, because now I can’t imagine using my EarPods without them.

I have a confession to make: I was probably the only human being on the planet not playing the original Angry Birds when it came out all the way back in 2009. As much as I love both birds and giant slingshots, I never really saw the appeal. I played for about five minutes, shot some birds into some things, and then shrugged and gave up.

Apparently, the game’s developer, Rovio Entertainment, saw this happen and did not approve, so it spent the next few years trying to come up with a way to get holdouts like me to buy in to its anti-pig propaganda machine. And so we received Angry Birds Star Wars, a dangerous cocktail of addictive, deceptively simple, physics-driven gameplay and just straight-up, unabashed nerditude. It was in many ways the perfect mobile game: accessible to everyone and irresistible to giant geeks like myself. But still, I resisted.

Now Angry Birds Star Wars II is out, however, I’m totally in.

You’ve got to admire a game that matches its own intent so perfectly that you suddenly can’t visualize how else the genre should be done. That’s certainly the case here with Zynga’s Solstice Arena. It’s currently my favorite MOBA game on any platform, which is great, since it plays well on both iOS and the Mac. I’m reviewing the Mac version here, but assume that–aside from touch controls–the game plays exactly the same on iOS. This is a good thing.

As a genre, the action real-time strategy (ARTS), or multiplayer online battle arena (MOBA), has a history reaching back to modified RTS game maps for Starcraft and Warcraft. Recently, League of Legends from Riot Games has taken on the mantle as the most well-known game of its type, moving into the lucrative world of eSports, as well.

Zynga may be more known for Farmville and other Facebook games, but the San Francisco games publisher has delivered a much more midcore game than I expected. Developer A Bit Lucky has created a streamlined, compelling take on the ARTS genre, and while the game may not surpass more traditional entries in the field, Solstice Arena still engages players of all levels without sacrificing too much of the strategic depth of the game type.

The idea of being a martial-arts master has always sounded cool to me. But not the Zen-like, pensive, thoughtful type. If I’m honest, I’d really just kinda like to be the guy in the movies who can walk into a room full of generic dudes and beat them all up while they attack him one at a time. And I’m not particularly proud of that, but I challenge you to picture yourself doing it and not once think, “Yeah, that would be pretty neat.”

But one thing is standing between me and that dream. Alright, maybe a few more than one, but one major thing: I am completely uncoordinated. I don’t have the balance or grace to execute any of the amazing fighting maneuvers I see in movies, and so I watch them with a sad sort of wistfulness and self-disappointment. And this feeling extends to video games, in which physics and animations unbound by natural law allow for inhuman feats of martial prowess about which my clumsy limbs can only dream. If limbs dream, I guess.

Anyway, Dragon Finga, the recently released fighter by developer Another Place, did not inspire those feelings of inadequacy in me because it contains the least graceful fighting system I’ve ever seen.

And that’s a good thing.

The iPhone 5s is undoubtedly the biggest iPhone ‘S’ upgrade Apple has released to date. Not only does it come with the usual improvements you’d expect from an “incremental” upgrade — a faster processor, better graphics, and an improved camera — but it also boasts Touch ID, a fingerprint scanner built into its home button; the M7 coprocessor, and a new dual-LED flash

Touch ID will change the way we manage security on our iPhones. No longer must we remember 4-digit pass codes that have to be entered dozens of times a day; we can simply scan our fingerprint to quickly gain access to our device. It takes the hassle out of securing our data, and there’s no good reason why you wouldn’t use it.

The iPhone 5s is the biggest iPhone ‘S’ upgrade to date.

As for the M7 coprocessor, that’s “like a sidekick to the A7 chip,” Apple says. It’s specifically designed to measure motion data recorded by your iPhone’s built-in accelerometer, gyroscope, and compass — a task which was previously handled by the processor itself. Why? Well, the M7 chip is more efficient and handling this task, and with little input needed from the main processor, there’s less drain on your iPhone’s battery.

While the iPhone 5s make look identical to its predecessor on the outside, then, there are lots of improvements under the hood. But are those improvements worth your hard-earned cash?

I’ve been playing with the 5s for about the last two hours, and I can’t remember the last time I was so stubbornly wrong about, gee, anything really — as much as I was wrong about the iPhone 5s. And not just the 5s, but also iOS 7, which I hated when I first launched it on my iPad last night; but man, is it ever beyond perfect on the 5s.

I know, my iPhone 5s and I have just begun our honeymoon phase, but here’s the first-impression verdict in a nutshell: The iOS 7 / iPhone 5s pairing is phenomenal. I’m so in love.

Sometimes, mindless dungeon crawling, at least within a video game, is good. I’ve never actually crawled a real dungeon, to be honest.

While I love deep, story-based games, sometimes I just want to roll around pixel-based catacombs, corridors, and rooms, bashing or blasting hordes of baddies as they converge upon my location.

Developer OrangePixel (Gunslugs, Meganoid) has figured out how to perfectly encapsulate the dungeon crawling experience within a pixel-perfect arcade eye-candy shell.

I’ve been using Neat products for the past couple of years. I’ve got a NeatDesk for Mac and an active NeatCloud account. So when the folks at Neat reached out to me and asked if I’d be interested in putting the company’s latest piece of hardware – NeatConnect – through the paces, I jumped at the chance.

If you love tanks but find your standard-size garage and local laws too restrictive, you might want to check out Boom! Tanks, a free-to-play armored combat game by developer Codemasters.

This love letter to all things treaded and turreted tells the story of one group of people with tanks squaring off against a less-good group of people with tanks, and — look, it’s called Boom! Tanks. You can probably guess what you’re signing up for.

Combat in Boom! Tanks works like this: At the beginning of the round, you drag and hold an aiming cursor over your enemy in order to lock it into your targeting system. Once this is done, you will always hit; the question becomes how hard. And you figure that out with a timing-based minigame in which you try to stop a marker as close to the middle of the meter at the bottom of the screen as you can. Stopping it directly in the middle grants you a “Perfect Shot” which does more damage. Meanwhile, the game drives your tank around; you don’t even have to worry about that.

The first thing you’re going to notice about the iOS 7 redesign is how drastically different everything looks. Apple completely renovated the iPhone’s interface. The familiarity in terms of usability is still there at a fundamental level, but the OS has taken a 180 in terms of aesthetics.

White space is everywhere. Animations look funkier. Colors are trippier.

We’ve already brought you an iOS 7 review roundup from everyone else, but you may have noticed that the Cult of Mac team published our own iOS 7 review today, too. It’s split up into separate parts to make it easier to digest, and this handy roundup will help you find each part and what it covers.

We’ve taken a look at all of the new features — including Control Center, AirDrop, and iTunes Radio — and all of the improvements Apple made to existing ones, like the Camera app and Notification Center. We’ve also got some tips and tricks that will help you get accustomed to iOS 7 in no time.

Some of the more flashy features of iOS 7 like iTunes Radio, Multitasking, and Control Center have received a lot of the attention with iOS 7, but Apple has packed a couple of really neat features into AirDrop, Safari, and the redesigned App Store, that promise to completely change the way you use your iPhone.

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iOS 7 is much more than a pretty face. Early “news” reporting focussed on the new look provided at the last minute by Jony Ive and team, but the inner workings of the new OS have clearly been under development for a lot longer. So, try to look past the bright colors, blurred popovers and beautiful parallax for a moment, and join us as we take a tour of the best new features of iOS 7.

The Nimblstand is an accessory for the Apple wireless keyboard, a kind of organizer and iPad stand which can be used on the desk or the lap. As such, it needs to be compared to the InCase Origami Workstation, the established gold standard for such things.

Which isn’t to say that the Nimblstand doesn’t have its own distinguishing features.

I really expected better of Disney.

A company that famous for creating, maintaining, and promoting franchises really should have known better than to end the first game of an almost guaranteed series with a question mark. So then the sequel comes around, and it’s called Where’s My Water? 2. Look at that 2. It’s just stuck out there alone, looking all awkward. I really feel bad for the little guy. I don’t know why Disney didn’t just call this game something like, Seriously, Where’s My Water?. Total missed opportunity to raise the stakes.

Oh, the game? Yeah, it’s pretty good.

Robot Loves Kitty is the husband and wife team that lived in a treehouse to save money while they ran a Kickstarter project for the game that became Legend of Dungeon.

It’s out now on Mac, PC, and Linux, and it’s a brilliant combination of high tech, retro-graphics, and a strong sense of irony, not to mention whimsy. When I chatted with Alix Stolzer (Kitty) at PAX this year, she mentioned that she and Caleb Goble (Robot) liked vastly different types of games, so they decided to make one they could play together.

From those humble beginnings, they’ve succeeded, at least, in making a game that allows up to four players to explore procedurally generated dungeons together, to fight various monsters, explore environments, and try to stay alive. The game works with keyboard and mouse or console-style controllers, with a real-time battle system. Also, there are funny hats! If you take some time to give this one a play; you won’t be disappointed.

Alright, stop me if you’ve heard this one:

An unseen protagonist, armed only with a flashlight, sets off on an investigation into some spooky woods. With no map, our hero wanders through the forest gathering a bunch of pages for unknown reasons with a shadowy, black-clad figure in pursuit. The tormentor can appear anywhere at will, and if you look at it too long, the game will end, and you will have to start over from the beginning.

If you think that sounds an awful lot like developer Parsec Productions’ instant classic Slender: The Eight Pages, you would be correct. But that’s also the premise of 3 Cubes Research Limited’s less ominously named The Woods, which is available now for iPhone and iPad.

I’m not really sure what else to say; The Woods is Slender with more pages, a less scary antagonist, and worse controls.

I’m going to come clean on something: I really hate Sudoku.

I don’t know what it is about it; maybe it’s because it’s supplanted my beloved crossword as the go-to newspaper puzzle. Maybe it’s because I suspect that one could throw logic aside and accidentally solve it, possibly while drinking. Or maybe it’s just because it’s popular, and my Grinch heart is two sizes too small.

Whatever the reason, my heart or my booze, I’m not a fan. So I didn’t really expect to like FlowDoku, a shape-focused version of my puzzle nemesis by developer Hapafive. Turns out I was wrong, and I learned a very important lesson about prejudice.

I’ve played as a lot of things in my gaming career. I’ve been vampires, I’ve been space marines, and there was even a brief time back in 1993 where I was a walking circle with sunglasses. I’ve never played as a rock, though, so developer PikPok’s latest offering, Giant Boulder of Death, intrigued me right away.

The makers of the Erasure-loving endless runner Robot Unicorn Attack series have moved the camera around to the back to create an “endless roller” of sorts in which players control a giant boulder on a mission of revenge.

The plot — yes, there is one — is that the denizens of the village below the boulder’s mountain have stolen his girlfriend (a slightly smaller boulder with a bow) and used “her” to make a statue of their local military hero. Boulder immediately swears vendetta, freeing himself from the mountaintop on which he is precariously perched and setting off on a rampage of rolling crushery.

It’s pretty much as fun as it sounds.

I’m going to get right to it here: The Room, an escape game by developer Fireproof Studios, is the best mobile title I’ve ever played. You can read the rest of the review if you want, but it’s basically going to be versions of that.

I know “best ever” is a bold statement, though, so let me back it up: The Room, which is available for both iPad and iPhone–the latter as The Room Pocket, I assume because it fits in your pocket and not because it’s about a pocket in which someone stores rooms–has beautiful graphics, clever puzzles, and simple, responsive touch controls that actually work.

Gamestop-owned Kongregate games has gotten into the mobile gaming space recently, and the latest published by the online gaming portal, Sheep Happens, has a lot going for it.

Sheep Happens throws just about everything at players, like wacky characters, missions to complete, and plenty of power-ups to earn and/or purchase. While the humor is a bit over the top, the gameplay finds a pretty decent balance between difficult and engaging gameplay fairly early on. For players willing to spend some time and/or a little bit of cash, the later game ramps up nicely, making Sheep Happens a nice diversion for those of us who haven’t gotten sick of the endless runner.

Simply put, Ona makes some of the nicest, most fashionable camera bags that Cult of Mac has ever had the pleasure of testing, and the Bolton Street camera backpack is no exception. But unlike their line-up of messenger bags, Ona’s Bolton Street is a bag for the kind of fashionable, London-trotting photog who can only carry his gear around by putting it on his back. It’s an expensive bag, and has a few niggles, but we love it. Read on.