Mike Daisey performing "The Agony & Ecstasy Of Steve Jobs"
Playwright Mike Daisey has released the transcript of his influential monologue, The Agony And The Ecstasy Of Steve Jobs, under a royalty-free license.
The move will allow Daisey’s hit play about the conditions in Apple’s Chinese factories to be performed anywhere in the world without restriction.Indeed, Daisey claims that more than 500 groups and individuals in 13 countries have contacted him because they want to stage it.
“No one has done this before,” said Daisey in an email to Cult of Mac.com. “Theater doesn’t do a lot of things like this, and certainly not with a transcript that could have been sold — I had offers from two publishers — for real money.”
Daisey said there’s interest from three major theaters in Germany, a mid-size theater in Spain and two in France. There’s an actor who is planning to perform it in Kurdistan, a group in Nova Scotia that is adapting it, and a group in New York planning to turn it into a full-on play.
“There’s a lot,” says Daisey. “It’s going to be interesting.
Daisey has been performing The Agony And The Ecstasy Of Steve Jobs for more than a year in 18 cities around the country (Read our review). It just finished an extended run at New York’s Public Theater and is headed to the Woolly Mammoth Theatre in Washington DC.
Daisey has said his play has hit a note like non of his others. Indeed, the demand for him to perform it prompted him to release the transcript. The negative attention appears to be having an effect. Last week, Apple hired the non-profit Fair Labor Association to audit its plants and make public its findings, and Apple’s CEO Tim Cook has pledged to reform conditions in the Asian supply chain.
Daisey’s transcript can be downloaded from this page (scroll down to the download link). “We’re asking people to link to the download page, as I’ll be adding translations, etc. over time,” explained Daisey.
Leander has been reporting about Apple and technology for nearly 30 years.
Before founding Cult of Mac as an independent publication, Leander was news editor at Wired.com, where he was responsible for the day-to-day running of the Wired.com website. He headed up a team of six section editors, a dozen reporters and a large pool of freelancers. Together the team produced a daily digest of stories about the impact of science and technology, and won several awards, including several Webby Awards, 2X Knight-Batten Awards for Innovation in Journalism and the 2010 MIN (Magazine Industry Newsletter) award for best blog, among others.
Before being promoted to news editor, Leander was Wired.com’s senior reporter, primarily covering Apple. During that time, Leander published a ton of scoops, including the first in-depth report about the development of the iPod. Leander attended almost every keynote speech and special product launch presented by Steve Jobs, including the historic launches of the iPhone and iPad. He also reported from almost every Macworld Expo in the late ’90s and early ‘2000s, including, sadly, the last shows in Boston, San Francisco and Tokyo. His reporting for Wired.com formed the basis of the first Cult of Mac book, and subsequently this website.
Before joining Wired, Leander was a senior reporter at the legendary MacWeek, the storied and long-running weekly that documented Apple and its community in the 1980s and ’90s.
Leander has written for Wired magazine (including the Issue 16.04 cover story about Steve Jobs’ leadership at Apple, entitled Evil/Genius), Scientific American, The Guardian, The Observer, The San Francisco Chronicle and many other publications.
He has a diploma in journalism from the UK’s National Council for the Training of Journalists.
Leander lives in San Francisco, California, and is married with four children. He’s an avid biker and has ridden in many long-distance bike events, including California’s legendary Death Ride.
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