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Publisher’s Letter

By

striscia

When we were kids, my brothers and I drew all the time. We drew monsters, cartoon people, and faces. Tons of faces: goofy ones, serious ones, ugly ones, and beautiful ones.

We were fanatics. We thought we had talent. We’d take anyone aside every artist we met and beg them for tips and tricks any chance we got. Our granddad, an artist by profession, was our greatest source of inspiration. Our parents proudly hung every scribble on the walls.

I wanted to go to art school, but was persuaded to go to university instead. Academia instead of art. In college, I roomed with a gal who did charcoal figure studies. Our shitty apartment in Brighton, Sussex, was covered with the black dust as she churned out image after image of human figures in various states of undress. I, of course, recalled my artsy leanings from my youth, and headed to the art store to buy pastels, charcoal sticks and reams of thick, heavy, expensive paper.

I spent tons of money that I should have used to pay rent to buy watercolor paints, brushes and paper. I found a cheap easel for sale on a student bulletin board and spent many afternoons up on the roof, smoking hash, painting sheets of rain marching slowly over the South Downs.

Then I grew up. I got a job, a wife, kids. Painting? Drawing? Who has time for that anymore? Who has the money to do it, right? The space to store all the material needed to pursue such a dream, let alone the room to actually engage in artistic endeavors.

Luckily, I have an iPad. And judging by the amazing artwork out there, and indeed in this very issue, I might very well have all I need to rekindle my early love of artistic expression.

There are apps for painting, drawing, illustrating, photo re-touching, and the like. Tons of them in every category. There are styluses and capacitive brushes that rival the analog materials you’d end up paying a fortune for in an art store, and these can be used in the comfort of your very own touchscreen.

No wonder why Roz Hall, the iPad artist we talk to in this issue says, “I turned my back on the canvas and fell in love with the pixel.”

Honestly, why didn’t I think of this before? Who needs a room full of dusty, messy crap to just produce more work that end up in the basement? Not me – I’ve got an iPad and a few inexpensive apps.

Here I come, art world…

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