Of all the things Apple revealed Tuesday, to me the most impressive was the iPhone 13’s new Cinematic mode. The depth-of-field effect creates amazing focus transitions between subjects.
Apple basically built an AI cinematographer into the iPhone 13.
Oscar-winning director Steven Soderbergh has sworn off big expensive motion picture cameras for the camera in his pocket. Your iPhone is no different from his, so get out there and make the movie that’s locked in your head. It could win you $10,000 in the Moment International Film Festival.
The iPhone 11 line hasn’t even been out a month, but Apple continues to improve its camera through iOS updates.
An iOS developer exploring iOS 13.2 beta 2 said the Camera app will allow video shooters to adjust frame rates and resolution without going into the Settings app.
In your pocket is a camera capable of making films that stretch across a silver screen. But to get that sweeping, horizontal field of view, you want to make room in an extra pocket for one important accessory – an anamorphic lens.
Rather than explain it, Parisian photographer and filmmaker Mathieu Stern shows off the wow factor an anamorphic lens delivers with a short film he made in New Zealand using an iPhone 8 Plus.
You’re a gifted content creator, shooting great stills and compelling video with your iPhone. But for complete creative control, some rely on separate camera apps for each discipline.
Moment, the maker of premium quality lens attachment for both, now has an all-in-one program app making switching from stills to video quick and seamless.
A beefed up Pro Camera app hits the App Store today, offering full manual control and with features making it difficult to have a bad shoot.
Even on video, our eyes get big when we see the open mouth of a shark. But what’s the appropriate response when you see an iPhone XS between the shark’s teeth?
This was the most interesting scene in a behind-the-scenes video of how the production company, Camp4 Collective, made the “Shot on iPhone” commercial Don’t Mess with Mother
Netflix released a trailer this week for Steven Soderbergh’s latest iPhone masterpiece, High Flying Bird, with fast-moving scenes sure to excite broke and budding filmmakers.
This is the Oscar-winning director’s follow-up to his first iPhone feature film, Unsane, and delivers on his promise that all future films will be shot on iPhones.
This post is presented by Digiarty Software.
Shooting great video on an iPhone is easy. But if you want to edit or work with video at a deeper level for watching or uploading without any limitations, you’re going to need special software. Usually, that means getting an expensive application for video editing and conversion.
A new app from Digiarty Software called VideoProc offers an easier, more affordable way to process video. Plus, you can win a copy of the Mac app in our sweepstakes — and maybe even take home a free iPhone XS and AirPods to enjoy your sparkly new video! Just visit the iPhone video processing page and enter your email for a chance to win.
If you’ve been wondering what it’s like falling 450 feet, a new video gives a glimpse.
A woman riding on the world’s tallest swing ride dropped her iPhone 7 Plus while taking a selfie video. It continued to record the entire drop.
Few if any dollies – the wheeled rigging filmmakers use to capture smooth horizontal camera shots – fit in a back pocket. A cute little cart called MUWI does and is ready to roll on the set of your next iPhone flick.
Four rotary legs with tiny wheels fold out from its oval-shaped dolly base and a retractable holder unfurls from the top to cradle your iPhone. It can also hold other small cameras, including GoPros, point-and-shooters and some of the lighter DSLR and mirrorless cameras.
