Few if any dollies – the wheeled rigging filmmakers use to capture smooth horizontal camera shots – fit in a back pocket. A cute little cart called MUWI does and is ready to roll on the set of your next iPhone flick.
Four rotary legs with tiny wheels fold out from its oval-shaped dolly base and a retractable holder unfurls from the top to cradle your iPhone. It can also hold other small cameras, including GoPros, point-and-shooters and some of the lighter DSLR and mirrorless cameras.
Filmic Pro, the gold standard iPhone app for filmmakers to achieve near-cinematic quality, released an update today to support the new HEVC format in iOS 11.
HEVC stands for High-Efficiency Video Coding (also called H.265), a compression standard that reduces the file size of videos while retaining much of the quality. This means users can store twice the number of videos on their iPhones or iPad Pros.
Apple guaranteed the iPhone would reinvent the phone. But filmmaking?
Writer and director Conrad Mess said the iPhone’s red record button turned him into a filmmaker. It helped another cash-strapped director win praise and wide distribution for a feature film he shot on the iPhone 5s that was the buzz of last year’s Sundance Film Festival.
The iPhone also is reshaping video journalism, especially across Europe, where news organizations are using the iPhone video camera for an increasing number of stories — and live stand-ups, selfie stick in hand — because the mobile journalist can shoot, edit and share on one device.
SAN FRANCISCO, MACWORLD / iWORLD 2012 — The inaugural edition of the Original iPhone Film Festival (OIFF) gave out awards to small-screen Steven Spielbergs.
OIFF founders Corey Rogers and Matt Dessner were on hand to talk about common iPhone filmmaking problems, like getting release forms and copyright snafus. (If you want to take your iPhone videos from crappy to snappy, check out our exclusive interview with some great tips from Dessner.)