An astute MacRumors reader compared the pictures from iFixit’s teardown of the latest iPod touch with earlier leaked pictures of a prototype equipped with a camera — and the internal details are the same.
Look at the pictures after the jump. The internal circuit boards are indentical — and both are completely different to the second-generation touch.
Never mind what Steve Jobs tells the New York Times, the iPod Touch is getting a camera, likely sooner than later.
The new iPod Touch has an internal space for a camera, a teardown by iFixit has discovered. And there’s a couple more surprises also.
The obsession over all things Mac now extends to your power cord. Yes, we’ve written about the zen of an unclutter desk and stylish storage for your iMac or MacBook. Now it’s time to tame the jungle of cords and wires with the Powercurl.
The brightly-colored PowerCurl is from the folks at Quirky, the people who make on-demand Mac products. (Earlier this week I wrote about the Scratch-n-Roll mousepad with built-in white board.)
This new product was designed to answer how to store Apple’s magsafe power adapters and the red hot power “bricks.” Used by MacBook owners to prevent laptops being yanked by someone tripping over the power cord, the adapters usually wind up under your desk — along with dozens of other cords.
While a seemingly useful idea, a war between the “winders” and the “folders” has erupted online.
The PowerCurl, which lets you wind the magsafe cord around the orange plastic housing “does more than get me a little excited,” raves Gizmodo.
On the other end of the spectrum, Gadget Lab takes a tongue-in-cheek jab at the “neat freaks” and those who “maniacally wrap” their cords versus people who “gently fold” their power lines.
Power cords rarely produce this much excitement.
The PowerCurl costs just $7.25.
[Via Gadget Lab, Gizmodo and Quirky]
You’d think the ship had sailed on any iPod dock gear making news. Aside from the cottage industry for cases, we’ve read so many dock announcements they start to blur together. However, Sharp Friday broke through the banality and the normal eye-on-the-clock mentality of Friday newswriters.
“Sharp DK-AP8P iPhone Dock’s Touch Remote Is 3X Better Than an iPod,” declares Gizmodo.
Just yesterday, Leander described a remote for Altec Lansing’s Mix Boombox for the iPhone worth “its hefty $300 price tag.”
Sure, the DK-AP8P let’s you change the music selected and the glossy-black remote acts as a cover, but three times as useful as the iPod’s own remote? Technically, Giz is correct, since Sharp’s 3 touch wheel-remote does outnumber Apple’s solo touchwheel for the iPod/iPhone.
The DK-AP8P weighs in at 1.6 pounds, lets you recharge your iPod or iPhone while in the integrated dock and costs $189.99.
We end the week with a continuing flood (alright, two) of iPods. Today it is the touch’s turn, with 8GB and 32GB models on sale. We all knew love was on life support, but Apple’s iTunes Store gives us the bad news: Love is Dead – and free. Finally, there are the Digital Performance Glasses from Metropole. They may not give you x-ray vision, but they are way cool.
Details on these and many other bargains are as close as clicking to the next page of CoM’s Daily Deals.
Apple’s new fifth-generation iPod nano, now with a video camera, is a perfect pearl of 21st-century technology. It’s a lovely piece of electronic jewelry that does almost everything except dispense pints of beer.
It can record video, play movies, store weeks’ worth of music, wake you in the morning, remind you of a dental appointment, record how many steps you walked to work, and how long it took you. It remembers all your contacts, records voice memos, stores your shopping lists and plays a bunch of games that are controlled by tipping and tilting the beautiful little device.
It’s easy to get complacent about Apple’s iPods, new ones come out so often. They’ve got to be 3D holographic auto-mastubators to get anyone’s attention. But take a step back, and it’s pretty astonishing how much advanced technology is stuffed into such a tiny device, and how beautifully it’s done.
On the day after Apple announced new iPod features, retailers roll out their sales on shuffles, nanos, the touch and even the classic. Speaking of classics, you can still get CRT versions of the iMac used for just $40. For something newer, you can grab a just-announced iPod nano with video camera for $149 or an 8GB iPod touch for $199.
Details on these and many other bargains (like MacMall’s 75% blowout on Apple gear) can be found at CoM’s Daily Deals page.
Alan Kay, the computing visionary who first envisioned the Dynabook computer concept, worked at Xerox PARC and helped make the original Mac amazing, is one of my favorite technology philosophers. Simply put, he had a way of turning a phrase when discussing the progress of technology that could bring clarity to a muddled topic.
Of all his quotes, my favorite is also one of his most casual. He said that the Macintosh was “the first personal computer good enough to criticize.” In his mind, everything else had been so crummy that to begin listing faults would pretty much convince you that PCs shouldn’t exist at all. Ever since, the mark of an emerging technology’s arrival is the point at which it becomes good enough to begin figuring out what’s wrong with it.
And of all of Apple’s announcements this morning, only the digital album format iTunes LP (also known as Cocktail) qualifies as a major improvement to a nascent technology. Simply put, though Apple long ago figured out how to sell music as digital downloads, it’s taken until now for them or anyone else to get in the ballpark of how to make those downloads feel anywhere near as special as a physical CD or LP.
Having played around with it for a bit (and watched several more demos of albums I haven’t picked up), it’s quite clear that Apple’s made a huge leap forward. And in so doing, it has made it abundantly clear how far they have to go.
Here are five steps Apple could take to make iTunes LP a competitor with your vinyl collection:
1. Get It Off My Computer and On My Devices
The nice animation, visuals, video, and lyric displays offered for the first round of iTunes LP are nice and all, but I don’t actually spend a lot of time focusing on my music when playing it back off of a computer. iTunes is a background task most of the time, and even this immersive experience won’t change that — and it’s kind of weird to “page” through liner notes with mouse clicks. The entire look and feel is dramatically more suited to the iPhone or, dare I say it, a tablet computer. If Apple brings multitouch into the equation, maybe the format will restore some of the emotional connection to the tangible object of music in some way. For now, this is some nice animation I’ll never look at again.
2. Offer Lossless Audio Files
At this point, the only people who are under the impression that limiting the supply of legitimate digital music actual limits the piracy of music work for record companies, yet it’s nearly impossible to buy truly CD-quality (or better) digital audio from major recording artists online. Apple should use the opportunity presented by iTunes LP to significantly up the quality of its audio to make the music itself sound more special.
3. Make it Simple for Artists to Use
Do you know how many iTunes LP titles are available today, the first day of launch? Six. A 43-year-old Bob Dylan record you should already own, a greatest-hits collection from the Doors, American Beauty by the Grateful Dead, the new Norah Jones, the new Dave Matthews Band, and actor Tyrese Gibson’s way-autotuned comic book mash-up MAYHEM! Something for everyone, eh? If that somehow isn’t enough music for you, Apple is offering five (5!) additional albums for pre-order.
Yeah.
Clearly, the format is too complex for artists and labels to get behind yet. If you have the budget of Dave Matthews or Bob Dylan, you can have people make it for you, but if you’re pretty much every other artist, taking advantage of the format will take some (or a lot) or doing. If Apple wants this to become a de facto standard for digital albums, it needs to make this a blindingly easy process for artists to participate in — as easy as submitting your record to iTunes for sale. I don’t know exactly what that looks like, but it’s a clear key to success.
—-
Again, iTunes LP is a fascinating effort. But it’s only good enough to criticize. The next year will be Apple’s opportunity to get it right or watch this concept go the way of the enhanced CD.
Singer Nick Cave has a new novel out: The Death of Bunny Munro, a light, cheery, life-affirming tale of the last days of a the eponymous traveling salesman. Just kidding — it’s dark. It’s also available as an audio book and an iPhone application.
But the best part is, guess what he used to write the first chapter?
Earlier today Steve Jobs told the New York Times that the iPod touch is first and foremost a gaming device, and that’s why it doesn’t have a camera. We’re not entirely convinced, but look at this chart Apple trotted out this morning’s “Rock & Roll” event.
It shows the number of game and entertainment titles for the iPhone/iPod platform. Apple has almost five times the number of titles as the Sony PSP and Nintendo DS combined.
That’s a huge number. Yes, a lot of those titles are fart apps or simple throwaway games. But that’s still a lot of titles. My kids haven’t touched their GameBoys since we got an iPod touch.
This is why the iPod touch was upgraded with beefier CPU and graphics — to make it a better gaming machine. And no wonder every game company under the sun is rushing out apps — the iPhone/iPod platform is taking over. Add another industry to Steve Jobs’ quiver: PCs, digital music, computer animation, mobile internet and now games.
