Filed under, it’s never too soon.
This evening, without so much as a beating drum to alert the dogs of war, Apple fired a shot right across the bow of Adobe Photoshop’s dominion over photo editing.
Aperture is already my favorite photo organizing and fine-tuning software –it’s brilliant, and offers a seamless upgrade to the familiar iPhoto. What’s been frustrating however is the need to export to Photoshop to perform anything more than basic RAW adjustments to highlights, shadow, sharpness and re-touch.
Today, this all changed. Apple has released an example plug-in “Dodge and Burn”, and with it, demonstrated Aperture’s plug in architecture. Per this review, additional plug ins are in the works from Nik Software, PictureCode, and Digital Film Tools.
Sure we won’t be able to “paint” in it (and why would we), but if Aperture will shortly have access to the kind of plug-in library available to Photoshop, there may be virtually no need for Adobe in any professional photographer’s workflow. This is clearly one step further in Apple’s strategy to dominate their core “creative professionals” market. Remember when Avid/Adobe Premier owned film editing? Who is going to pick that over Final Cut now?
I’ve been playing with the version 2.1 now for a few hours and love the new functionality, but what’s got me more exited is the potential, I see a huge library of plug-ins on the horizon. So Aperture users, sound off, what plug-ins do you desire most? Me, top of the list, I want an HDR merge and tone-map plug-in, Right Now.
Leigh McMullen leads the Advisory Services & Strategy practices for the professional services arm of one of the Big-Five firms. He has written several books that would cure any insomnia you might have, and is an avid Mac junkie.
