He just struck a deal with the record labels to finally monetize pirated music — a move that “resets the whole music industry,” according to one music-tech CEO.
The new scan-and-match feature in iTunes — called iTunes Match — will put a copy of most songs in users’ libraries in the cloud, where they will be available for streaming to any device for $25 a year.
It doesn’t matter where those songs came from — whether they were purchased on iTunes, ripped from a CD or downloaded from a file-sharing network.
“This puts together a model that allows people to make money off of pirated music,” Jeff Price, founder and CEO of independent music distributor TuneCoretold Mashable.
The service will likely be launched on Monday — and from then on, most of the music in user’s iTunes libraries will be synced automatically with the 18 million tracks Apple has on file.
The annual subscription fee is a clever way to get people to finally pay for pirated music, albeit a fraction of what that music may have originally cost. Jobs didn’t detail the split, but Apple reportedly keeps 30% and gives the the labels ~60% and publishers ~10%.
“Napster trained people to download music and listen to it on their computers,” he says. “This new service will help people become more comfortable with the idea of streaming their music. And that’s what resets the whole music industry. Reeducating the consumers on how to listen to music.”
Jobs said the chances are “awfully good” that songs will find a match on Apple’s servers. Songs will be available as high-quality 256Kbps AAC audio files. The majority of music libraries aren’t uploaded, as they are to Google’s and Amazon’s services, which means the matching process takes minutes, Jobs said.
“The few songs that remain? Well, we’ll upload them,” Jobs said.
Leander has been reporting about Apple and technology for nearly 30 years.
Before founding Cult of Mac as an independent publication, Leander was news editor at Wired.com, where he was responsible for the day-to-day running of the Wired.com website. He headed up a team of six section editors, a dozen reporters and a large pool of freelancers. Together the team produced a daily digest of stories about the impact of science and technology, and won several awards, including several Webby Awards, 2X Knight-Batten Awards for Innovation in Journalism and the 2010 MIN (Magazine Industry Newsletter) award for best blog, among others.
Before being promoted to news editor, Leander was Wired.com’s senior reporter, primarily covering Apple. During that time, Leander published a ton of scoops, including the first in-depth report about the development of the iPod. Leander attended almost every keynote speech and special product launch presented by Steve Jobs, including the historic launches of the iPhone and iPad. He also reported from almost every Macworld Expo in the late ’90s and early ‘2000s, including, sadly, the last shows in Boston, San Francisco and Tokyo. His reporting for Wired.com formed the basis of the first Cult of Mac book, and subsequently this website.
Before joining Wired, Leander was a senior reporter at the legendary MacWeek, the storied and long-running weekly that documented Apple and its community in the 1980s and ’90s.
Leander has written for Wired magazine (including the Issue 16.04 cover story about Steve Jobs’ leadership at Apple, entitled Evil/Genius), Scientific American, The Guardian, The Observer, The San Francisco Chronicle and many other publications.
He has a diploma in journalism from the UK’s National Council for the Training of Journalists.
Leander lives in San Francisco, California, and is married with four children. He’s an avid biker and has ridden in many long-distance bike events, including California’s legendary Death Ride.
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