That other man being, in this case, freelance graphic designer Viktor Hertz, who spends some of his time making fun little art pieces out of Macintosh progress bars.
He calls this project his “work in progress bars,” and you can see his whole collection on his main page, as well as some of his other illustration work over on Behance. Continue below to see a few more tasty treats from Hertz, who calls it “a quick and silly little side-project of mine.”
Remember being lost in the 8-bit world of Atari and Nintendo? When Adam Lister was a boy, he couldn’t spend enough time in his basement playing Pong, Space Invaders or Donkey Kong.
Games and graphics, of course, evolved, and the chiptune music of those game consoles went silent long ago. But the graphic language where characters are a rough collection of cubes and rectangles still speaks to Lister.
It is the lens through which he views art history and pop culture in a series of more than 250 watercolor paintings he created over a three-year period.
It happens all the time: The subject of a portrait tries to put their best face forward but the photographer senses a more authentic expression locked inside. To get to something real, the photographer utilizes a range of tricks and charms to peel back the subject’s veneer.
South Carolina photographer Patrick Hall used 300,000 volts.
Shockingly, close to a hundred people got zapped with a stun gun for Hall’s series of still photos and a slow-motion video that went viral soon after it was published on the Fstoppers website, which Hall co-founded.
“I wanted to start making more photo series of things I don’t normally do,” Hall told Cult of Mac. “Why don’t I get reactions of people doing something painful or joyful that is more than the standard portrait? What could I do to consistently get reactions?”
Before anyone ever uttered the word “selfie,” Meags Fitzgerald had accumulated thousands of photos of herself taken in photo booths in the malls and train stations near her home.
She produced strips of four one-of-a-kind poses almost daily, sometimes hiding in a mall photo booth until after close. High-school friends dubbed her “the Photo Booth Girl.” Today, when the Montreal artist pulls the curtain in a booth, the flashes sometimes don’t stop until she has enough photos to produce a movie.
“It’s very much an obscure labor of love,” said Fitzgerald, a freelance illustrator who has produced six film shorts, all in photo booths. “There are certainly people who have used photo booths in their mediums but I’m the only one I know who has used them in this way, in this length or with the narrative purpose I’ve tried.”
Like David Blaine and Criss Angel before him, he has a special talent for blurring the line between reality and fiction. But instead of utilizing sleight of hand or his indomitable will to delight his audience, Heine keeps it simple by using just a pencil and camera to create his illusions.
Heine’s incredible art series Pencil vs Camera combines gorgeous landscapes and city scenes with hand-sketched drawings. The otherworldly images that result are both whimsical and intriguing, with a bit of mind-bending magic thrown in for perspective.
“I always try to express what I’m feeling,” Heine told Cult of Mac, noting that most of his inspiration for drawings come “mainly from people around me — friends, family, even strangers — and from every experience I live.”
Instead of trotting out the cliché question, “Are games art?,” an exhibit at the Electronic Entertainment Expo aims to explore the actual artwork from upcoming and recently announced video games.
Long gone are the pixellated abstracts of yesteryear: these are fully realized, gorgeous works of art in various styles, hung for all to see in the Los Angeles Convention Center, where the Expo takes place this week.
Developing today’s graphics-rich video games –mobile, console, or PC — takes a lot of time, talent, and passion, and the images above show the kind of artistic energy that is put into them. From the painterly styles of artwork from Assassin’s Creed Unity and Destiny to the poster illustration of The Banner Saga and Sunset Overdrive, there’s a lot to like in the images above.
From 1993 until 1997, Apple’s rainbow logo smiled down from the east-facing side of Infinite Loop’s Building 3 as drivers sped north on Highway 280.
Now these Styrofoam and fiberglass signs are treated like fine art being peddled by one of the world’s oldest and most prestigious auctioneers.
Two rainbow Apple logos from the company’s original offices will be put up for auction next month at Bonhams and even though they come with some wear and tear, these Apple logos will cost you more than all your previous Apple purchases combined.
All you comic lovers and designers out there…get ready. Cult of Mac Deals has some software on sale that takes your designs, characters and stories and puts them in motion to create the story you have been visualizing.
We all love having plenty of space to work and learning time-saving cool techniques. With Motion Artist you can layout comic panels and image layers in any way possible using a large, user-friendly workspace and with its dynamic camera action automatically creates a cinematic experience. And Cult of Mac Deals has this killer application for 66% off – just $19.99 – during this limited time offer.
The famous Macintosh “Picasso” trademark logo was developed for the introduction of the original 128k Mac back in 1984. A minimalist line drawing reminiscent of the style of Pablo Picasso, this whimsical graphic implied the whole of a computer in a few simple strokes. It was an icon of what was inside the box, and became as famous as the computer it represented.
The logo was designed by Tom Hughes and John Casado, art directors on the Macintosh development team. Originally the logo was to be a different concept by artist Jean-Michel Folon, but before launch it was replaced by the colorful line drawing. It’s been famous ever since, and the style has endured across decades.
Casado recently attended the 30th Anniversary of the Mac celebration, and emailed Cult of Mac to shed some light on the history of this famous graphic. It turns out Picasso was not the primary inspiration for this after all – rather, it was Henri Matisse!