headphones - page 10

When one company swallows another, it’s common for a slow shift in rebranding and design to occur as the two entities thrash out their roles and relationship. The latest shift in the Logitech-Ultimate Ears story — Logitech purchased UE in 2008 — occured a month or so ago, when Ultimate Ears was rebranded as Logitech UE and launched a suite of high-end, blue-tinged soundware, with a product selection that reached far beyond the in-ear monitors the company has thus far been known for. In fact, out of seven new gadgets, just one new IEM was introduced: the Logitech UE 900 ($400), a quad-armature earphone that now sits at the pinnacle of UE’s non-custom earphone line.

The UE 900 has lineage, of course; we loved the snug fit, solid build and amazing sound of its antecedent, the TripleFi 10. But the TripleFi 10 is gone, and the UE 900 has stepped into its place with new ergonomics, a new sound — and a lot of blue.

I-Mego’s Throne headphones will bring a big dose of retro styling to the sides of your head. While they pack almost every modern piece of tech you need, they look more like those old-style mics used by radio-announcers (radio announcers in movies at least) and blues crooners.

Headquake is a music sound enhancement app for iOS. It claims to “flat narrow sounds to an enormous yet perfectly balanced 3D Sound experience surrounding your head.” But hearing, like music, is a very individual thing, and Headquake’s efforts aren’t always much of an enhancement.

Vox’s Amphones is a pretty neat little range of headphones. Named for “amp” and “headphones.” they combine the two. Thus, you just jack the cans direct into your guitar and enjoy various effects as you play.

There isn’t anyone with a model catalog quite like Sony (how the hell do they keep track of these things?). The company has just refreshed their line of midpriced, bass-heavy MDR-XB headphones with three new models, replacing four previous ones.

The three new models, the XB800 ($150), XB600 ($100) and XB400 ($60), all follow Sony’s headphone design template: soup-bowl sized, perfectly circular cups attached to massive headbands (the headband on the XB800 is so formidable it looks like it could maybe double as a helicopter landing strut).

Phiaton’s new Moderna MS 200 earphones ($149) sound good and have great sound isolation, sure, but what’s more important is how good they look plugged in to your new iPhone 5.

I remember saying something to the effect that these Monster Inspiration headphones (passive noise isolation, $300) looked like fluff when I first encountered them at the Consumer Electronics Show earlier this year. Boy was I wrong.

I just got back from the friendly Apple Store at Barcelona Passeig de Gràcia, and I'm the proud owner of Spain's first set of EarPods. The Apple Store service was — as ever — spectacular, and the salesman, Manel, told me I had bought the first pair of EarPods sold in Spain. But how did he know?

Most Bluetooth headphones are ugly. Most Bluetooth headphones are junk. Most Bluetooth headphones make you long for a cord. They are distorted, bass heavy, low-quality piece of junk.

For the most part, not so Harman / Kardon’s over-the-ear Bluetooth headphones. These are Bluetooth headphones worthy in both sound quality and design of the iconic company that not only helped create Hi-Fi, but is, in many non-trivial ways, the Apple of sound.

The Phiaton PS 210 BTNC ($129) earphones—yes, they named them all that—have all the same functionality as your white Apple earbuds; you can chat with ’em, listen to tunes with ’em, even control your iPhone with ’em. But unlike your white-wired buds, they do all that wirelessly via Bluetooth, and include some sparkly noise-canceling technology that deliver audio to your ears sans a world of ambient sounds.

Discovering great headphones from a company that specializes in making bags was surprisng at first, when we reviewed Incase’s Sonic headphones late last year. A month later we were less stunned when we grunted in approval at their Capsule in-ear ‘phones during our budget(ish) canalphone shootout.

This time around we played with a new denim-clad version of the on-the-ear Incase Reflex headphones ($80) — which sit between the $150 over-the-ear Sonic and the canalphone Capsules — and came away with the impression that the Reflex may very well be the best bang-for-buck of the bunch.

Bluetooth speakers? Count me in. I love the things: portable, great-sounding, remote control right there on the speaker, and wireless. But Bluetooth headphones? Aren’t they bulky, and with crappy battery life? Not, apparently, the new Satchi BT Lite headphones, which – as the name suggests – are pretty “lite.”

You’re an American, and you’ve just watched your athletes come away with a barrel full of gold medals in London. Maybe you’re feeling a little patriotic; maybe a little like you want to go out and train for Rio de Janiero. If so, then Monster has created the perfect earphones for you: A special edition “USA” version of their impressive, washable, iSport IEMs.

It’s August, which means two things. One, there’s no news to report on, which means that most of a gadget blogger’s workday is taken up with siestas and refreshing beverages. And two, it’s vacation time! That’s right: The whole northern hemisphere likes to take a break at exactly the same time, all the better to enjoy congested roads, overpriced plane tickets and overcrowded hotels.

To ease your pain, we’ve put together a list of the best travel gadgets. You may not enjoy spending a hot and stuffy month with your in-laws, but at least your tech won’t let you down.

Replug is a gadget that could – if it had existed a few years ago – would have saved me a fortune; literally hundreds of dollars. It is a simple and excellent idea: a magsafe connector for your headphones, only without the magnets.

We bumped into neophyte Australian headphones-maker Audiofly in January, during a press-only event at this year’s Consumer Electronics Show, and gave two models in the four-model lineup a whirl. Their mid-level AF45 set sounded great for $50; but the next one I tried — the top-of-the-line AF78 ($200) — left me slack-jawed with disbelief; its sound knocked my socks off, even amid the cacophony of noisy journalists.

What makes the AF78 unusual is its speaker arrangement.

Many mid-to-high-end canalphones are powered by tiny armature speakers, while moving coil drivers are found pretty much everywhere except the very high end. Armatures are generally better at producing clean highs and mids, but can lack deep bass; moving coils, on the other hand, are generally not as good at reproducing the clarity of an armature. But the AF78 is part of an elite group of models  — like the Scosche IEM856m I reviewed last year — that employ both a moving coil speaker and a balanced armature in each ear, in an attempt to give the listener the best of both worlds. And it works spectacularly.

Let me count the ways that I have killed so many successive sets of earbuds, whether from Apple or otherwise. Rain, sweat (ears), sweat (general, dripping), wet ear canals from insufficient after-shower toweling. More rain.

You get the idea.

If only I’d had a pair of Klipsch’s new rugged S4i earbuds, which are rubberized against both the elements and also my deadly perspiration.

The earbuds are also fully iReady, with a mic for calls and a three button remote for play/pause/answer and volume control. The specs say that the sensitivity (a good measure of how loud they are) is 110dB and the frequency response goes from 10Hz to 19kHz – a respectable range for a ‘bud.

But the toughness is the thing, and these multicolored cans can put up with most exercise and outdoor activity.

I doubt they can resist my single most common way to break a pair of headphones though – the Tug. The Tug can be achieved in many ways, but has one common element: you forget about a dangling cord and catch it fatally on an immovable object, or your own body. I have ended the life of a pair of Porta Pros by standing from a crouch and catching the cable on a knee. And I butchered a pair of retro Panasonic over-the-ear headphones when the cable snagged on a post in the street.

I should probably be more careful.

The S4is will be available soon.

Source: Klipsch

Thanks: Ashley!

The earbuds that came with your $600 iPhone are junk, and if you bought an iPad, Apple didn’t even include a pair in the box. It’s time to upgrade.

Trouble is, there are all kinds of cans out there. How do you know what set is right for you? Some people (like me) seem to have a pair for every situation. For everyone else, here’s our guide to the best.

Local SF Bay Area startup California Headphones presents two high-performance headphones that combine fetching good looks with a less bottom-heavy audio usually associated with a lot of over-ear headphones aimed at rap/hip-hop listeners. These retro-styled headphones instead emphasize the middle and higher sonic frequencies of guitar and vocal music, the sound milieu of breezy California. And my favorite part is that the headphones come with Duo-Jack smart signal divider, so you and a friend can both listen simultaneously to your iPod.

While other manufacturers might tart up their headphones with loud colors, obnoxious logos and frills, the Klipsch Image One ($150) drops all extraneous nonsense in favor of making you happy through its three impressive strengths: perfomance, comfort and portability — a triple threat that makes these headphones a contender for best traveling companion.

I suppose that product meeting for the V-Moda Vamp went something like this:

Designer: Here it is! The Vamp case. It’s a metal case for the iPhone.

Boss: What the hell is wrong with you? That thing is huge. It’s an embarrassment to the good name of V-Moda. My god. With a box that size you could fit in literally anything. ANYTHING!

(Light bulb goes off over designer’s head)

So far it’s been pretty consistent: Each time we review a set of Ultimate Ears ‘phones, the bar leaps up a few notches as our expectations regarding the outfit’s offerings rise. After reviewing the 350, 700, and especially the 600vi — which garnered a best-in-class verdict — we were expecting the TripleFi 10 ($400) to slay vampires and cure cancer.

Of Ultimate Ears’ more serious offerings — and by serious, I’m referring to UE’s armature-equipped models, which start at $100 — the TripleFi 10 is by far the most serious, with three drivers and a crossover in each ear, pro-level detachable leads, the thickest cable we’ve ever seen on an IEM, Comply foam tips (the best tips, period) and a sound signature that’ll have you madly running through your entire music catalog with a big, gleeful smile plastered all over your face.

What!? Neither Cult publication has ever reviewed Monster’s famed Turbine earphones, even though the IEMs have been hanging on Best Buy end caps for the last several years? Well, that’s an injustice we won’t let stand another day — after all, these are among the best recognized, and most iconic IEMs on the market.

The Turbine is the base model in Monster’s Turbine lineup; though with an MSRP of $180, “base model” seems like a relative term (the two higher models, the Pro Gold and the Pro Copper, are $300 and $400 respectively and are apparently better at reproducing a wider range than the plain-wrapper Turbines reviewed here).

Only in the world of technology could a company get away with calling these earbuds “wireless.” The product is called the BackBeat Go, and the company is Plantronics, and to anybody with more than zero eyes, it’s clear that they are connected by a wire.

Not so, according to the product blurb: “No wires, no hassle, no compromise,” it says. To which we might add “no brains.” Even better, just a few lines later you can read this sentence: “Inline controls let you pause music to take a call, change volume, or skip tracks.”

I’m not a big fan of music processing. As a child of the 1980s, I spent more time tweaking graphic equalizers than I did listening to actual music. And now, I figure if my iPad can’t manage to make an over-compressed MP3 sound good, then not much will help.

But those who prefer their music to be all big bass and punchy highs might find the SRS iWOW-U to be a compelling purchase. The dongle dangles between your iDevice’s jack socket and your headphones, and “will make you say ‘WOW’ within 10 seconds of turning it on,” according to the blurb. Then again, that same blurb also claims that the iWOW-U offers “an amazing HD-quality listening experience,” so take from that what you will.