As huge Superman and Batman fans, no-one is more excited than we are. With that in mind, here are the 9 things we hope more than anything that director Zack Snyder is able to get right for history's most eagerly-anticipated team-up. Check out the gallery to find out what they are.
While The Joker is, without a doubt, the ultimate Batman villain, we’ve seen him too recently thanks to Heath Ledger’s brilliant performance in 2008’s The Dark Knight. Instead, I’d like to see the filmmakers revisit the Batman antagonist with the most promise yet to be given the proper big screen treatment.
By this, I refer to Mr. Freeze, who was last brought to unconvincing life by Arnold Schwarzenegger in 1997’s dreadful Batman & Robin. Since then we’ve had a superb New 52remix of Freeze’s origin, downplaying the character’s tragic origins in favor of an added dose of insanity.
Play Freeze as a (no pun intended) coolly calculating criminal mastermind, like Kevin Spacey’s John Doe in Se7en, and you have a character who could mentally torture both Batman and Superman equally. Freeze’s love for cold would even tie into Superman’s arctic Fortress of Solitude.
We’ve already heard that we’re getting Jesse Eisenberg as Lex Luthor. The last thing this movie needs is an overload of villains, so hopefully Zack Snyder will concentrate on getting Luthor right, as opposed to adding more enemies from Superman’s rogues gallery.
Although Bryan Cranston and Bruce Willis would’ve been picks more in line with the Lex Luthor of the comic series, Eisenberg has the makings of a great Lex Luther reimagining, particularly if he can channel some of his Mark Zuckerberg character from The Social Network. Since The Man of Steel was all about Superman being challenged physically, this could be a perfect inversion of that concept.
Besides, forget industrialists -- the real power brokers today are the billionaire techies from Silicon Valley.
Chris Nolan ticked off a lot of the Batman characteristics in his landmark Dark Knight trilogy, but very rarely did Batman venture into the Dark Knight Detective persona he is presented as in the comics. In a movie that looks like it’ll be filled with super powered heroes, Batman is going to be very quickly outshone if he doesn’t have something to set him apart.
That "something" should be his intelligence, which was presented so well on paper by Grant Morrison in his classic run on JLA. Zack Snyder’s films are sometimes singled out for being more about surface than about substance. By making Batman into the thinking man’s hero, a lot of that criticism could be allayed.
This point cannot be stressed enough. The Batman movies especially have always focused on the duality of Bruce Wayne/Batman, and this is the opportunity to take that idea one step further. Batman and Superman are polar opposites, and this could have the makings of a great on-screen chemistry provided the two lead actors are up to it..
Yes, everyone wants to see the heroes fight (more on that later) but Bruce and Clark’s opposite ways of looking at the world could give us the best back-and-forth dialogue this side of Captain America and Iron Man.
Highlight the difference between Gotham and Metropolis
It’s not just Batman and Superman who need to have the right dynamic: the two heroes’ respective home towns also need to emphasize the differences between both. The closest we’ve come to the right architecture for Gotham was in Tim Burton’s 1989 Batman, while Snyder’s The Man of Steel offered a perfectly acceptable Metropolis.
Where Batman’s city is full of rain, gargoyles, and perpetual nighttime, Superman’s Metropolis should be sunny, gleaming and brimming with skyscrapers. Batman is more at home in Gotham, while Superman feels more comfortable in the Big M. Hopefully Snyder has a plan for taking both heroes out of their comfort zone at one point in the flick.
Let’s be honest: if a movie called Batman V Superman doesn’t feature a slugfest between our two titular heroes, fanboys are going to riot. The San Diego Comic-Con already hinted at this confrontation by invoking the image of Frank Miller’s legendary graphic novel, The Dark Knight Returns, which ends with an all-out slugfest between the Dark Knight and the Man of Steel.
The challenge with Batman V Superman is going to be having the two clash in such a way that it neither weakens the heroes for future standalone movies, or makes it nonsensical that they’d team up for the sequel. There are plenty of ways to do this: we just hope the writers pick the right one.
Easier said than done, given that the movie’s title alone sets this up as essentially an extended preview for a Justice League flick. But fans have waited more than 70 years to see Batman and Superman together on screen, so it’s vital that this film feels like its own animal rather than just a stepping stone to a bigger team-up.
It’s one thing to want to see the sequel the moment the credits roll; another one entirely to feel like the producers are already tugging at your wallet.
In a post-Kickass world, the idea of a Hit-Girl style sidekick is no longer unrealistic. Why not set Batman V Superman apart from the Nolanverse, then, by featuring Batman’s crime fighting partner, Robin? To continue the Dark Knight Returns vibe, perhaps even make Robin the female Carrie Kelley incarnation for good measure.
...And give us a proper Batmobile while you're at it!
Yeah, we get it: the Dark Knight's Tumbler was how the Batmobile could conceivably look in the real world. But can we please have one that looks somewhat like a bat this time? I don’t think too many fans would complain if we got Tim Burton’s sleek Batmobile back.
Apple appears in more movies each year than Samuel L. Jackson.
The latest flick to feature the company’s products is the new comedy, Sex Tape, in which Cameron Diaz and Jason Segal record an “adult home movie” on their iPad, only to accidentally upload it to the iCloud, so that all their friends and family get to see it. (Yep, it’s basically the American Pie joke, only stretched to fill an entire movie.)
While Apple’s inclusion in the film means that Cupertino is presumably happy with the script (the trailer even features an added reference to Siri), when GQ magazine contacted AppleCare to find out whether the described scenario could actually happen it was told that it is pretty much flat-out science-fiction.
Hollywood is reboot-mad, with some movies (like Chis Nolan's Dark Knight trilogy) coming up trumps and others (like this year's Godzilla) falling short of fan expectations.
We've opined about concepts we wish Apple would revisit, but tech isn't the only area where good ideas get forgotten. There are plenty of series we'd love to see dusted off, either because the original was so good or because the subject proved just a bit too ambitious for its time. With that in mind, here's our gallery of eight movie franchises we'd love to see back on screen in the near future.
Which ones made the cut? Click through the gallery above to find out.
Pixar movies are all well and good (well, great), but I can’t help but miss the kind of kid’s movies that did the rounds in the 1980s. Of these, The Last Starfighter was a favorite -- and it’s definitely prime material for a reboot.
The movie tells the story of Alex Rogan, an average teen boy who’s recruited by an alien defense force to help fight in an interstellar war, all because of his skill at the Starfighter arcade game. It was essentially a Star Wars ripoff, but it was one of the best ones, and among the first films to feature CGI graphics.
Three decades after the movie’s 1984 release, video games have moved on a lot, but The Last Starfighter's key ingredients would be great in a refresh for the Oculus Rift generation. Today’s photo-realistic graphics and immersive VR environments would also open the doors for a blurring between fantasy and reality, making this a cross between The Last Starfighter and Total Recall.
I’m a Stargate geek, plain and simple. From the original 1994 Roland Emmerich movie to SG-1, Atlantis, Infinity and even Stargate Universe, I’ve watched pretty much everything related to this military space-hopping sci-fi series.
As much as I love the concept, though, there’s little doubt that the idea of present-day military men and women who travel across the universe and find themselves in an alien version of ancient Egypt could benefit from modern special effects. The original movie feels oddly small these days, and imagining what could be done in post-Avatar Hollywood is pretty mind-boggling. Original co-creator Emmerich has pretty much disavowed most of the spinoffs, but that doesn’t mean he couldn't borrow the odd idea here and there.
Speaking of sandy epics ... Frank Herbert’s 1965 sci-fi novel Dune has, to date, spawned one movie and two TV miniseries. Herbert himself wrote six novels, but thanks to his son Brian and co-author Kevin J. Anderson, Dune has now expanded to a series of 20 novels's worth of potential movie source material — with various prequels and tangential side notes that all manage to connect into a single, sprawling storyline.
If you’ve never read one, trying to explain the plot is a bit like trying to fill in a newbie on Game of Thrones during the opening credits of an episode midway through Season 4. Set more than 20,000 years in the future, Dune takes place in a world in which royal houses battle for control of the desert planet Arrakis and its precious resource, the spice melange. Being every bit as deep as the Star Wars and Lord of the Rings universes, it’s got plenty of mileage to kick-start a new franchise.
Unlike every other movie on this list, Reign of Fire never really delivered in its original incarnation. A movie about military fighting dragons should have been superb, brainless fun rather than an uninspired mess. A reboot could take the high-concept brilliance of the original, add a bit more Godzilla-style destruction, and wind up with a movie that could be well worth a look.
Note to would-be rebooters: Good luck getting the original cast of Christian Bale, Matthew McConaughey and Gerard Butler for anything close to 2002's price.
It’s only been a few years since the last entry in Chris Nolan’s fantastic Dark Knight trilogy, but what can I say — I’m a Batman fan! The great thing about a hero whose exploits have been published every month for 75 years is that there are dozens of distinctive takes on the character that could form the basis of a reboot.
Tim Burton’s movies were vintage goth Batman; Nolan’s flicks brought the character into the real world; Zack Snyder’s upcoming Batman v Superman: Dawn of Justice will seemingly borrow heavily from Frank Miller’s The Dark Knight Returns. So what’s left for another solo series? How about a movie that embraces Batman’s comic book persona as it exists today? Scott Snyder and Greg Capullo have been setting the world on fire with their kick-ass interpretation of Batman in DC Comics' New 52, while the Arkham video games introduced a new generation to Batman’s rogues gallery.
Is there a single solitary person who wouldn’t want to see Snyder and Capullo’s Batman go one-on-one with, say, Deadshot? There have been some very good movies in Batman's history, but none that have ever felt quite like the comic. And let’s finally have a proper version of Robin while we’re at it.
Remake Alien? Sacrilege! Remind moviegoers of why it's one of the best and most terrifying franchises around with a reboot? Absolutely.
Even as someone who dearly loves the Alien franchise and quotes James Cameron’s Aliens on an almost daily basis, I readily admit there hasn’t been a great entry in the series since the '80s -- or a passable one since 1997.
Like so many of the movies mentioned here, the real advance that would bring Alien up-to-date is the leap forward in special effects. Modern CGI would make possible some of the grand-scale battle scenes that simply weren’t feasible back when the franchise was in its prime. An even better idea: Borrow from the cinematic revelation that was Gravity to take this film back to its scary roots.
This is another movie nobody should ever think about remaking, but which could have the makings of a fantastic sequel. Quentin Tarantino has created a lot of memorable characters in his career, but perhaps none more so than Vincent Vega, Jules Winnfield, Marsellus Wallace and gang.
While the original tied up each plot line neatly within the confines of the movie, there are still plenty of questions left over about what happened next. Tarantino’s talked about revisiting some of Pulp Fiction's characters, but to date he never has. We’re there in a shot the moment he does.
Buffy, one of the best shows of the late '90s, rose to prominence thanks to the same winning mix of kick-ass fantasy action, soap opera plotting and snappy one-liners that would go on to make The Avengers a comic book movie classic. Taking the core concept of a teenage vampire hunter -- which got turned into a comedy/horror film in 1992 -- and adding some Walking Dead-level grit would be the perfect way to reclaim vampire movies from the ignominy of Twilight.
What did we miss?
Got your own favorite movie or TV franchise that’s just begging for a reboot? Let us know in the comments below.
Disney has announced the screenwriter-director combo who will helm the new Star Wars standalone film. The writer will be Gary Whitta, a tech nerd turned screenwriter who has written the dialogue to some of the best adventure games on the Mac and iPad. As for the director? He’s behind the number one movie at the box office right now, Godzilla.
Pixar films are always generous with their Apple product placements. Maybe it's because they're so simple a toy can use them, which is exactly what happens in Toy Story 3 when Woody uses Bonnie's Mac to Google directions back to Andy's house.
You've Got Mail
Meg Ryan's PowerBook was such a crucial plot point in You've Got Mail that it was visible for nearly four minutes of the 119-minute-long romantic comedy. The other 115 minutes might have been filled with a repeating loop of the AOL chime for all we know.
Phil Dunphy’s love of the Apple has been a reoccuring theme on Modern Family, but the best episode of all was when Steve Jobs and Jesus conspired to have the launch of the iPad fall on his birthday.
A Mac saves the world from imminent alien annihilation in Independence Day. His holiness Steve Jobs couldn't have written a better plot to glorify his creation's powers than Jeff Goldblum’s brilliant intergalactic hackery, powered by a PowerBook 5300.
In the terrorist-soaked world of Jack Bauer’s 24, the war of Mac versus PC is almost literal. The Washington Post notes that all the good guys on the show use Macs and the baddies are stuck on PCs, but some of the heroes eventually adopted HPs later in the series.
Liz Lemon and Jack Donaghy have had an iFest on NBC’s 30 Rock, with one episode's plot using Find My iPhone to locate Liz's lost device, while Alex Baldwin is always showing people pictures on his iPhone.
Friends With Benefits
I imagine Justin Timberlake's charms usually circumvent the necessity to swear an oath of unholy platonic sex with right hand on an iPad Bible app, but in Friends with Benefits, Mila Kunis swings him into it. But it was just a fake bible so it was totally cool to break the promise later.
The Big Bang Theory
The physics geeks of The Big Bang Theory have been spotted using MacBooks from time to time but the love affair started in the first season when roommates Leonard and Sheldon were playing a MMORPG with friends. Though all the computers are covered with stickers, it looks like the only Mac user at the time was university researcher Raj.
House of Cards
What does the most conniving, vengeful man in Washington, D.C., use to run his quest for political domination? Apple, of course. And it's not just Francis Underwood. Reporter Kloe Barnes is also spotted throughout House of Cards getting scoops from her iPhone, even as death comes barreling through the subway.
Sex and the City
Carrie Bradshaw introduced millions of women to the coolness of Macs, thanks to the trusty PowerBook G3 she used to write her weekly column. It was due to the popularity of Sex and the City that el Jobso may have eventually relented on having the logo flipped around so it'd look right-side up when you see someone using it.
Before every hipster college student was toting a MacBook into the lecture hall, Reese Witherspoon's fashion-obsessed character in Legally Blonde absolutely had to have Jony Ive's unapologetically sherbet iBook in class to match her threads. Apple has ditched the colorful plastic, but MacBooks have only gotten more popular on campus.
Back To The Future
In the opening minutes of 1989’s Back to the Future II, Marty McFly lands in 2015, where hover-cars loom, Jaws 19 in 3D plays in movie theaters and folks sport layered outfits that only a daltonic could love. In an antiques store, Michael J. Fox does a double take over a “vintage” Mac sitting next to other '80s relics like a Dustbuster and a bottle of Perrier.
Men In Black 2
To retrieve vital info from that could save Earth from an intergalactic disaster, Men in Black II’s Will Smith decides to use an illegal deneuralizer. Of course getting his hands on one requires making a deal with Jeebs, whose rickety setup is cobbled together with a food mixer, a house fan and some stolen A/V gear -- all controlled with an iMac G3.
After her cellphone gets stolen by an eagle in The Proposal, Sandra Bullock's character picks up a replacement at the town general store and then goes to the only Internet cafe around to find all of her 37 urgent messages using an iMac G3 connected to civilization via a coin-operated modem.
Zack and Miri Make a Porno
Seth Rogen and Elizabeth Banks look to solve their cash-flow problems in Zack and Miri Make a Porno by making adult films on their clamshell MacBook. The movie also had a part for Justin Long — “Get a Mac” Apple adman — as a gay porno star, leaving at least one person to suggest the actor is an Apple endorsement, too.
In The Office, Dunder Mifflin's computer of choice was Apple for years during the early seasons before HP eventually bought up some promotional rights. Wanting to be the world's coolest boss, Michael Scott bought a video iPod for the White Elephant gift exchange in the Christmas episode, while MacBooks lingered around the conference room and other desks later in the series.
The blissful stupidity of Derek Zoolander and Hansel still gets us stoked for Orange Mocha Frappuccinos and gas station fuel-pump fights, but the male model duo took tech problems to all new heights in Zoolander as they struggled to open the iMac G3 carrying the files to stop Mugatu.
The new host of The Late Show is taking his Apple obsession with him. Stephen Colbert's been spotted pimping Apple products across the country, from toting iPads at the Grammys to posting selfies with the great Dave Letterman himself.
Hollywood loves Apple almost as much as it loves itself.
The passionate affair burned for decades before Samsung came snapping celebrity selfies with Ellen at the Oscars and dishing out enough paid endorsements to finance the next Star Wars trilogy.
Apple plans to fight back with its own buzz marketer in New York to keep its products in the hands of the elite and glamorous. But Cupertino has never had a problem getting its products on the big screen and into the coolest TV shows — even though Apple swears it doesn’t pay a dime for product placements. Here are 18 of the most iconic Apple cameos to hit the screen.
The iPhone has become a vehicle for not just texting and calling but also for social media and taking tons of pictures. And you certainly don’t need a Hollywood budget to make Hollywood-quality movies anymore. There are plenty of us out there who strive to take the best pictures (and make the best videos) possible and with the Phocus 3 Plus Lens Kit, that is what you’re going to get.
In Spike Jonze’s latest film, Her, Joaquin Phoenix plays a man who falls in love with a Siri-like “digital assistant,” the titular Her, played by Scarlett Johansson.
But there’s no love lost between the two. If you ask Siri about ‘Her’, she’ll claim that Johansson’s “portrayal of an intelligent agent is beyond artificial” and “gives artificial intelligence a bad name.”
Looks like Scarlett Johansson caught wind, and now, her feelings are hurt by Siri’s harsh words.
Legendary entrepreneur and businessman Mark Cuban knows a thing or two about the TV industry. Besides owning the Dallas Mavericks, Cuban founded HDNet Movies and is subsequently the chairman of AXS TV on the HDTV network. He also appears in Shark Tank, a reality TV show starring prominent entrepreneurs and business executives.
It’s no secret that Apple has been trying to reach agreements with Hollywood to create a totally new kind of TV experience. Negotiations have reportedly been ongoing for quite some time. In a recent interview, Cuban explained how Apple’s software integration with the cable companies would be a “game over” move. The TV industry would never be the same.
Despite being known mostly for his monumental impact on the tech world, Steve Jobs also played a huge role in the movie industry. Not only did iTunes change the way movies are distributed, but Steve’s dedication to Pixar changed the way visual stories are told. Pixar stands as one of the most admired movie studios in the industry thanks in large part to Jobs’ assistance in isolating the company from Hollywood and his trust in the talent of his young directors.
John Carter, directed by one of Pixar’s most prolific directors, Andrew Stanton, comes out next week and though it’s not a Pixar film, it is dedicated to the memory of the legendary Steve Jobs. During the credits, a card reads:
Dedicated to the Memory of Steve Jobs, an Inspiration to Us All
At a recent press junket, Stanton was asked why he decided to dedicated Carter to Jobs and his answer was both logisically sound and beautifully poignant.
Aaron Sorkin’s one of the most respected names in screenwriting these days. Not only did he write The Social Network and Moneyball, but he’s also behind the fantastic series Sports Night and The West Wing.
Needless to say, then, Sorkin’s high on the list of people that Sony wants to write their upcoming bio pic of Steve Jobs, based on Walter Isaacson’s best-selling bio. And apparently he’s really considering it.
Interesting, but I personally hope this is more Moneyball and less Social Network, which was a pretty flawed film.