iPad games - page 11

It’s been, like, a whole day since I’ve reviewed an endless game, so it’s a good thing they come out so regularly. I don’t even know how to handle games that don’t constantly scroll anymore.

Marvel Run Jump Smash! features cartoon-styled versions of Marvel Cinematic Universe characters (and some other superpowered guests) who are perpetually sprint after Loki, the adopted brother of Thor and villain from The Avengers, to reclaim the Cosmic Cube, which is what I will always call it because “The Tesseract” makes me cringe, and all of this just makes me sound like a giant nerd, but the point is that it’s an endless runner with superheroes.

It’s not a great one, but hey. Marvel.

If you’ve ever played an older role-playing game, you know the feeling of reaching a point at which you realize that your characters are too weak to progress, which means that you have to take them back to previous areas and kill boars or something to earn the experience to level up and become strong enough to actually continue playing the game.

Loot Hero is a game that is all about that moment. It’s an action-RPG, kinda, that has you running back and forth like a crazy person, killing monsters to gain experience so that you can continue running back and forth like a slightly stronger crazy person. And once you hit a wall, you have to go back to older levels with easier enemies so you can run back and forth there to gain experience and money to make your character better equipped to run back and forth among stronger enemies.

It sounds like a drag, and it kind of is, but it’s also surprisingly engaging.

Obsorb is hard.

It’s not that it’s complicated or the enemies move too quickly or even that its controls are tricky. But it’s one of those games where you’ve lost as soon as it starts, and all you can do is delay the inevitable.

In theory, if you were good enough at it, you could play it indefinitely. But that’s not going to happen because it’s impossible.

I’m a sucker for two kinds of mobile games: ones featuring improbably cute characters (preferably animals because they are more cuddly) and those that promise to scare the crap out of me.

In Fear I Trust, a new horror title by developer Black Wing Foundation, falls under the second category, but this first bit is just the first two chapters of a longer story, so we can’t really write off cuddly animals completely yet. But it’s the story of a person who has survived insane and amoral experiments at the hands of crazy Russian scientists, so I’m not going to hold my breath.

So far, it’s a dark and gloomy experience with more puzzles than frights, but it still has a lot going for it.

We have no shortage of cute games about adorable characters who need your help to get home or something comparable, but here’s something a little different.

Kid Aviator is about a young carnival daredevil fired from a cannon who is trying to fly as high as he can to spite gravity. He has a cape. He has goggles. He is awesome.

The only problem is that the sky is full of all kinds of random crap that wants to ruin his affront to physics and Nature, and that’s where you come in.

Nobody likes to see a cute baby animal in danger. Sarah McLachlan has worked very hard to ensure that.

Lost Yeti is a cute game about an adorable baby yeti having a cuddly adventure. I never even knew an adventure could be cuddly, but this game taught me that it is not only possible, but preferable.

It’s also a smart, deceptively complicated puzzler that will keep you thinking, tapping, and swearing at those good-for-nothing monsters who pick on that poor little lost yeti for no reason other than that they are jerkfaces.

Crescent Moon Games and Dead Mage have created a great action platformer here with Shadow Blade, available now in the App Store for an affordable $1.99.

It comes with Game Center Achievements and iOS 7 controller support, and a touch screen capable control scheme that works fairly well. You can read our review of the game after you watch the video below.

1981’s Qix is one of those games that just won’t die. It’s come out in its original form no fewer than four times, most recently in the Nintendo 3DS handheld’s retro-game marketplace Virtual Console in 2011 (in Japan, anyway). I’ve also seen versions of it as minigames in titles like Bully. It’s a long-lived game with a lot of versions.

And here’s another one.

Line Knight Fortix is a new variation on the old territory-capturing game with a medieval skin including dragons, ogres, and castles. The same basic idea of carving out and capturing territory before enemies cross your path and kill you remains, but you can also unlock weapons and generally just run around being all knightly and cool.

It has a couple playability issues, but it’s mostly decent.

Let’s take a minute to address the fact that I’m not really sure how to pronounce the title of this game. Is it “B-ombs,” or is it, “Buh-buh-buh-bombs”? My money’s on the second one, and now that we’ve sorted that out, the review can begin.

‘Bombs’ with Too Many Letters is a puzzle-ish game that tasks you with clearing a ridiculous lab of the now-sentient explosives that are now buzzing around all willy-nilly. You do this with plain, stupid, regular bombs. You get three blast per level, and you can set up chain reactions to clear a bunch of what science hath wrought in one shot.

Meanwhile, this game is hilarious.

Fans of word games are always looking out for new apps that will let them arrange letters and clear blocks or cross things or whatever else people do when they’re using text as game pieces. Here’s another game that lets you do that.

It’s called Alpha 9, and it’s basically Boggle plus Tetris. Your goal is to form words of at least three letters in order to clear lines from a board to keep the letter blocks dropping from the ceiling from piling up to the top of the screen.

That’s Wall Mode, anyway. It has another game type, but they’re both pretty average.

If you’re used to games taking time to explain what they are and how you play them, then Simian Interface may not be for you.

But you should play it anyway, wuss, because you don’t need that much instruction to understand this one. The game leaves it up to you to figure out what it wants and how to do it, but it’s really not that hard to figure out.

And if you put the time in and go along for the short time it takes to play through it, you’ll get a unique, entirely satisfying experience.

Apparently, I’m a sucker for minimalist puzzle games.

You can find a lot of them in the App Store, and I’ve reviewed more than a few since I’ve been here. I like the simplicity, the clean interface, the solid blocks of color … it’s all very relaxing. And then I play something like Lyne, a new puzzler that looks like those other zen games, but then you start playing it and realize that beneath its sparsely populated surface is a relentless battle for your sanity.

In a good way. Mostly.

It’s been a little while since I reviewed a tank game, so I picked up Battle Supremacy, a new tread-and-turret action title from the developers of Sky Gamblers out today for iOS devices.

Battle Supremacy takes place during World War II and features authentic vehicles and locations. It’ll have you participating in campaigns in both the European and Pacific Theaters. If you can stop firing long enough to look around, you’ll see birds in the sky and fish in the water. And you can run over absolutely anything that gets in your way. It’s an action-packed, detailed game with incredible graphics.

And honestly, I thought it was kind of boring and clunky.

Episode One of developer Sunside’s six-part, hybrid adventure series is out now in the App Store, and it’s a promising start.

Abducted pulls from a variety of genres to build its sci-fi world and mechanics, including point-and-click (and text!) adventures, role-playing games, and even survival horror. It’s also a really good-looking game with an intriguing setting and enough mysteries to keep you moving on to see what’s next.

And if you have a device that can play it, you’ll enjoy it quite a lot.

If you played the original Feed Me Oil a couple years ago, you probably fell in love with its surreal graphics and fun, physics-based puzzles. If you didn’t, the name is probably confusing the hell out of you. Because you really shouldn’t feed anything oil, right? That’s super gross.

Don’t get stuck on that, though, because Feed Me Oil 2 is out now, and it features the same addictive gameplay with shinier graphics and some new tools to get that oil where it needs to go.

And where it needs to go is, like, right into the mouth of a weird, animal-like hill or something. But again, don’t dwell on that because if you do, you’re missing out on a great game.

Okay, so you’ve mastered Super Crate Box, and you’re so good at Super Hexagon that you can’t play it anymore without yawning. And maybe you’ve also bested a Sasquatch at arm-wrestling, and you’re the King of the Oompa-Loompas because those two things are just as likely.

But if you like those other games and are looking for something “inspired by” them, you’d do well to check out Atomic+, a recently released arcade/twitch/minimal title that puts you in the position of an electron that can leap between atomic orbits and has a lot of stuff flying at it constantly.

So maybe not quite like an actual electron, but you get my point.

Look, gaming is a big thing, right? You can’t swing a dead cat in an ugly holiday sweater without hitting someone who’s busily involved in some kind of gaming screen these days, and iOS has the clear advantage with the hundreds of thousands of games on offer, all of which are fairly inexpensive or free to play.

We’ve taken some of the effort out of finding the best games of the past year, with this mega-list of over 20 iOS games (in no particular order) that you really should check out right away. Except where noted, all these games will work on your iPhone, iPod touch, or iPad. Because, really, there’s no excuse for not making a game work universally these days.

The Colossatron is a mysterious, robotic dragon-thing that drops out of space specifically to destroy cities. Nobody knows what it is or where it came from; all we know is that it must be destroyed before it destroys us.

Nobody even knows how to control it, and that includes anyone playing the game.

Colossatron: Massive World Threat is the latest from Jetpack Joyride developer Halfbrick, and it’s the studio’s most esoteric title yet. And this is the team that also made a game about chopping fruit while avoiding bombs that, while possessing fuses, apparently only explode if they get cut.

So, yeah. It’s even weirder than that.

That headline isn’t hyperbole. I’ve started this review three times, but I kept thinking of things I should “check out” in the game so that I could make sure I was writing the thing properly. But mainly, I just wanted to keep playing the new Adventure Time version of Ski Safari.

If you haven’t played the original, it’s a twist on the endless runner genre: The endless skier. The hapless hero has to give it all he has to outrun an avalanche that is barreling down the hill behind him. He can do backflips for points and can hitch rides on the local wildlife for speed boosts, and all the while, he’s collecting as many coins as he can.

Ski Safari: Adventure Time is the same thing only with 100 percent fewer skis and way more characters from Pendleton Ward’s awesome cartoon series. So basically, it’s better in every way.

Alright, so they’re the “AntiSquad” because they’re a ragtag bunch of misfits with little in common who still manage to pull together and get the job done when it counts. But sometimes headlines are hard.

AntiSquad is a new tactical game with a cartoonish art style and a whole lot of things to tap on. If you’ve played games like Breach & Clear or Final Fantasy Tactics, you get the general idea: Your group and the enemy take turns moving across a map trying to get into position to attack or outmaneuver each other. You have grids and buffs and cooldowns and all that other genre-standard stuff.

And other than its cool art, “genre-standard” is the best way I can think of to describe this game.

Square Enix announced Tuesday the release of the very first Tomb Raider, the initial game in a long-running franchise that has spawned sequels across console platforms, PC, the Mac, and even a couple of movies.

The release today to the iPhone and iPad is a direct port of the original game, complete with charming old school graphics and gameplay. And buttons. Lots of crappy virtual onscreen buttons.

Even though there are a ton of games out there that have refined this type of gameplay that you can get for a similar price, you’ll surely get to see where this popular genre got its start.

I don’t know why characters in endless runner games are always in such a big hurry.

Sure, Runbot was fleeing the secret lab that created him. And the guy in Temple Run has that whole “killer demon monkeys” thing going on, so he’s cool.

But Rez, the hero of the new endless runner Galaxy Run, is just headed home. Why’s he gotta be Mr. Perpetual Motion all the time? It just gets him killed a lot.

In my review of The Room a few months ago, I said it was the best mobile game I’ve ever played, and I meant it. The Room 2, the iPad-only sequel to the puzzle-box escape title, is out now, and it’s more of the same.

And I have absolutely no problem with that.

It’s really good. It’s really, really good. If you played the first one, you should play this one immediately. And if you didn’t play the first one, you should play it, and then you should play this one, and then you’ll be all set.

So, yes. You could say I am a fan.

The Room Two launched today on the iTunes App Store. As the sequel to Apple’s 2012 Game Of The Year (The Room), it has a lot to live up to.

Our reviewer called it a “must download” game, and we picked the original locked box puzzle game as an iOS Game of the Week.

The Room Two promises more of the same, and that’s not a bad thing. Developer Fireproof Games found the perfect mix of eye candy, just-tough-enough puzzle solving, and a haunting soundtrack in the first game, so any more of that is extremely welcome.

Making your own beer is hard work. It’s a series of intensive scientific processes, and a mistake at any one of them can ruin hours of work and possibly poison someone. But if you get it right, it’s a middle finger right to the face of Big Beer.

Is “Big Beer” a thing? I’ve lost track of which corporations are evil.

Fiz is an independent management game about independent brewing, and it tasks you with building up your own brand from the garage up. And that’s every bit as complicated as it sounds. More so, actually, because numbers are also involved.