SAN FRANCISCO — We’re gearing up for our weeklong foray into the world of video games at the Game Developers Conference here. Cult of Mac will bring you the best of the conference, from heartfelt chats with independent developers to wacky schwag we find on the expo floor.
Stay tuned as we add real-time posts to this liveblog all week.
I don’t own a whole lot of Lego at the moment, and that’s intentional because if I did, I’d just sit around building things all day, and none of these reviews would happen.
Building something from scratch is satisfying, and if it has a function to perform and succeeds, it’s even better. Loco Motors plays on this by letting you build your own vehicle and then use it to complete tasks on a test ramp. It’s essentially two puzzle games in one: one in which you build a car that will run, and another where you let it loose on the track to complete specific tracks.
And luckily, it has an interface that lets you do these things both easily and quickly.
You never know how many words you know until a game or puzzle calls upon you to pull them up.
And you also never realize how many words you forget until the same thing happens. A good word puzzle is neither too obvious nor too obscure. It makes you think of concepts in different ways. And it lets solvers surprise themselves with their mental gymnastics.
Bonza Word Puzzle does all of these things, and it’s worth a look.
I like endless runners as much as the next person (which works out well considering how many I review), but I’m not opposed to a developer trying something new with them.
Dark Guardians is one such attempt, adding rhythm-game elements and arcade twitch play to the well-trod genre. And it’s an experiment that pays off big, resulting in an exciting and all-around fun title.
It’s also smart and good-looking. And the music is excellent. Basically, I’m a fan.
Alright, so I don’t know for sure that it’s a colon, but you’re definitely inside something’s guts.
And you’ll never get out because Microtrip is an endless faller in which you guide a blob down into the bowels of the bowels of a creature. It’s more pleasant than you think, though, because everything’s all cute-ified and cartoonish.
It’s also a lot of fun, provided you don’t crave variety
I really like it when a game doesn’t treat me like an idiot. It makes me feel smart and respected not to have to sit through a tutorial that explains the most basic tenets of the game like one character on CSI explaining to another what DNA is.
But this appreciation has limits, especially when the developer doesn’t even bother telling me what the backstory is and why I’m fighting these people.
Puzzling Rush is one such game, and while I know that I don’t need much of a refresher on how match-threes work, it’s still mostly up to you to figure out how the hell to play it.
I have fond memories of waking up Saturday morning, pouring myself a bowl of Marshmallow Mateys (because Count Chocula was out of season), and plunking down on the couch to watch my favorite cartoons. And then, when the cereal was gone and the show was over, I opened my laptop and cranked out that review of Demolition Crush that went up Monday.
I am not an adult, is what I’m getting at here.
Glorkian Warrior: The Trials of Glork is a collaboration between developer Pixeljam and comic-book artist James Kochalka. It feels like a mashup between classic arcade shooter Galaga and Adventure Time, which means that it hits all the right notes for people whose favorite breakfasts still end in bowls full of chocolate milk.
Faif is a weird game.
It’s kind of like Bejeweled, only you’re not trying to match anything. And it’s kind of like a role-playing game, except you’re not really on a quest (or are you?). It’s sort of like gambling, but you don’t win anything, and it’s a smidge like a free-to-play game, but you don’t have to pay real money for the in-game currency.
All of these kindas and sortas add up to a unique experience that I think I enjoy, but I’m honestly not sure.
The cosmos has a bunch of ways to kill you, and in Out There, one of them will probably succeed. And it’s just as well, really, because I have it from a reliable source that it’s lonely out in space.
But if you insist on surviving, you’re in for a challenge because this game is as cruel and random as life itself. You play the role of a lone astronaut who wakes up from cryosleep to discover that your circuit’s dead, and there’s something wrong. And now, you’re stuck in uncharted territory with limited resources.
It’s up to you to get the stranded hero across the map, but it’s not at all easy.
Wave Wave reminds me of the end of a story called “Blind Alleys” from an old Tales from the Crypt comic. It’s about the residents of a home for the blind seeking revenge on their unscrupulous caregiver by setting him loose in a maze lined with razor blades with a starving dog. He’s running from the beast, slashing himself to ribbons but still staying ahead, “And then some idiot turned out the lights.”
Why does this twitchy arcade game remind me of that sadistic story? Because it hates me in the same way, starting me out at a disadvantage and then continuing to throw in sudden changes until I lose.
It’s a random, cruel, mechanical bull of a game, and you should absolutely play it.
I play a lot of games about getting one thing and maybe getting three other things along the way if I can (or feel like it). I just reviewed one Wednesday, in fact. But it’s a solid premise, and as long as getting all those things isn’t boring, developers can keep making them until everyone’s thumbs fall off.
Developer Klei Entertainment’s first mobile title, Eets Munchies, is another “one and maybe three” game, but it’s also a clever puzzle title that is equal parts Lemmings and Rube Goldberg. It’s the latest in Klei’s debut series, and it’s interesting to see the company go back to the cutes after its recent dalliances with hyperviolence in games like Shank and Mark of the Ninja.
Don’t let the adorable graphics fool you, though; once you really get into it, this game is to difficulty as cake is to delicious flavor.
Mines of Mars is a fantastic mining and crafting game with a mysterious story, developed by WickeyWare and published by Crescent Moon Games. It’s along the lines of Super Motherload or SteamWorld Dig, in that you must manage your fuel and cargo space while you dig deep into the crust of the Martian planet to find ores, gems, and other secrets.
You’ll come up to the surface to fuel up, exchange ores for ingots, play some fun mini-games based on arcade classics like Berzerk.
It’s a game full of mystery and atmosphere, mostly due to the creepy storyline and amazingly atmospheric soundtrack by composer Evan Gipson. Check out the trailer below to see what it looks like.
You know how it goes: You’re up late, feeling a little peckish, and you don’t have anything in the fridge. What do you do?
I mean, I’d go to the store down the street and get some sour bears. And if you’re Draku, the star of Midnight Bite, you do the same thing. Except substitute “store down the street” with “village at the base of the mountain,” and substitute “sour bears” with “blood of the sleeping townsfolk.”
But he’s a little guy, and the humans are prejudiced against vampire children who stalk up in the night and murder them, so he has to be careful. And as the one controlling him, you also have to be careful because the controls are apparently also racist against the undead.
God of Light has a simple, fun concept. It has pretty graphics and some cool music by British electronica outfit Unkle. And it has realistic light physics. And all of these are great, but a lot of games look and sound good.
But God of Light is special because in addition to all of these good qualities, it also offers something else: a meditation on what puzzle games are, what they do, and how and why we play them.
And the best part is that the developer accomplishes this not by telling us, but by building all of these qualities into the gameplay and mechanics.
Primal Flame is one of those games that’s immediately impressive. Its brief loading screen at startup is gorgeous, and the title screen presents the obligatory social-networking links in its own cave-drawing aesthetic so that they fit in while still remaining recognizable.
But I’m not here just to talk about the title screen, luckily for you, and once you stop gawking at it and actually start Primal Flame up, it just keeps on being amazing.
You start with a black screen covered in specks with the sounds of a forest at night. Brighter lights start drifting down from the top, and you run your finger along the screen. Sparks fly and grow and burst into flame, and then you’re playing one of the most unique games I’ve ever seen.
Developer Pangea Software’s well-regarded Enigmo series of puzzle games has been around for a while, and they’ve turned over development of the latest installment, Enigmo: Explore to a new team, but the idea is the same: See that liquid dripping from a pipe over here? Get it into that jar over there.
The game gives you a suite of tools to accomplish this, including trampoline-like items that the drops bounce off of and little cannons that can send them even farther. It’s up to you to decide which items in which combinations to use to complete levels, which offers you a decent amount of freedom when you’re playing it.
But a couple other features work just as hard against you, and it’s kind of a shame.
When I was a kid at Showbiz Pizza (back in those carefree days before that upstart rat staged his coup), the Dragon’s Lair cabinet always fascinated me. People would step up, watch a cartoon for about three seconds, and then they’d put another quarter in. They’d watch the same cartoon, and then they’d put another quarter in. And so it went until they said some words that my parents didn’t want me using and went off to play Dig Dug.
I didn’t understand what Dragon’s Lair was until much later; all I knew was that it looked like a movie and annoyed people.
This week, the iOS port of its 1991 sequel, Time Warp, made its way to the App Store, and it’s pretty much here to ruin your day and make you hate your fingers and your slow, stupid brain.
So basically, the old-school experience is intact, and I love it.
Tengami has gathered a bit of a following during its development due to its beautiful, pop-up-book art style and zen-like demeanor. It has relaxing music, a dialogue-free narrative, and puzzles that are clever and occasionally very tricky.
The game is out now as a universal app for iOS devices, and it has a lot of expectations to live up to. Can it live up to the excitement?
It absolutely does, delivering an endlessly fascinating experience in one of the most beautiful packages you have ever seen.
What’s that, you say? You’ve been longing for a retro, old school, three dimensional dungeon crawler to take with you on your iPhone and iPad?
Look no further than Coldfire Keep, a brand new first person dungeon crawler from Steve Jarman and Crescent Moon Games. You’ll have to make your way through this beautifully rendered 3D dungeon, full of monsters, puzzles, hidden secrets and–natch–tons of loot.
It should be in the App Store tonight (February 19) by 11 pm Eastern time here in the US, if all goes according to plan, and it’s looking pretty sweet, if the video below is to be trusted.
Fans of Cartoon Network’s megahit Adventure Time are probably familiar with “Card Wars,” an episode in which heroes Finn and Jake square off in a ludicrously complicated collectible card game.
If your first thought after seeing that installment was “I have to play that crazy-ass game,” you’re in luck: It’s now available for your iPhone or iPad. While not quite as complicated as the on-screen version, Card Wars offers the same basic card-and-board gameplay with 3D monsters battling it out for fortune and glory.
And behind its zany exterior lies a deceptively deep experience with Floops galore.
One of our favorite games, FTL, is getting a massive update, plus an iPad version. That’s pretty darn exciting.
The update includes new advanced weaponry, new systems and subsystems, new drones and equipment, new music, and new story content. Best of all, it’s going to be a free update. In a tweet earlier today, the FTL team updated fans on what’s new, including new features like the clone bay, mind control, and hacking systems. The iPad version will include all of these things, too, in a game that will now be called FTL: Advanced Edition.
Wondering what we've been up to? Check out our new post detailing some of the features of FTL: AE – https://t.co/9HAsO2ELcA
— FTL (@FTLgame) February 17, 2014
Check out the video below for some sweet visuals and auditory goodness.
The original Eliss wowed everyone back in 2009 with its multitouch controls, cool music, and increasingly frantic gameplay. Now, we have Eliss Infinity, which includes the original game and a few more modes to keep even veteran players interested.
Eliss is a puzzle/action/insanity game in which you have to manipulate the sizes of “planets” to make them fit inside of rings. You do this by combining smaller ones by dragging them into each other or splitting larger ones by pulling them apart with your thumbs. But differently colored planets can’t touch, or they’ll eat each other away.
That’s the basic idea. But Infinity has a lot more to offer.
We have no shortage of endless running/flying/floating/swimming games in the App Store. And here’s another one.
Avoid: Sensory Overload is a techno-skinned endless game in which you guide a ship through a perpetual series of obstacles and traps. All the while, the thumping music and neon-infused background light show do their very best to distract you.
It’s flashy, annoying, challenging, and ultimately a lot of fun.
This just in: Someone has made a game about zombies.
You probably weren’t expecting that, huh? A zombie game? It’s crazy on the face of it.
Now, look: I hate zombies as much as the next person. Maybe a bit more, even. Stupid shambling a****les. But that doesn’t mean I want to spend all of my gaming time killing them. I have a lot of other things to pretend to kill, like Nazis and Pokémon. So I’ll admit that I wasn’t immediately sold on Overlive, a new undead-themed gamebook with role-playing-game elements, even though it’s hard to go wrong with me once you start offering choices and stats.
Once I started playing it, though, Overlive won me over.
Here’s the thing about touch controls: You’re controlling the game with the same thing you’re using to see what you’re doing. This creates a problem when your dumb, clumsy fingers start blocking your view and lead to cheap and preventable deaths.
Some games prevent this by putting the control areas off to the side or in an otherwise unused place on the screen, leaving the view clear. Lego Star Wars: Microfighters, the latest in the synergetic juggernaut of a series, is not one of those titles.
It’s surprising that developers and publishers as experienced as Warner Bros. and Traveller’s Tales would allow such a clumsy and stupid thing to happen, but here it is.
