Adobe is developing new drawing and painting software for illustrators with a next-generation program called Project Gemini.
The announcement came with a pun – “we went back to the drawing board” – but artists likely received the words with relief as opposed to an eye roll.
Apple’s marketing team creates gorgeous ads that show every minuscule detail of new iPhones, but what would the images look like if they were produced using the original Macintosh and MacPaint?
Some redditor with way too much time on his or her hands decided to dig out an old Mac and find out, and the results are actually pretty fantastic.
One way I can often determine if an app is worth my time is by putting it through a specific test. If I get so sucked into an app that I forget I’m actually supposed to be gathering thoughts to write up a review, it’s because that app is generally pretty awesome. I had this somewhat rare experience with Recolor, a new coloring book app for adults on iOS.
The illustration that accompanies a patent application is a first glimpse inside the head of the inventor. Finally, an idea becomes a possibility, and even if an invention later proves to be impractical or an outright failure, the drawing serves as a tangible record of humanity’s quest to solve problems and move forward.
But the modern day patent sketches are stark chicken scratches compared to the intricately detailed, da Vinciesque artworks that once accompanied applications to the United States Patent & Trade Office, which first opened in 1790.
Artists don’t always explain themselves well.
Even acclaimed illustrator Christoph Niemann, who can articulate the mysteries of creativity better than many, doesn’t always understand the moment when the head, heart and eyes merge with skills and gifts to produce a brilliant piece. It’s like trying to put into words the act of breathing.
But every Sunday, we can behold the headwaters of his creative flow.
Robert Pfaff is a young illustrator living in Michigan. He’s also a hard-core gamer with a love for all things pixellated, so he decided to combine both passions together and create this amazingly evocative set of digital artwork.
We found his work to be compelling, so asked Pfaff to choose his favorites and tell us a little about what they meant to him.
Pfaff is thinking about printing and selling his work on posters; if you’d like to encourage him, be sure to visit his artist page on Adobe’s portfolio site, Behance.
Source: Robert Pfaff
Some of the best viral videos I’ve seen either primarily feature digital animation or use it in some form or another. It’s been a while since I’ve dabbled in moviemaking (although what the Mac offered in that space is what drew me away from Windows initially) but I’ve noticed how the tools are helping good movies become even greater. Sure, story comes first – but if you have the know-how and the right tools in your arsenal, you can really take your film to the next level.
The Mac comes armed with a great tool already in iMovie, but that doesn’t really cover the animation front all too well. Something like Kinemac is what you’l need for that – and Cult of Mac Deals has it available for a limited time for only $49.99.
This might be the ultimate nightmare Halloween mask in Redmond, Wa. Regular Cult visitors will no doubt have seen it alongside ads for CultofMac Editor Leander Kahney’s book, Inside Steve’s Brain. The illustration was crafted by graphic designer Dan Draper, who also rendered the uncannily close image of the new MacBook Air for our scoop on the MBA’s details.
A life-size image suitable for plastering over an actual face can be found at Draper’s flickr page. Heads up! Trick or iPod Shuffle!
