3/5

Wingsuit Cute is a game about a bunch of adorable animals forced to glide through the air and collect snacks while under the constant threat of smashing their widdle snoots on rocks and trees.

It really downplays the animals graphically smashing their faces open, but that’s basically what’s happening. The game takes a sunnier approach, choosing to focus on the part where tiny mammals don wingsuits in search of thrills and noms. And it’s really cute. And kinda fun, with a fair amount of challenge to keep perfect-run seekers coming back.

But it’s mostly cute.

When you first start playing Hill Runner, it seems impossible. And then after a few dozen dismal failures, you have a really good run and restore your faith in yourself. And then you’ll mess up the next try immediately.

It’s a glass case of emotion, this game.

But it’s very simple, and it’s free, and it’ll offer some distraction and charm for a few minutes if that’s all you’re looking for.

There’s nothing inherently wrong with Burds, and yet I’ve never been so confused about why I continued to play a game.

It’s a little heavy on in-app purchases, but I can ignore those with only a touch of annoyance. And while Burds is shallow, fairly mindless, and dumb, it doesn’t take that long to play.

So I’m a little conflicted.

I have a really random PlayStation 2 game on my shelf called Magic Pengel: The Quest for Color. It came out in North America in 2002, and it was basically a game in which you drew your own Pokémon and then made them fight.

Animal-abuse undertones aside, it was at least an interesting concept, and MonsterCrafter Pro follows in that same proud, if morally gray, tradition. But instead of drawing your murder-pets, you build them out of Minecraft blocks.

It’s a weird game for sure, but it has its charms.

Ambition isn’t a bad thing, but it can get in the way.

Time Gap is a free-to-play title that tries to be all free-to-play games at once. It’s mostly a hidden-object game with a plot about the ghosts of famous historical figures guiding you on a mission to discover where all the people of Earth disappeared to, but along the way, you’ll also play minigames like the ones you tab over to during the day instead of working.

It does all of these things capably enough, and it’s an interesting compendium with a lot of variety. But in the end, it’s a free-to-play game, and it is free-to-play as hell.

I really like it when a game doesn’t treat me like an idiot. It makes me feel smart and respected not to have to sit through a tutorial that explains the most basic tenets of the game like one character on CSI explaining to another what DNA is.

But this appreciation has limits, especially when the developer doesn’t even bother telling me what the backstory is and why I’m fighting these people.

Puzzling Rush is one such game, and while I know that I don’t need much of a refresher on how match-threes work, it’s still mostly up to you to figure out how the hell to play it.

Faif is a weird game.

It’s kind of like Bejeweled, only you’re not trying to match anything. And it’s kind of like a role-playing game, except you’re not really on a quest (or are you?). It’s sort of like gambling, but you don’t win anything, and it’s a smidge like a free-to-play game, but you don’t have to pay real money for the in-game currency.

All of these kindas and sortas add up to a unique experience that I think I enjoy, but I’m honestly not sure.

You know how it goes: You’re up late, feeling a little peckish, and you don’t have anything in the fridge. What do you do?

I mean, I’d go to the store down the street and get some sour bears. And if you’re Draku, the star of Midnight Bite, you do the same thing. Except substitute “store down the street” with “village at the base of the mountain,” and substitute “sour bears” with “blood of the sleeping townsfolk.”

But he’s a little guy, and the humans are prejudiced against vampire children who stalk up in the night and murder them, so he has to be careful. And as the one controlling him, you also have to be careful because the controls are apparently also racist against the undead.

Developer Pangea Software’s well-regarded Enigmo series of puzzle games has been around for a while, and they’ve turned over development of the latest installment, Enigmo: Explore to a new team, but the idea is the same: See that liquid dripping from a pipe over here? Get it into that jar over there.

The game gives you a suite of tools to accomplish this, including trampoline-like items that the drops bounce off of and little cannons that can send them even farther. It’s up to you to decide which items in which combinations to use to complete levels, which offers you a decent amount of freedom when you’re playing it.

But a couple other features work just as hard against you, and it’s kind of a shame.

What do monsters, Nintendo’s Super Smash Bros. series of chaotic fighting games, and steampunk have in common?

Nothing, you guys. Absolutely nothing.

But those are all elements in Fright Fight, a new free-to-play, online-multiplayer brawler that has players controlling a variety of spooky monsters in fights to the death atop floating platforms. It’s chaotic, insane, and mostly fun.

It’s a Frankenstein’s Creature of disparate parts cobbled together, and the arcane force that brings it to lurching life is in-app purchases.

Alright, so the Iron Man-shaped hero in Robo Nativity is totally not licensed. I was unsure if he was supposed to be more like Mega Man until a helpful prompt informed me that for a minimal fee I could also play as War Machine. So, you’re definitely playing as Iron Man in this curiously named platformer-meets-endless runner.

You start off running along the ground beneath various platforms. Enemies and obstacles require you to jump and fire as you collect as many gold coins as you can. As far as this being a nativity, you won’t encounter any babes in mangers, but the Mandarin-like baddies this not-Iron Man shoots do look a bit like wise men. So, don’t look for any new religions in Robo Nativity, unless you are way into the idea that Tony Stark is the messiah (I kinda am).

Here’s the thing about touch controls: You’re controlling the game with the same thing you’re using to see what you’re doing. This creates a problem when your dumb, clumsy fingers start blocking your view and lead to cheap and preventable deaths.

Some games prevent this by putting the control areas off to the side or in an otherwise unused place on the screen, leaving the view clear. Lego Star Wars: Microfighters, the latest in the synergetic juggernaut of a series, is not one of those titles.

It’s surprising that developers and publishers as experienced as Warner Bros. and Traveller’s Tales would allow such a clumsy and stupid thing to happen, but here it is.

It’s been, like, a whole day since I’ve reviewed an endless game, so it’s a good thing they come out so regularly. I don’t even know how to handle games that don’t constantly scroll anymore.

Marvel Run Jump Smash! features cartoon-styled versions of Marvel Cinematic Universe characters (and some other superpowered guests) who are perpetually sprint after Loki, the adopted brother of Thor and villain from The Avengers, to reclaim the Cosmic Cube, which is what I will always call it because “The Tesseract” makes me cringe, and all of this just makes me sound like a giant nerd, but the point is that it’s an endless runner with superheroes.

It’s not a great one, but hey. Marvel.

Dungeon Keeper on iOS is a free-to-play re-imagining of the classic Bullfrog Productions/Peter Molyneux PC game from the late ’90s. I really loved old school Dungeon Keeper as a kid, and it is one of the few tower defense/strategy titles I’ve ever enjoyed. So, no pressure on this iOS version, right?

Unfortunately, the mobile version of Dungeon Keeper suffers from very predictable free-to-play problems. Expanding your dungeon was never totally carefree in previous version of the game, but as your imps work to clear out 3×3 or 4×4 spaces for new rooms, they’ll quickly plow through soft rock which takes a matter of seconds but suddenly run up against walls that can take an entire day to knock down! So the breakdown is a few seconds, four hours, or 24 hours. That’s not well balanced at start.

Darwin’s Theory is a simplistic match-three puzzle game charging you with the task of evolving insects into lizards (yes). You start off with a grid of caterpillars and snails. Each turn you can put different animals down on the grid, with the hope of matching three of them up. Of course that would be just too easy on its own.

You’ll also have to contend with the only moving characters on the board, or the bacteria. Once you trap them in a square, they’ll turn into berries. And somehow, those berries turn into oysters. Seriously, I don’t know. Darwin’s made of magic.

1981’s Qix is one of those games that just won’t die. It’s come out in its original form no fewer than four times, most recently in the Nintendo 3DS handheld’s retro-game marketplace Virtual Console in 2011 (in Japan, anyway). I’ve also seen versions of it as minigames in titles like Bully. It’s a long-lived game with a lot of versions.

And here’s another one.

Line Knight Fortix is a new variation on the old territory-capturing game with a medieval skin including dragons, ogres, and castles. The same basic idea of carving out and capturing territory before enemies cross your path and kill you remains, but you can also unlock weapons and generally just run around being all knightly and cool.

It has a couple playability issues, but it’s mostly decent.

More than 30 years old as a concept, and one of the very first iOS games to be released in the App Store back in the day, Pac-Man is a genuine O.G. of the gaming world.

With Apple currently giving it away for a limited time as part of its “App of the Week” promotion, we at Cult of Mac thought the time was right to pay homage by revisiting one of the all-time-greats.

So how does it measure up here in 2014?

Fans of word games are always looking out for new apps that will let them arrange letters and clear blocks or cross things or whatever else people do when they’re using text as game pieces. Here’s another game that lets you do that.

It’s called Alpha 9, and it’s basically Boggle plus Tetris. Your goal is to form words of at least three letters in order to clear lines from a board to keep the letter blocks dropping from the ceiling from piling up to the top of the screen.

That’s Wall Mode, anyway. It has another game type, but they’re both pretty average.

It’s been a little while since I reviewed a tank game, so I picked up Battle Supremacy, a new tread-and-turret action title from the developers of Sky Gamblers out today for iOS devices.

Battle Supremacy takes place during World War II and features authentic vehicles and locations. It’ll have you participating in campaigns in both the European and Pacific Theaters. If you can stop firing long enough to look around, you’ll see birds in the sky and fish in the water. And you can run over absolutely anything that gets in your way. It’s an action-packed, detailed game with incredible graphics.

And honestly, I thought it was kind of boring and clunky.

The Apache helicopter in Apache Candy is more like a friend to Jay Jay the Jet Plane than a fierce combat copter. He’s the little pink and purple avenger that could, and all he wants is to collect candy.

Apache Candy is another infinite side-scrolling shooter on iOS, but the cheery graphics are what drew me to it. It reminds me of the retro game Twinbee and other cute-em-up shooters that have you blasting your way through screen after screen of adorable-yet-lethal enemies. Apache Candy is nowhere near as deep–you’re really only collecting candy and trying not to die–but the look was enough to satisfy.

The Colossatron is a mysterious, robotic dragon-thing that drops out of space specifically to destroy cities. Nobody knows what it is or where it came from; all we know is that it must be destroyed before it destroys us.

Nobody even knows how to control it, and that includes anyone playing the game.

Colossatron: Massive World Threat is the latest from Jetpack Joyride developer Halfbrick, and it’s the studio’s most esoteric title yet. And this is the team that also made a game about chopping fruit while avoiding bombs that, while possessing fuses, apparently only explode if they get cut.

So, yeah. It’s even weirder than that.

The inevitable fate of all popular mascots to eventually end up in a go kart. Take a look at Mario, Crash Bandicoot, Sonic, and many other iconic video game mascot characters and you’ll find they’ve all squished themselves into a car at some point. Well, now the Angry Birds are, too.

Angry Birds Go is a free-to-play karting adventure full of repetition and cool-down meters. Unlocking aesthetically pleasing carts means putting in real money, and your spirited birdy racers get tired after a short while. Beyond that, Go is a completely average racer.

The first thing you’ll notice about Star Trek: Trexels (if you’re a massive nerd like me anyway) is that all the little pixel people are wearing Original Series uniforms while the overall game interface is the LCARS system from The Next Generation. A minor complaint, but it is a gripe I feel keeps Trexels from reaching its true potential.

You play as a Starfleet admiral tasked with searching for the USS Valiant that disappeared in the currently unexplored Trexel system. The Valiant may have been destroyed but Starfleet doesn’t know for sure. So you hire a crew and send a barely constructed starship out to explore uncharted space. Nothing bad whatsoever could happen!

If you wreck a house during a party,someone has to clean it up. House Cleaning has a kind of warped, hoarder-ish perspective on tidying up that will have your kids shoving all their misplaced mess into boxes. But it might encourage children to try to clean up after themselves if all other forms of parenting fail.

After a totally awesome bash, the cutie cleaners in House Cleaning realize they can’t just leave books and CDs scattered throughout the garden of their friend’s home. So, you must dutifully help them sort out the garbage from the decent items before they can move onto another section of the post-party warzone. Plus, they’ll even do a bit of magical yard work when you’re done.

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I’m old, so I remember playing the original Double Dragon on a decrepit arcade cabinet at Showbiz Pizza while the Rock-afire Explosion played and lurched in its creeepy, mechanical way in the next room and I just paid attention to the game because I knew that if I thought about the musical robots coming to life and murdering everyone, they would. And that’s how I predicted The Secret.

Anyway, I was never good at Double Dragon. The enemies punched too fast or too hard, or I couldn’t line up my hits correctly, and I swear that stupid machine was broken because it was impossible. Now, we have Double Dragon Trilogy, an iOS port of the brawler series that includes remixed music and some new modes.

And I know this is a good port because I’m still really bad at it.