Remember the IKEA cardboard camera that popped up in a Milan press goody-bag last week? It turns out that it was actually a thing — IKEA is billing it as the “world’s cheapest digital camera,” and it should be going on sale in the Swedish giant’s labyrinthine stores soon.
Warning. I’m about to write about yet another iPhone camera rig adapter. I will continue to do this, over and over, until somebody makes a case which makes it easy for me to shoot photos with the iPad 3. If you want me to stop, then all you need to do is whip something up on Kickstarter.
Today’s adapter is the iSupport, a heavy-duty (yet light at 6 ounces) case which covers the iPhone 4/S and makes it a whole lot easier to use for shooting video.
Let’s play a quick game of word association. I’ll write a word, and you say whatever pops into your head (feel free to put on a Bluetooth headset and yell out your answers if you are in a public place — everyone will be totally impressed):
iPhone.
Curtain.
Wood.
Tripod.
iPad.
If your response to the last word — iPad — was “large-format camera,” then what we have ourselves here, ladies and gentlemen, is a segue. An awkward, forced segue that leads us right to this video showing just how a large format camera is made.
Is IKEA getting into the camera market? After all, it already announced that it’s going to sell TVs. Or is this cardboard camera just another piece of set dressing, like the fake books, fake computers and fake meatballs found in the Swedish giant’s labyrinthine stores?
On of the funnest* things you can do with off-camera flash is to modify the light. This might mean squirting it through a “snoot” (some kind of tube or cone which focuses the light into a tight beam), reflecting it from a colored, uh, reflector, or firing it through a giant soft-box.
Or you can use a grid spot, an excellent tool for pointing your light at one single spot, far away, with a sharp fall-off into shadows at the edges. Sound expensive? It can be, unless you steal some drinking straws from your local fast food emporium and follow along with this how-to.
FOR SALE>£100,000 ($161,000): 6mm ƒ2.8 Fisheye-Nikkor
That’s what you’ll see at the top of Grays of Westminster’s used Nikon manual-focus lens listings. The London dealer has gotten its hands on this incredible chunk of glass, a 5.2-kilo (11.5-pound) mountain of a lens that makes the camera behind it look like a vestigial tail.
The most exciting part of Nikon’s [D3200 announcement](https://www.cultofmac.com/161700/new-nikon-d3200-slr-connects-to-ipad-over-wi-fi/) was the WU-1a (Woo-la!) Wi-Fi adapter, a dongle which hangs annoyingly out of the open side hatch of the SLR’s body and allows for wireless communication with a smartphone. An iOS app is promised later this year, but above you can see a demo of the Woo-la in action with an Android handset.
You might not know this, but back in the 1700s there was no iPhone, and therefore — shockingly– no Instagram. It may also surprise you to know that the English were once forward looking, inventive and curious as a nation, and so they came up with their own way to grungify the views they saw on vacation, and (probably) their breakfasts.
If Kickstarter were a forest, you wouldn’t be able to see it for all the iPhone camera adapter cases littering its leafy, money-begging hummocks. And here we bring you another photo-friendly sapling of an invention, only this one is a little different. It’s called the Magnifi, and it works with pretty much any piece of imaging equipment that ends with “-scope” (or “-lars, as we shall see in a second).
You have a camera, and maybe you have an old flashgun lying around the place. Problem: while you know what to do with the camera, even in all-manual mode, you are terrified of that flash. Used on top the camera it washes everything out and makes it look like a drunken birthday party photo taken in a bar. Used off the camera… well, in that direction there be dragons.
You really should learn to use off-camera flash. But seeing as you never will, Photojojo’s neat set of flash-filters will at least give that old strobe something to do.
The Blackmagic Cinema Camera is calling itself a “digital film” camera, and with a 2.5K sensor and a 13-stop dynamic range, that description mightn’t be far off the mark. Amazingly, it’s also cheap — in the relative terms of movie cameras, that it. The Blackmagic comes in at “just” $3,000.
645 Pro bills itself as an app which will turn your iPhone into a DSLR. At first glance, it seems like this has been achieved by mimicking the buttons and LCD panel of a modern SLR, and to an extent that’s true. But the real meat here is under the hood: 645 Pro shoots uncompressed JPEGs and TIFFs, and gives the closest that we’re likely to see to RAW images from the iPhone’s camera.
Remember the Padcaster? It was a photography rig made to turn the new iPad into a shallow-focusing movie camera, and it was [teased](https://www.cultofmac.com/156157/padcaster-turns-new-ipad-into-shallow-focusing-movie-camera/) by the makers Manhattan Edit Workshop last month. Now, the Padcaster has been revealed at NAB 2012, and it is just what we thought it would be — a way to mount big lenses on the iPad 3 and turn it onto a movie camera.
The Retrospective 7 is another one in Think Tank’s great lineup of stealthy-ish camera bags. This one distinguishes itself by slapping a pocket on the side which is designed to hold an iPad or an 11-inch MacBook Air.
645 Pro is a new app that claims to shoot RAW images with your iPhone. It also offers control over almost every aspect of photo-taking, and comes on like an app that turns your iPhone into a DSLR. But let’s get back to that RAW business, which we all know is impossible.
I’ll come out and say it at the top of this review: Mattebox is hands-down the best camera app I have used on iOS. That it was launched in December of last year and I only found out about it today is something of an embarrassment.
If you love the richness of features and tweakability of something like Camera+, then Mattebox may not be for you. But if you ever picked up a Leica and loved how the camera seemed to disappear, allowing you to just get on and shoot, you’re gonna be out by $5 in the next few minutes.
Speaking of Wi-Fi connected cameras, Samsung’s entire new range of NX mirrorless cameras has Wi-Fi inside. This is an improvement on Nikon’s new D3200 – also announced today – which requires an awkward dongle to do the same trick.
There are three new models, the NX20 and NX210, which replace last-year’s NX10 and NX200. There is also the brand-new entry level NX1000. All share the same 20MP sensor as the old NX200.
We’ve been banging on about connecting proper cameras to the internet for quite a while now, and it seems that at last these cameras are starting to catch up to the world of smartphone cameras. Nikon’s new D3200 SLR updates the D3100 with some slightly better specs, but the big news is that it can be used with an optional Wi-Fi unit for sending photos to your iPhone, iPad, or whatever piece of junk you use instead.
If you’re thinking “Whatever, Charlie. This is Nikon. How much does this thing cost?” then I have your answer. A surprisingly cheap $60. That’s way less than an Eye-Fi card, and hopefully it’s way more reliable.
If you have a DSLR, I hope you opted for the 64GB model when you bought your new iPad – MIC Gadget has just announced a new camera connection kit which will let you slurp in your huge RAW (and not-so-huge JPEG) files from your Compact Flash cards, SD cards, microSD cards and even via USB direct from the camera.
The International ($350), from Think Tank Photo, is similar to every other piece of rolling luggage you’ve probably used, with a retractable handle and rolling wheels, but on the inside, instead of keeping your dirty drawers stowed, it secures treasures of a different kind: your plethora of expensive camera gear. And it does so admirably.
UPDATE: This post incorrectly stated that the SlingShot’s inventor, Charles Waugh, was also responsible for the AirClip iPhone grip. He is not.
It seems that there’s an almost infinite number of ways to stabilize your iPhone while taking photos and video, but possibly the most absurd – and at the same time extrmely practical – method so far is to drop it into this catapult-shaped tripod/slingshot.
I chuckled when I first saw it. And then I thought, “that’s actually pretty damn clever.”
You know what needs the AirClip? The iPad needs the AirClip. As it is, the finger-friendly grip is an accessory for the iPhone 4/S, and it actually looks pretty great. The AirClip is a clip-on grip that lets you shoot photos and videos one-handed.
Canon is serious about video. It’s 5D MkII was the go-to camera for low-budget indie filmmakers and professionals (like the creators of House) alike. Now, with rivals such as Nikon catching up, it has again leapt ahead. Say hello to the EOS-1D C, an SLR which can also shoot 4K video.
8-bit pixel art is so last year. These days, all the cool kids and hipsters are into 1-bit photos. That’s right, one-bit. Now there’s an app that will render all your photographs as if they were taken on an old Nintendo Game Boy camera.
Got a little corner of your property that you’d like to keep a closer eye on? Or are you just concerned that the babysitter is not shaking your kids hard enough when they start acting up? Then what you need is the Dropcam HD, a Wi-Fi video camera designed for remote monitoring.
