Why the iPhone 7 Plus camera is a major milestone


The iPhone 7 Plus made 2016 a memorable year for photography.
The iPhone 7 Plus made 2016 a memorable year for photography.
Illustration: Ste Smith/Cult of Mac

2016 Year in Review Cult of Mac We roll our eyes when Tim Cook introduces a new iPhone and says, “This is the best iPhone ever” each year. But the iPhone 7 Plus will be different.

Sure, ambitious upgrades remain in the pipeline, but the remarkable camera in the iPhone 7 Plus will make this year’s model memorable. Fifty years from now, photography historians will talk about the iPhone 7 Plus they way they do the first Leica or the first Polaroid.

iPhone 7 Plus: The future of photography

While 2016 may not feel like a milestone for the iPhone camera, this particular model offers the first clear picture of photography’s future. The iPhone 7 Plus camera is so good, we can now stop with the nonsense of categorizing its use as “mobile photography.”

The fact that the iPhone 7 boasts two lenses is only part of the story.

iphone 7 plus camera
The dual-lens iPhone 7 Plus gets photographers excited.
Photo: Apple

While tech snobs snarked and snipped on social media over losing the headphone jack, photographers took to the iPhone 7 Plus immediately.

For the first time, the iPhone delivered more than a wide-angle view. Now a second lens, a short telephoto, allowed a user to change points of view without adding an attachment. Portraits and environmental details could now be framed without the distortion caused by a lone wide-angle lens.

Apple also added an optical zoom, just 2X, but a huge step toward the iPhone camera legitimately being the only piece of equipment a photographer would ever need to carry.

Other significant upgrades helped: A larger sensor and greater pixel depth record high-quality images in low light. The Portrait Mode software upgrade lets photographers blur backgrounds to make subjects stand out from the insignificant, often distracting, details of the background.

Pro photographers choose iPhone 7 Plus

Professional photographers, perhaps Apple’s best sales team for the iPhone as a camera, embraced the 7 Plus for special assignments. A photographer for The Hollywood Reporter used the iPhone 7 Plus for portraits of movie celebrities at a film festival.

Sports photographers got in on the action, too. Landon Nordeman shot the U.S. Open tennis tournament for ESPN with an iPhone 7 Plus. And Brad Mangin makes a good part of his living photographing for clients like the PGA and NASCAR, who hire him to make iPhone photos for social media.

Mangin’s contemporary, veteran shooter Marc Serota, will go as far as using special riggings by Beastgrip to shoot with longer lenses from his Canon inventory on his iPhone 7 Plus.

It is still hard to imagine a smartphone one day replacing all the gear used by today’s professional photographers, but not to Serota, a longtime Canon user who for years routinely patrolled football sidelines and sporting arenas with multiple camera bodies and long lenses.

“I was shooting the Olympics in Rio and I would hear things like, ‘I don’t talk on my camera, why should I take pictures with a phone?’ It’s incredibly short-sighted,” Serota told Cult of Mac. “The iPhone 7 with the twin lens and the portrait function … with a couple of apps and the hardware, it’s there 100 percent.”

iPhone photography is more than just hardware

As noted by Serota, the iPhone 7 Plus’ remarkable hardware isn’t the only thing driving this revolution. Apple’s release of iOS 10 this year created a seismic opening for imaging software leader Adobe, which made big news in 2016 with its newest version of Lightroom Mobile, which lets iPhone shooters capture RAW DNG files inside the app.

The RAW file is uncompressed and can accept a wider range of tweaks. This gives the iPhone photographer unprecedented quality and latitude, allowing them to make adjustments in white balance, dynamic range and recovery of highlight or shadow details after the picture has been made. (The Lightroom update only works with iPhone SE and the 6s on up.)

Mobile Lightroom Raw
Shooting RAW files on your iPhone was made possible by iOS 10 and the Adobe Lightroom Mobile app.
Photo: Adobe

“Photographs captured and stored in a raw file format are great for anyone who values quality and control over their photos,” Photoshop creator Thomas Knoll wrote in a September post on the Photoshop Blog. “In the end, using raw and Adobe Lightroom allows you to create extremely high-quality images whether or not you used the perfect setting which you initially took the shot.”

Power in the Apple ecosystem

Throughout 2016, app developers like Adobe and accessories companies produced significant products to help photographers extend the reach of a camera like the iPhone 7 Plus.

The Filmborn app enhances the style of a picture by mimicking the look of classic film from Kodak, Fuji or Ilford.

Serota partnered with Polaroid, which is making inroads in mobile photography, to create the Polaroid University app, a series of video tutorials on how users can make better pictures with iPhones. Each video is five to sevens minutes long and covers a different lesson, from using negative space to creating more dynamic images, composing shots using the rule of thirds, and even using bubbles and fire (safely) to create dramatic portraits.

(Polaroid won’t release the number of downloads but says Polaroid University has exceeded projections. It spawned a video series that can be purchased on Amazon and will soon be in big box stores like Target.)

Plenty happened on the hardware front in 2016, too. The new Lume Cube produces a super-bright light in a housing the size of an ice cube. And drone-maker DJI came out with a three-axis gimbal stabilization grip that lets smartphone users shoot rock-steady handheld video on the go.

And then there’s 4K video and the growing community of iPhone filmmakers.

iPhone photographers are ready to learn

Polaroid U
Photographer Marc Serota teaches iPhone photographers how to make better pictures via the Polaroid University app.
Photo: Polaroid University

On a recent trip to Minnesota to meet with Target executives, Serota got a chance to promo some of the Polaroid University videos in a store. He said he was struck by how people began to try different things with their smartphones, right in the store.

It suggests to him that as people take more pictures, smartphone users are getting hungry to learn more about the technical rules of photography.

That doesn’t necessarily mean they will reach for a DSLR with interchangeable lenses. Not when the lightweight camera in their pocket might be just as good.

  • Ernesto J Reid

    Yes the iPhone is brilliant but I can not see it taking away the need for SLR cameras lens etc I use a 18/250
    plus 10/24 maybe one day they may not be needed in a far distant future but now next few years nope

  • steve miller

    Sorry I do not see the iPhone 7 two lens camera as a milestone that you do. For starters it does not have a telephoto lens. 56mm is considered by most any professional photographer to be in the normal focal length range. Telephoto lenses start at 70mm. The iPhone 7 two lens camera phone is step up but not a revolution in photography. The 35mm film camera was a revolution from having to carry around a 4 x 5 Speed Graphic. As soon as a phone camera can match the quality and function of a top end point and shoot such as the Panasonic LX100 with an optical zoom lens that will be a major turning point in phone cameras. In the mean time I look forward to the new iPhone with triple lenses that will finally give it a telephoto lens capability.

    • nigel soames

      Apart from photography where you can’t get physically near subject (sports and wildlife, for example) telephoto and zoom lenses are not really the issue. Good portrait photography is best done with 50-70mm fixed lenses and the “great” photographers like Robert Capa, Doisneau etc. created their most dramatic work using fixed lenses in the 30 – 50mm range and getting in close to the subject. Most amateur photographers would dramatically improve their work if they dumped the long lenses and got closer to the subject, and for that reason I think what the iPhone7+ offers is going to dramatically improve “mobile photography”.

  • Glenn Lind

    I think it’s more iterative than a milestone. Perhaps for Apple only it’s a milestone, but comparing all platforms the only special thing is the 54mm zoom. Even at that, the Lumia 1020 pictures could be cropped at a digital zoom of like 10x with more detail. Other phones have for a while offered 4K recording, raw output, manual modes, etc.

    Thinking about dSLR vs iPhone, jpeg wise, it’s pretty bad. I haven’t seen any raw comparisons yet though. Image quality is trophied by the Pixel and the video quality goes to iPhone.

    Sporting events as a comparison isnt a good example as the shots don’t need top quality and the pictures are generally taken in very well lit places. The real testament to when the phone is going to replace dSLR is at weddings. I guarantee no serious wedding photographer is iPhone plus only for that.

    • Stetch

      I’ve taken some Raw pictures with iPhone 7+ and with proper lights it blows me away. Worth to mention that I had a Nikon D800 with a Sigma 50mm Art before and even if it cant be compared at all the iPhone gives me more than enough quality. (Because who the hell needs a 36mpx camera to grab everyday pictures?)

      • Glenn Lind

        I’m not saying that flagship phones don’t take great photos, although the article said the 7+ is a milestone, which if your travelling the Alaska Highway and counting the milestones (thousands of them), then yes it’s another great camera that’s on the way to becoming better. Outside of offering a telephoto option, I doubt it’ll be remembered the way the 5 destroyed the 4S camera.

        The key in your reply is lighting. Most cell cameras (most are Sony sensors) take good photos in good light. The article says people are dropping their sSLR’s because the 7+ is that good, however half the reason to have a dSLR is to take pictures in all sorts of less than optimal lighting.

      • Stetch