It was a pretty bold move for the pioneering but fading photography icon Kodak to launch a smartphone dedicated to serious photographers one month after Apple’s release of the highly anticipated iPhone 7 Plus.
The Android handset was released in Europe and Australia and some lackluster reviews soon followed. But Kodak and its partner in smartphones, Bullitt, still have high hopes in putting the Kodak Ektra in the hands of more photographers.
This new 350-degree pan and tilt home security camera from Kodak is the most amazing video monitor I’ve used, ever.
I’ve helped friends set up a few security cameras over the years, usually to keep an eye on their kids or pets, and the CFH-V15 blows all of them away with its ease of use, simple setup, and high-end video quality.
I sure wish I had one of these when my kids were young.
Kodak is not prepared to let analog filmmaking disappear into the digital world.
At the Consumer Electronics Show in Las Vegas this week, the film-stock maker is showing off a prototype for a new camera that will combine time-honored, physical shooting techniques with the latest in digital technology. This powerful combination hopes to capture the best of both traditions, allowing present and future filmmakers to continue to produce their art in whichever way they see fit.
The potato is one of the least colorful of the good Lord’s creations. But somehow, two French inventors figured out how the dud spud could help put color in our photographs.
Before brothers Louis and Auguste Lumiere tinkered with taters, photographers were shooting three different pictures of the same scene through colored filters — red, blue and green — and then sandwiching the images for projection.
In 1904, the Lumieres pulverized potatoes into a starchy powder, which they then divided into three separate batches for dying violet-blue, green and orange-red. When mixed together and applied to a glass plate, the microscopic grains of potato filtered the light, creating a negative that could produce a color photo. The process was called Autochrome.
Back in early December, Apple and Google joined forces to purchase a patent trove from Kodak, the once-reigning photography king. Kodak’s collection includes 1,100 imaging patents that can be used to diffuse litigation between big companies in the tech industry.
To keep bidding wars from escalating, Apple and Google teamed up for the purchase. After filing for bankruptcy, Kodak said that its patent trove was worth $2 billion, but the U.S. court approved a $527 million price tag instead.
What the companies involved with this deal plan to do with the acquired patents remains to be seen.
Struggling Kodak has finally agreed to sell its digital imaging patents to Intellectual Ventures and RPX Corporation — two consortiums backed by Apple, Google, Microsoft, and others — for $525 million. Kodak will receive a portion of the money from 12 intellectual property licensees, with each licensee receiving rights to the patents, while another portion will be paid by Intellectual Ventures, which will then acquire the digital imaging patent portfolio, plus the new and existing licenses.
Kodak filed for Chapter 11 bankruptcy back in January, and since then the photography pioneer has been trying to sell off its many patents. Over the summer it was reported that Apple and Google were leading separate groups in a bidding war for the valuable portfolio. Now a new report says that Apple and Google have teamed up to place a $500 million bid.
Kodak is on the verge of bankruptcy, but in a final bid to raise some cash, the company is selling off its entire patent portfolio. The company believes it could fetch upwards of $2.6 billion, and Apple and Google are going head to head for them. However, neither company has submitted a bid anywhere near Kodak’s estimate.
US District Judge George Daniels denied Apple’s proposal to move the patent dispute with Eastman Kodak Company out of bankruptcy court and into his own District Court today. If Apple had been granted the proposal, it could have been tough going for Kodak’s plans to actually sell the technology.
Eastman Kodak’s bankruptcy filing early this morning was not a Kodachrome moment. However, the death of the film pioneer means its rebirth as a digital brand, complete with threats of patent lawsuits against Apple and others.