David Pierini - page 62

The research reads like a Surgeon General’s warning: Prolonged periods of sitting can lead to obesity, heart disease, blood clots and spinal compression, according to the latest medical studies.

To combat this modern office horror, an artist and an architecture firm from the Netherlands have re-imagined the office with all the chairs pulled out from under us. The exhibit, called The End of Sitting, is a geometric landscape of surfaces of varying heights on which to lean.

“The chair and desk are no longer unquestionable starting points,” Erik and Ronald Rietveld, partners at Dutch firm Rietveld Architecture-Art-Affordances, told Cult of Mac. “In our society, almost the entirety of our surroundings have been for sitting while evidence from medical research suggests that too much sitting has adverse health effects.”

A guy will go to great lengths to impress a woman. But pufferfish and Bowerbirds make us all look a little cheap.

More than just a bag of air, a male pufferfish works nonstop for a week straight creating an ornate design on the seabed in an apparent move to attract a female and create a safe and elegant place for her to lay eggs.

In Australia, Bowerbirds build elaborate homes with twig-thatched roofs and carefully arranged gifts on the outside in hopes a girl will come a-knocking.

When the final Space Shuttle flight landed in July 2011, there was a sadness that America’s future involvement in space exploration would be nothing more than one of our astronauts occasionally hitching a lift on a rickety Russian rocket.

But NASA, partnered with various aerospace companies, has been quietly designing and building a new program that could eventually take humans into deep space.

Apple CEO Tim Cook surprised shoppers at the Georgetown Apple Store on Monday by making an appearance to support the company’s commitment to World AIDS Day.

Cook tweeted photos of his visit to the store in Washington, D.C. He was surrounded by Apple employees wearing red T-shirts to mark the day, which is aimed at raising awareness about the spread of AIDS, showing support for people living with HIV and honoring those who have died from the disease.

Honey Boo Boo was clearly ahead of her time when she got busted selling Girl Scout Cookies online last year.

Internet sales of the coveted cookies were prohibited at the time, but now the organization has taken its Digital Cookie program out of the oven. The new effort is designed to make cookies available to customers online (obviously) while also giving Girl Scouts new e-commerce skills, like online marketing and using apps.

Woody Allen famously called pigeons flying rats. Photographer David Stephenson calls them thoroughbreds of the sky.

He also realizes the common perception of the pigeon skews more toward Allen’s view. But Stephenson has a growing body of work that could make people reconsider the much-maligned bird.

Stephenson, aka The Pigeon Photographer, runs a website and Instagram feed where his photos attempt to show the intelligence, strength and iridescent beauty of homing pigeons, which he raises in his backyard near Lexington, Kentucky.

“When we see them circling in the air, they move so fast our eye can’t comprehend the beautiful details, the way the feathers curve, the upstroke or downstroke of the wings,” Stephenson told Cult of Mac. “I just want people to appreciate them more. They are beautiful, insanely tough and intelligent.”

It happens all the time: The subject of a portrait tries to put their best face forward but the photographer senses a more authentic expression locked inside. To get to something real, the photographer utilizes a range of tricks and charms to peel back the subject’s veneer.

South Carolina photographer Patrick Hall used 300,000 volts.

Shockingly, close to a hundred people got zapped with a stun gun for Hall’s series of still photos and a slow-motion video that went viral soon after it was published on the Fstoppers website, which Hall co-founded.

“I wanted to start making more photo series of things I don’t normally do,” Hall told Cult of Mac. “Why don’t I get reactions of people doing something painful or joyful that is more than the standard portrait? What could I do to consistently get reactions?”

A photo editor friend of mine will often say, “It’s getting harder and harder to make a bad picture.”

It sounds absurd but he is partially referring to technology and how it can remove some of the thinking from photography. Cameras can be set to figure out aperture, shutter speed and, with the touch of a button, do the focusing. You can massage a bad exposure with software or, if you snap photos with your phone, choose apps and filters to effect a variety of looks and feels.

So it’s not uncommon for serious photographers to occasionally reach back for a piece of analog gear to challenge their thinking and reinvigorate creativity.

This summer I reached back to 1840. Well, sort of.

The coiled hose left a mark on the grass, a fading of color where the sun could not shine.

From this moment on his front lawn, Binh Danh realized he could create a photographic process using sunlight, leaves and grass. He had no idea his method would develop into an organic process of self-discovery.

On leaves from his family’s garden, Danh brings fresh examination to an old war, printing haunted faces and horrific scenes from the Vietnam conflict with light and chlorophyll.

Inside a New York City morgue, the rich, famous and celebrated rest in the same space with the soldier, the wheat farmer and nuns trained in the martial arts. There’s even a car show model who was mauled by a lion.

Darcy Eveleigh pulls drawers at random and gives these people another day. They’re not dead, just filed.

Eveleigh is a New York Times picture editor who curates the popular Tumblr blog, The Lively Morgue, a collection of historic and often quirky images found in the Times’ photo archive.

Eveleigh will not live to see every photo. The files are believed to hold between 10 and 20 million images. The site reports that if Times picture editors posted 10 new archived photos on the blog each day, they might have every picture online by the year 3935.

“They are all accidental small treasures I did not mean to come across,” Eveleigh said of the serendipity she relies on during her regular visits to the morgue, located three stories below ground level.

My little red-haired niece approached the casket with a single flower and placed it with the father she looks so much like.

I raised my camera to my eye and made a picture.

Though secure with my reasons for snapping the photo, I understood how taboo this could seem to others. I never made a print to pass around or display. I look at the photo now, 10 years later, and get reacquainted with grief, struck by a visceral appreciation for a chapter that continues to unfold in my family story.

That picture was a fading memory until my recent trip to the Museum of Mourning Photography and Memorial Practice in Chicago, a collection of more than 2,000 postmortem photographs and funerary ephemera.

Before anyone ever uttered the word “selfie,” Meags Fitzgerald had accumulated thousands of photos of herself taken in photo booths in the malls and train stations near her home.

She produced strips of four one-of-a-kind poses almost daily, sometimes hiding in a mall photo booth until after close. High-school friends dubbed her “the Photo Booth Girl.” Today, when the Montreal artist pulls the curtain in a booth, the flashes sometimes don’t stop until she has enough photos to produce a movie.

“It’s very much an obscure labor of love,” said Fitzgerald, a freelance illustrator who has produced six film shorts, all in photo booths. “There are certainly people who have used photo booths in their mediums but I’m the only one I know who has used them in this way, in this length or with the narrative purpose I’ve tried.”

The 1940s hockey photos we found among my aunt’s possessions are a mystery she took to her grave. But with a little internet research and some sharing through social media, I figured I could put names to the players’ faces and stories that would bring the photos to life.

I needed a photo scanner. My smartphone and the right app puts one in my pocket.

For the hockey project, I tested three photo-scanning apps, each of which allowed me to digitize and share old photos without the need for computer equipment, Photoshop or the expense of a scanning service.

Eric is a Stormtrooper who escaped the exploding Death Star and wound up on Earth.

Now he wears jeans, enjoys lavender-scented bubble baths, drinks Johnnie Walker whisky and sings a song about his tomato allergy.

No longer a member of the Galactic Empire guard, Eric serves as muse to British photographer Darryll Jones, a self-described 39-year-old child who has turned his fondness for toys — especially Star Wars action figures — into a Force on Instagram.

“I have always loved toys,” said Jones, a food and lifestyle photographer who does work for the Tesco supermarket chain when he’s not taking pictures of toys. “I recall quite vividly setting up little dioramas in my room or in the garden and playing out the scenes in my mind, imagining that the little plastic figures could come alive.”

Bart van Olphen thinks he can conquer your fear of cooking fish if you’ll just give him 15 seconds.

The seafood chef from Amsterdam uses Instagram’s relatively new video feature for Fish Tales, which is probably the world’s fastest cooking show in this golden age of refined eating.

“People really like the simplicity of the recipes,” van Olphen told Cult of Mac. “You really can learn how to cook in only 15 seconds.”

Cooking shows have been simmering since the early days of television, with pioneers like James Beard and Julia Child unraveling the mysteries of the kitchen. With the emergence of the Food Network in 1993, the format boiled over into a ratings bonanza, turning chefs like Emeril Lagasse and Rachel Ray into celebrities. Now YouTube is home to dozens of shows featuring entrepreneurial cooks seeking to cash in on the foodie craze.

Rachel LaCour Niesen’s passion for vintage photos started when she walked down her grandmother’s wood-paneled hallway to look at a bedroom wall that held a carefully edited family history.

There she saw a photo of her father standing proud in his cap and gown on graduation day, an aunt sitting poolside during a swim meet and a happy couple cutting their wedding cake. The imprint those pictures left on LaCour Niesen lies at the heart of her @savefamilyphotos project on Instagram, where she curates a collective history. She invites people from around the world to send her a digital copy of a cherished family photo and brief story that, in many cases, gives the photo its emotional muscle.

“The treasure is not just the photo but the story that comes with it,” LaCour Niesen told Cult of Mac. “I believe stories are the currency of our past, present and future. Without them, we are bankrupt. Our family photos trigger those stories. They are like glue that holds my story — and our stories — together over time.”

Throwback Thursday, Facebook and Instagram have made personal blasts from the past a weekly — if not an hourly — ritual. The web is awash in fuzzy Polaroids, vintage Kodachromes and black-and-white snaps, uploaded by individuals with hard drives full of memories and shared by everyone.

I have a personal Instagram filter that protects my eyes from all the cute pet pictures. But now and then, a dog or cat slips through. One pretty pooch in particular — an Alaskan husky with arresting, ice-blue eyes — has me looking forward to her daily adventures in rural New Hampshire.

Stare into the eyes of Bella, and you’ll get a glimpse into the heart of her owner, photojournalist Cheryl Senter.

“There is total love in every image that I take of her,” Senter told Cult of Mac.

When photojournalist Scott Strazzante planned a weekend trip to Washington, D.C., with his daughter Betsy in 2011, he was intent on leaving his cameras at home.

They were visiting colleges and he wanted it to be a “daddy-daughter” weekend. But the prolific, award-winning photographer gets anxious when he is not creating, so there was a point in the trip when he commandeered her iPhone, downloaded Hipstamatic and started making pictures.

As soon as he returned home, he purchased his own iPhone and it wasn’t long before the news photographer began making pictures for the first time that were truly about him.

His Instagram feed, a body of street photography images that grows larger by the day, has more than 19,000 followers. He loves how Instagram allows him to send pictures directly to people waiting and wanting to see them.

CHICAGO — I thought I was boarding the train with a camera that gave me a cloak of invisibility.

But even before the train began moving away from the station, the eyes of a man with a handlebar mustache drew a bead on my Autographer, a tiny, continuous-shooting photographic device clipped to my breast pocket.

He furled his brow. He did not blink. What was he thinking? Could he see the lens? Was he wondering if that thing was on? Maybe some insecurity set in, but the vibe felt like he was suspicious.