Apple design

March 29, 2012: A settlement ends the “Antennagate” controversy, as Apple gives affected iPhone 4 owners the chance to claim a whopping $15 payout. The settlement covers customers whose phones dropped calls due to its cutting-edge design, but were unable to return their handsets (or didn’t want a free bumper case from Apple to mitigate against the problem).

While it’s arguable whether a $15 payout was worth filing all the paperwork necessary to claim the cash, the Antennagate story — and the resulting class-action lawsuit — generated big headlines at the time.

March 20, 1997: Apple launches its Twentieth Anniversary Macintosh, a futuristic, special-edition Mac that’s ahead of its time in every way. Not part of any established Mac line, it brings a look (and a price!) unlike anything else available — and Apple delivers them to buyers in a limo!

And yet the Twentieth Anniversary Macintosh promptly bombs. Today, it’s a collector’s piece.

March 19, 1990: The ultra-fast Macintosh IIfx makes its debut, sporting a hefty price tag appropriate for such a speedy machine.

The fastest Macintosh of its day, it boasts a CPU running at a “wicked fast” 40 MHz. It gains an additional speed bump from a pair of Apple-designed, application-specific integrated circuits. Prices start at $9,870 and run up to $12,000 — the equivalent of $24,561 to $29,862 in 2026 money!

February 22, 2001: The iMac Special Edition, sporting wild designs that would make a hippie happy, puts a wacky face on the colorful computer that saved Apple’s bacon at the turn of the century. The Flower Power iMac and Blue Dalmatian iMac evoke tie-dye shirts and other unconventional ’60s-era imagery.

A far cry from the super-serious, aluminum-heavy industrial design that will come to define Apple in subsequent years, these colorfully patterned iMacs stand out as some of the most irreverent computers Cupertino ever dreamed up. (C’mon, when was a real Dalmatian blue?)

Under the crazy-looking exteriors, a pretty darn great iMac G3 hums along.

February 20, 2004: Music goes small as the iPod mini launch brings the reimagined digital audio player to Apple stores.

Released with 4GB of storage and in five colors, the diminutive device features a new “click wheel” that integrates control buttons into a solid-state, touch-sensitive scroll wheel. It also showcases Cupertino’s growing fascination with aluminum, which will become a hallmark of Apple design.

Despite its small size, the new music player’s market potential looms large. In fact, the iPod mini soon becomes Apple’s fastest-selling music player yet.

With Apple reportedly redesigning the MacBook Pro, it’s time to bring back the beloved glowing Apple logo on the back of the laptop.

Not only is it an iconic look, reviving a signature feature from the MacBooks of old would make a statement that Apple has returned to making laptops as good as the ones made back in the days when you could easily recognize a MacBook from across the room by its glowing Apple logo.

Apple built a reputation for meticulous design consistency, but a growing number of users keep noticing cracks in that polished facade. A recent social media discussion highlights how longtime Apple fans wonder why delete buttons vary so much across iOS apps. 

“Steve Jobs would be absolutely livid about the state of Apple UIs today,” wrote one irate user about the steadily less-consistent state of the iOS user interface. 

January 27, 2010: After months of rumors and speculation, Apple CEO Steve Jobs publicly shows off the iPad for the first time. Aside from the name, which some people joke sounds like a female sanitary product, the first-generation iPad immediately earns critical acclaim.

“The last time there was this much excitement over a tablet, it had some commandments written on it,” The Wall Street Journal quips.

When it goes on sale a few months later, the first-gen iPad quickly becomes Apple’s fastest-selling new product ever.

January 16, 1986: Apple introduces the Macintosh Plus, its third Mac model and the first to be released after Steve Jobs was forced out of the company the previous year.

The Mac Plus boasts an expandable 1MB of RAM and a double-sided 800KB floppy drive. And it’s the first Macintosh to include a SCSI port, which serves as the main way of attaching a Mac to other devices (at least until Apple abandons the tech on the original iMac G3 upon Jobs’ return).

January 15, 2008: Apple CEO Steve Jobs shows off the first MacBook Air at the Macworld conference in San Francisco, calling the revolutionary computer the “world’s thinnest notebook.”

The 13.3-inch laptop measures only 0.76 inches at its thickest point and 0.16 inches at its tapered thinnest. It also boasts a unibody aluminum design, thanks to an Apple engineering breakthrough that allows the crafting of a complicated computer case from a single block of finely machined metal.

In a brilliant piece of showmanship during the MacBook Air launch, Jobs pulls the super-slim laptop out of a standard interoffice envelope. (You can watch his keynote introducing the MacBook Air below.)

January 5, 1999: Apple introduces a revised Power Mac G3 minitower, nicknamed the “Blue and White G3” or “Smurf Tower” to distinguish it from the earlier beige model.

The first new Power Mac since the original iMac shipped, the pro-level machine borrows the same transparent color scheme. Unfortunately, it doesn’t hang around too long.

December 23, 2005: Apple files a patent application for its iconic “slide to unlock” gesture for the iPhone.

At this point, the iPhone remains a secret research project. However, the ability to unlock the device by sliding your finger across it signifies Apple’s big ambitions for its smartphone. Cupertino wants the iPhone that it’s racing to develop to be easy to use, intuitive and miles ahead of the competition technologically.

The best people to ask about Steve Lemay, the new head of user interface design at Apple, are the people who’ve worked with him.

Spoiler alert: They seem absolutely thrilled. The word “excited” keeps coming up in their comments on the change in leadership.

Here’s what the people in a position to really know Lemay have to say about him.

Alan Dye, the former chief of Apple’s user interface design, has done brilliant, groundbreaking work — but almost no one is getting to experience it.

Dye just got poached by Meta, and the majority opinion among Apple fans seems to be “don’t let the door hit you on the way out.”

Some of Dye’s critics, like John “King of the Apple nerds” Gruber, are scathing. “His tenure is considered a disaster by actual designers inside and outside the company,” Gruber wrote after Dye’s departure from Apple became public Wednesday.

Dye, of course, is not perfect. He is rightly getting criticized for Liquid Glass, the shiny new interface in Apple’s operating systems, that’s been tweaked, rolled back, tweaked again, and is now semi-optional for users who don’t want it.

Where’s the conviction Apple is famous for? Steve Jobs must be spinning.

But Dye’s best work is spectacular, important and deep. You’ve just not seen it.

In 2025 an unprecedented talent exodus decimated Apple’s leadership ranks, with Meta Platforms emerging as the primary beneficiary of the iPhone maker’s retention struggles. The social media giant has successfully lured away four high-profile executives from Apple’s artificial intelligence and design divisions, raising serious questions about the Cupertino company’s competitive position in the rapidly evolving AI landscape. Find out more about the top executives left Apple for Meta below.

Meet Steve Lemay, the new head of user interface design at Apple — the highest-profile software design job at the giant company, and possibly the world.

Unfortunately for Lemay, who has worked at Apple since 1999, he shares the same first name as the late Steve Jobs, who nicknamed him “Margaret” — a name that reportedly stuck.

Aside from being called “Margaret” internally at Apple, Lemay has a long and stellar design record at the company. He’s helped shape everything from OS X to visionOS. He is named on hundreds of patents and helped develop one of Apple’s most highly celebrated UI tricks.

November 19, 2013: Apple gets final approval from the Cupertino City Council to proceed with building a massive second campus to house the iPhone-maker’s growing army of workers in California. Regarding the new Apple headquarters, Cupertino Mayor Orrin Mahoney issues a simple message: “Go for it.”

However, the massive structure — with an innovative circular design that will earn it the nickname “the spaceship” — remains years away from opening, despite Apple’s ambitious schedule.

November 18, 2003: Apple debuts a new iMac G4 sporting a 20-inch screen, the company’s biggest flat-panel all-in-one computer ever.

The introduction makes an already superb Mac even better. Somehow, though, the additional screen real estate makes the new Mac weigh twice as much as the 17-inch model.

Abidur Chowdhury, the industrial designer who helped shape the iPhone Air, reportedly left Apple for an unnamed AI startup.

“His exit made waves internally, given his rising profile within the design team,” according to a Bloomberg report.

November 15, 1990: Cupertino wins a design patent for the Apple Extended Keyboard II, arguably the greatest computer keyboard of all time.
Delivering the perfect combination of durability, feel and a pleasing click-clack sound, the Extended Keyboard II will become a mainstay of pro-grade Apple setups during the early 1990s — and perhaps the best-loved keyboard in Apple history. Courtesy of an ADB-to-USB adapter, some people continue to use these input devices today.

September 25, 2006: Apple ships its second-generation iPod nano, offering a fancy redesign of the pocket-size original.

“iPod nano is the world’s most popular digital music player, and we’ve completely redesigned it to make it even better,” said Apple CEO Steve Jobs in a press release. “The all-new iPod nano gives music fans more of what they love in their iPods.”

Among the new iPod nano’s improvements are a slimmer, anodized aluminum casing; a brighter screen; longer battery life; and a wide range of colors. And, oh yes, it also includes gapless music playback for the first time!

The new cosmic orange iPhone 17 Pro is undeniably orange. It’s not bronze, it’s not burnt umber, it’s not sepia or some other subdued shade that fades into the background.

No, Apple finally — after years of begging and pleading — produced a pro-level iPhone in an unapologetically bold color.

As a man in a loincloth once screamed while staring at something unfathomable: “Oh my god … [you] finally, really did it. You maniacs!”

To be fair, in that instance, the bare-chested man was ranting about something horrific. With the cosmic orange iPhone 17 Pro, Apple did something previously unthinkable — and totally welcome.

September 19, 2014: The iPhone undergoes its biggest upgrade — both figuratively and literally — since the original, with the release date of the iPhone 6 and iPhone 6 Plus handsets. The iPhone 6 design brings a new 4.7-inch form factor, while the iPhone 6 Plus expands to a massive 5.5 inches.

The previous-generation iPhone 5 measured only slightly taller than its 3.5-inch predecessors. But with the iPhone 6, Apple abandons the small smartphone form factor to take on big-screen Android “phablets.”

September 18, 2013: iOS 7 launches with a radical redesign that divides the tech world. The biggest overhaul Apple’s mobile operating system has seen in years, iOS 7 ditches the skeuomorphic objects, dials and textures of previous iterations.

Instead, it boasts stark patches of white space, simpler icons and more abstract controls for settings. The Jony Ive era of software design is truly underway.

August 27, 1999: Apple Computer swaps out the striped, multicolored logo the company had used since 1977 for a new single-color version. The evolution of the iconic Apple logo from rainbow to monochrome shocks many longtime fans.

However, it is part of a sustained, company-wide overhaul led by Apple CEO Steve Jobs. The makeover includes new products, the “Think Different” ad campaign and, eventually, the removal of the word “Computer” from the company’s name.