In order for any streaming service to keep up with the competition, it must serve up serialized shows that people can’t wait to finish. Until now, Apple TV+ did not offer one of those. Not even the star-studded and fairly engrossing Defending Jacob proved so compelling you couldn’t turn it off.
That all changes this Friday, when Israeli spy thriller Tehran premieres on Apple TV+. The streaming service’s best dramatic show by a mile, it delivers stunning displays of intrigue and backstabbing.
Way back in 2004, Ewan McGregor and his friend Charley Boorman decided to ride their motorcycles around the world from London to New York — the long way. That 19,000-mile trek produced British TV series Long Way Round.
A few years later, they and their team rode from Scotland to Cape Town, South Africa, and produced a sequel series, Long Way Down. Neither of these shows have much in the way of social value or a point beyond “this is certainly possible.”
Well, they’re back, with a new Apple TV+ documentary series called Long Way Up, which premieres on Sept. 18. This one recounts yet another epic motorcycle trip, starting at the southern tip of Argentina and covering “13,000 miles over 100 days through 16 border crossings and 13 countries.”
If you’re one of the several people who’s been waiting for the third installment of McGregor and Boorman’s Long Way series, boy are you in luck.
If you looked at the crowds of white nationalists bearing tiki torches at the infamous Unite the Right rally in Charlottesville, Virginia, and wondered what took them from innocent children to gimlet-eyed monsters of borrowed ideology, Boys State is a harrowing but necessary research tool.
The new Apple TV+ documentary by Amanda McBaine and Jesse Moss delivers a frightening look at a time-honored tradition that appears to have actively made the world a worse place.
Sundance Grand Jury Prize Winner Boys State, which premieres Friday on Apple TV+, may nauseate you. But you’ll be glad you saw it, if only because it’s a shocking and sobering reminder that the next generation of conservatives is ready to step in and replace the one about to die — and they’re no less efficacious.
Created for a diverting if not particularly funny web short, Jason Sudeikis‘ clueless coach Ted Lasso now has his own Apple TV+ series. The question is: Is there enough meat on the bones of the premise to support a comedy series?
Like the NBC Sports promos that spawned the character, Ted Lasso is about an American coaching football in England — and being sorta kinda unfit for the demands. Fish-out-of-water, culture-clash comedies are as old as film comedy itself. And there’s certainly potential in the idea of an old-fashioned Southern gentleman dropped into tough-as-nails, hyper-masculine soccer culture. But ultimately, the high-concept stuff isn’t what works in Ted Lasso’s favor. You must get past the show’s premise to get to the good part.
There’s a reason this review only has one image in it: Apple TV+ doesn’t have any more press pictures for this show. Why? Because why should it? This paper-thin passel of hagiographies isn’t worth promoting.
Greatness Code, which debuts July 10, isn’t a show so much as it’s an investment in the big star athletes being interviewed. To say no to the project would have meant scuttling potential relationships with some of the biggest names in sports. But to admit it’s worth your time seems a bridge too far.
Tom Hanks is here to rescue a cargo convoy from the Nazis — and presumably you from your free time. His new movie, Greyhound, is being released straight to Apple TV+ this Friday after COVID-19 scuttled the film’s theatrical release. This means there’s nothing between you and some old-school, flag-waving thrills.
In fact, Greyhound is the very definition of old school. There’s no fuss, no muss: just a man, his crew and some German U-boats hiding out in the gray fog of World War II, ready to pounce on American soldiers.
The latest lightweight Apple TV+ crowdpleaser comes from producer J.J. Abrams, songwriter Sara Bareilles and writer Jessie Nelson. Little Voice, which debuts on Apple’s streaming service on July 10, hits every single beat you expect — and none you don’t.
There’s little chance you won’t experience precisely the emotional journey and reaction you’re anticipating just from looking at the show’s promotional materials.
If you wanna watch a scrappy, model-beautiful singer finally find her voice with help from a supportive and kooky family of zany outsiders, and then live her dream of being a star, then yeah, come on in.
So far, the Apple TV+ shows affiliated with Oprah Winfrey (or approved by her) represent some of the streaming service’s safest offerings. And her spirit, to say nothing of her face, is all over the inspiring series Dear…
Each episode focuses on a single celebrity and the moving fan letters they receive highlighting the star’s impact on regular people. A such, it takes the form of part-biography, part-tribute to its famous subjects.
Dear… certainly does not stand out as one of the most hard-hitting journalistic exercises you’ll see. But as puff pieces go, the episodes prove both persuasive and reasonably inspiring. The show plays like a MasterClass with lessons about community building and standing up for yourself.
Apple TV+ secured another handsomely produced, blandly pleasant, absolute mediocrity when it purchased Bryce Dallas Howard’s feature documentary debut, Dads. What’s Dads about, you ask? Why dads, of course. Next question.
Up until now, Apple TV+ hasn’t been the most cautious content provider. Apple execs lavished money on a lot of utter nonsense with enormous price tags because they seemed to aesthetically fit in with the rest of the company’s design scheme. Home, Central Park, See — none of them are good television, but they’d look good testing TVs on a showroom floor, which seems to be the prevailing ethos for a lot of the Apple TV+ purchases.
Dads, released Friday just in time to remind you to forget Father’s Day, is much the same and quite a bit less.
Breakout Apple TV+ series Defending Jacob comes to a gutsy and strong conclusion by leaving its characters, and its audience, in the lurch. This is the smartest decision the show’s creators could have made.
The limited series’ ending, which premieres Friday, shifts everything we’ve seen so far into an entirely new light. It likely will haunt you for some time to come.
Spoiler alert: Details about “After,” the final episode of Defending Jacob, follow.
Despite an impressive pedigree and a marketable cast, new Apple TV+ show Central Park seems primed to annoy as many people as it will please.
You must put up with an awful lot of very trendy singing and songwriting, and an overly precious approach to character and plotting, to get to the meager delights within.
Defending Jacob closes in on its shocking and horrible conclusion this week. It’s been clear for a while that things will never get straightened out fully for the Barber family after Jacob’s murder trial. Whether the teen lands in jail or not, things will end badly.
The Apple TV+ crime drama’s seventh episode, titled “Job,” proves this in spectacularly agonizing fashion.
Apple TV+ crime drama Defending Jacob nears its climax in Episode 6. The writers crank up the tension and the danger in ways that finally take the series out of the ordinary and into the more obviously fictional and generic.
Thankfully, director Morten Tyldum knows how to handle a flagrant crime show incident without it seeming more overblown than the series can handle. (Spoiler alert: Some key plot details will follow.)
Things start to get unbearably tense and inhumane as pressure builds on the Barber family in Defending Jacob’s fifth episode, “Visitors.” The show takes a number of risks that may pay rich dividends in future episodes — as long as the showrunners remember not to flinch.
New guest stars — including veteran actor J.K. Simmons — and old vendettas surface in Friday’s new episode. And the Barbers head toward what might turn out to be a moral dead end if they want to stop their son, Jacob, from going to prison. Can we say climax?
In its fourth episode, stellar Apple TV+ show Defending Jacob shows every member of the Barber family starting to crack as young Jacob moves closer to his murder trial. As the characters head toward revelations and uncomfortable conclusions, they start to stall for time in irresponsible, sometimes dangerous ways.
As the situation unfolds, their relationships with each other start to fray.
Even during quarantine, you’d really need to not value your time to look beyond the failures of imagination at the heart of Trying. The new Apple TV+ sitcom, created by Andy Wolton and starring Rafe Spall and Esther Smith as a couple who discover they can’t conceive, is sitcom 101.
There isn’t anything inherently wrong with the premise, but neither is there much to recommend it. Wolton and company seem content to do the bare minimum.
With a hot cast and a true-crime sheen, Defending Jacob is one of the most highly anticipated Apple TV+ series so far. It’s based on a best-selling novel. It’s helmed by an Oscar-nominated director. And the first three episodes arrived Friday, primed for a literally captive audience seeking its latest obsession.
Apple calls its fledgling streaming service “the new home for the world’s most creative storytellers.” And for the first time, Apple TV+ has delivered a show that lives up to the hype — at least judging by the first three episodes.
Beastie Boys Story, director Spike Jonze’s endearing Apple TV+ documentary about the first white rap phenoms, proves as powerful as it is screamingly funny.
Jonze, a confidant and collaborator of the group since the Beasties’ experimental mid-career, exhibits an easy candor with his subjects. That familiarity allows all of them to open up, which is important when it comes to discussing their failures and losses.
Home, the new Apple TV+ docuseries about unconventional structures designed by unorthodox architects, is — surprise, surprise — as much a mixed a bag as anything else on the streaming service.
The nine-episode series, available to watch Friday, provides a window into homes and the ethos, hardship and breakthroughs that lead to their creation. It would be an understatement to say that some episodes prove more interesting than others.
True-ish crime show Home Before Dark, about an intrepid cub reporter who’s always late to class, is the latest Apple TV+ streaming option available to quarantined Americans. Is it any good?
Here’s a quick guide to the pleasures of the show.
Amazing Stories’ season finale “The Rift” serves as a case study into the rebooted show’s highs and lows. With its five-episode run complete, the ways in which the Apple TV+ anthology series succeeded — and the ways it failed to cohere — become more obvious than ever.
“The Rift” was directed by Mark Mylod and written by Don Handfield and Richard Rayner (co-creators of History Channel’s Knightfall). However, the episode takes more cues from executive producer Steven Spielberg than nearly any of the preceding entries, to both its detriment and its occasional benefit. The real MVP of the piece, however, is the perpetually underrated Kerry Bishé.
Based on the real-life exploits of preteen reporter Hilde Kate Lysiak, who was a published journalist before she had all her teeth, Apple TV+’s new series Home Before Dark is an exciting and endearing new offering.
The streaming service released all 10 episodes of the show’s first season Friday. The first three brisk episodes build a strong case for the show’s quick renewal. And they also reveal Home Before Dark’s tiny hero, Brooklynn Prince, as a certified star.
After a bumpy start, the Apple TV+ reboot of Amazing Stories headed off in an agreeable direction. Between its heart-on-the-sleeve emotional core and the very modern, depressive look at the deflation of the American dream, this is a show that understands why people need to believe in the impossible today.
Episode 4, titled “Signs of Life,” might not be a perfect hour of television. However, it’s got its heart in the right place. And a host of excellent elements make its story beats hit with extra force.
Mired in scandal and plagued by delays, the debut fiction film purchased by Apple TV+ is finally here to stream, just in time for everyone in America to be trapped with little else but their TVs.
The Banker, starring Anthony Mackie and Samuel L. Jackson, likely won’t top many best-of lists this year. It’s too slight, though neither does it embarrass itself in the telling of a compelling true story about overcoming discrimination in a racist world.
The Apple TV+ reboot of Amazing Stories started with a warning most viewers likely heeded: The show is going to be maudlin, and it will broadcast its emotional and dramatic beats from a mile away. Thankfully, having thrown down that gauntlet, the threat turned into a promise worth keeping. Each episode has been an improvement on the pilot.
“Dynoman and the Volt,” the third episode of the series, has quite a lot to recommend it. Enough, in fact, that it becomes easy to overlook its obvious storytelling and only half-earned poignancy.
