Short of learning air guitar, hooking a guitar up to your iPhone is just about the easiest way to get started playing music. But it’s not just for practice, or goofing around at home. You can record and edit serious music with an iOS device, and even produce whole records.
But we’re already getting ahead of ourselves. Today, we’re just going to hook things up and rock out.
As someone who plays guitar and records my own music, I’ve been really keen on trying to record an EP using iOS only. I’ve done it on a Mac before, but since the introduction of the iPad I’ve been wanting to record on a touch interface. I’ve used an iPad mini, and it worked well, but with the introduction of the iPad Pro, I wanted to give it another go. Here’s what I’ve learned so far.
We loved the original UE Boom and the new 2.0 version is even better. The UE Boom 2 is stain-resistant, stylish, shock-resistant and completely waterproof. We’re not sure who is trying to listen to their tunes underwater, but if that’s your jam … you are good to go.
If you use your iPad or iPhone (or both!) onstage when you perform, you know how hard it can be to find a good place to put them. Putting your iPad on a flimsy music stand just won’t cut it, and leaving your iPhone on the floor near your guitar pedals is just asking for a stomped-on smartphone.
The solution, for me, has always been iKlip iPad stands, which connect right to my mic stand. The new versions, including a sweet new iPhone mount, keep my iPad and iPhone safe from all musician-based harm, and always at the right height and angle to get at my lyric sheets, set lists and guitar effects.
I’ve been playing music for coming up on 30 years now, and I’ve tried a ton of music gear. These days, I run a fairly bare-bones setup, with a smaller amp for those close venues, a couple of dual-effect pedals (Visual Sounds’ Route 66 and H2O), and a Boss VE-20 vocal harmony box to thicken up the background vocals in my disco band.
I’ve always had a thing for multi-effect boxes, though, running through my share of a few complicated ones that never quite gave me what I needed in terms of both effects sounds and onstage ease-of-use.
When I heard about TC-Helicon’s new VoiceLive 3 mega-stomp box, with a huge range of guitar effects and amplifier modeling, an amazing vocal-harmony processing system and a stage-quality looping feature, well, I had to try it out.