This is the X-Cap, a prototype self-opening lens cap for compact cameras. It’s a straight replacement for the removable lens caps increasingly found on higher-end point-and-shoots, and turns them into low-end point-and-shoots.
Another day, another iPhone camera lens case and adapter. This one is called the Phocus and manages to distinguish itself both by its angular, military-look styling, and by the fact that you can (with a further adapter) stick your SLR lenses on the front.
Nikon has gone all Microsoft on us and pre-announced a piece of hardware ahead of this year’s Photokina show. The kit in question is a huge monster of a lens, the 800mm ƒ5.6, which will take the place of the current 600mm ƒ4 as the longest autofocus lens in Nikon’s lineup.
“Dear Valued Customer” began the pitch e-mail for the iPhone 4/S microscope lens, and it looks as if just as much effort has gone into the product itself.
The lens will turn your iPhone into an examiner of the minuscule, promising 50x magnification for use in science, medical analysis, textile inspection “and more.”
How? Does it hook up the phone via dock-connector to an optically awesome array of magnifying magnificence? Does it put the iPhone itself at the center of a lavish layout of lenses? Not really. The “microscope” kit is instead something we’ve all seen before: a cheap plastic case to which you attach an add-on lens.
If you want to buy a new zoom lens for your FujiFilm XPro-1 camera, then tough: Fujifilm says that you’ll have to wait until next year. The company has released a roadmap for its XF-series lenses and the variable focal-length lenses are almost all due in 2013.
It’s not all bad, though. Lovers of fast, fixed glass have some treats in store.
Nikon has made two new lenses available for your photographic delectation. One is a dim superzoom for DX (crop-sensor) cameras — the 18-300mm ƒ3.5-5.6G ED — and the other is an equally dim short zoom for full-frame bodies, the 24-85mm ƒ3.5-4.5G ED VR.
Man, is the Diff case a neat little iPhone case. It starts out as a tough case with a tripod mount (Zzzzz) but quickly picks up thanks to a clever cover and a pro-level lens mount.
Best Of Photo Accessories [Best Of]
We have noticed a big crossover between Apple users and camera geeks. And while the iPhone’s own camera continues to get better and better, your old SLR still has some life in it yet. And whatever you shoot with, there are accessories that can perk up your interest or let you catch an otherwise-impossible shot. These are the best of them.
Not only do Gizmon’s Clip-On Lenses offer a smart and speedy way to mount them on your iPhone, but they also break with the now-common fisheye-telephoto-wideangle triumvirate (mostly at least), instead coming in fisheye, polarizer and "3-image mirage filter" flavors. Better still, they will also play just fine with your iPad 2 or 3.
Apologies in advance for yet another camera adapter post, but this one — as you’ll see — is a biggie: The Fujifilm M-Mount adapter. But first, a short bit of history.
BlackRapid’s new LensBling is a product that could be emulated with 100% efficacy in just seconds, using nothing but a whiteout marker. However, thanks to the biases of customers who look down upon anything appearing even vaguely home made, pro photographers can instead spend $8.50 per lens.
If you have been thinking about dipping a photographic toe into the contrasty, blurred waters of Lensbaby’s lenses, and you happen to have $750 (but not $805) lying around the house with nothing to spend it on, then perhaps you might consider the Pro Effects Kit, a bundle of some of Lensbaby’s funnest gear, all in its own special bag.
Warning. I’m about to write about yet another iPhone camera rig adapter. I will continue to do this, over and over, until somebody makes a case which makes it easy for me to shoot photos with the iPad 3. If you want me to stop, then all you need to do is whip something up on Kickstarter.
Today’s adapter is the iSupport, a heavy-duty (yet light at 6 ounces) case which covers the iPhone 4/S and makes it a whole lot easier to use for shooting video.
FOR SALE>£100,000 ($161,000): 6mm ƒ2.8 Fisheye-Nikkor
That’s what you’ll see at the top of Grays of Westminster’s used Nikon manual-focus lens listings. The London dealer has gotten its hands on this incredible chunk of glass, a 5.2-kilo (11.5-pound) mountain of a lens that makes the camera behind it look like a vestigial tail.
If Kickstarter were a forest, you wouldn’t be able to see it for all the iPhone camera adapter cases littering its leafy, money-begging hummocks. And here we bring you another photo-friendly sapling of an invention, only this one is a little different. It’s called the Magnifi, and it works with pretty much any piece of imaging equipment that ends with “-scope” (or “-lars, as we shall see in a second).
Remember the Padcaster? It was a photography rig made to turn the new iPad into a shallow-focusing movie camera, and it was [teased](https://www.cultofmac.com/156157/padcaster-turns-new-ipad-into-shallow-focusing-movie-camera/) by the makers Manhattan Edit Workshop last month. Now, the Padcaster has been revealed at NAB 2012, and it is just what we thought it would be — a way to mount big lenses on the iPad 3 and turn it onto a movie camera.
One disadvantage of using an iPhone or iPad as a camera is that you’re stuck with a single, fixed focal-length lens. Optical zoom can work only so far before even Instagram photos start to look bad, and phones with built in optical zooms tend to resemble actual cameras.
The solution? Add-on lenses. Today, we’ll take a look at Photojojo’s four-in-one set of fisheye, macro, wide angle and telephoto lenses. These accessory lenses stick magnetically over the iDevice’s camera, changing the point of view.
httpvh://www.youtube.com/watch?feature=player_embedded&v=LVssYtOJP2U
If you were to only read about his antics, Norbert Wittekindt might appear like some kind of psychopath. He takes top-end Carl Zeiss lenses and drops them onto hard floors. Not only that, he freezes them and then brings them into warm rooms and clamps them onto machines which try to shake the lenses apart. What’s going on?
A year after the launch of the Lensbaby Pro for DSLR cameras, the light-bending lens comes to mirrorless cameras. The upmarket version of the regular Composer can now be had in models that fit Sony NEX, Samsung NX and Micro Four Thirds cameras, and I can’t wait to get my hands on one.
Those little action cameras look like a great way to capture your extreme sporting exploits, but one thing has always put me off (well, two things — I already have enough cameras): the lack of interchangeable lenses. The wideangle that most GoPro-style cameras use is great for close up sports action, but the CamOne Infinity is about to get add-on glass, making it adaptable to almost any action-shooting task.
The LensBaby Composer Pro with Sweet 35 lens ($400) can create beautiful mixes of blur and focus in your images, but beginner photographers beware — this optic pair is not for the faint of heart.
Why spend $20 on a good-quality, purpose-made macro lens for your iPhone when you could spend $10 on 3-D printing your own holder and another $4 for a glass lens to put inside it? That, my friends, is a saving of six whole dollars. Six American dollars that Appsman — the maker of this clever lens — is doubtless frittering away on a night of frenzied celebration. And if you, too, want to make yourself six bucks richer, then read on.
Pentax’ tiny mirrorless camera, the Q (full review coming next week), is an odd beast. Like Nikon’s 1 series cameras, it has interchangeable lenses which are inexplicably paired with a point-and-shoot-sized sensor (0.43 -inches on the diagonal). And now, with some new lens adapters, you can make it a little bit odder.
Lensbaby, purveyor of the finest image-degrading lenses known to man, has come up with a new blur-tastic optic. Named the Edge 80, it cuts a sharp, straight slice of focus through the photographic haze.
New at PhotoJojo is this crazy Holga iPhone lens case that gives you nine special effects for your photos.
