You’re a gifted content creator, shooting great stills and compelling video with your iPhone. But for complete creative control, some rely on separate camera apps for each discipline.
Moment, the maker of premium quality lens attachment for both, now has an all-in-one program app making switching from stills to video quick and seamless.
A beefed up Pro Camera app hits the App Store today, offering full manual control and with features making it difficult to have a bad shoot.
Even on video, our eyes get big when we see the open mouth of a shark. But what’s the appropriate response when you see an iPhone XS between the shark’s teeth?
This was the most interesting scene in a behind-the-scenes video of how the production company, Camp4 Collective, made the “Shot on iPhone” commercial Don’t Mess with Mother
Smartphone camera advances have been jaw-dropping. Engineers continue to advance low-light performance, while adding computational effects like bokeh and embedding additional cameras with telephoto and ultra-wide lenses.
However, with all the challenges the camera teams solved, one feature lags behind – the flash. But the smartphone photographer who wants to add a hint of studio-quality light, and control in shaping it, will soon have a wireless Bluetooth flash. It should add the pop to their pictures that they desire.
Each of the 80 arresting iPhone images in an exhibition entitled #DRAFT #RUSSIA are a chapter in the life of the photographer Dmitry Markov.
The pictures may feel like a hard, unpleasant view of a fringe existence in a Russian province far removed from the economic bustle of Moscow, but Markov makes no apology.
Halide, an iOS camera app that entered a flooded photo app category in 2017, quickly rose above most of the others as a must-have tool for serious iPhone photographers.
The creators, wanting manual camera settings and a RAW shooting option, rolled out a new app this week bringing ease to the otherwise complicated task of light and motion painting with long exposures.
The new app, Spectre, requires no technical skill – or even a tripod – to bring the streams of light to urban scenics shot on iPhone.
A stunning edit of 10 photos will soon adorn billboards around the world to advertise the iPhone’s camera capabilities after Apple today announced the winners of the Shot on iPhone Challenge.
The contest ran from Jan. 22 to Feb. 7 and drew thousands of images from around the world. Six of the 10 winners are from the United States. The other four photographers are from Belarus, Singapore, Israel, and Germany. They were selected from a panel of judges that included Apple executives and some of the most widely respected artists, photographers, and editors in the photo community.
On Sunday, Nokia quietly launched a first-of-its-kind smartphone called PureView with an array of five main cameras on its backplate.
Apple set a high bar just two years ago with the dual-camera iPhone 7 Plus. In a year where iPhone users are waiting for Apple to release its first model with a third camera, it’s hard not to feel like Apple has fallen behind in the mobile photography space it defined and owned.
The serious photographer has made peace with the iPhone and how it has turned everyone into a photographer.
But Apple’s introduction of bokeh to the photographic novice has caused some heartburn, thanks to an ad featuring two mothers who turn bokeh into a verb.
Dina Alfasi is like most commuters. As soon as she finds a seat on the train or bus, she pulls out her iPhone.
Alfasi may look like she is catching up with emails, streaming music or reading the news. Instead, Alfasi is making a discreet photograph of the person across from her.
Apple debuted an ad showing off the Depth Control feature on the new X-class iPhones, a 38-second subliminal sales pitch to get you thinking of an upgrade.
The iPhone XR and XS handsets offer the computational equivalent of shallow depth of field, where a blurred background can make portrait subject stand out.
