We were too busy taking our own pictures in 2015 to notice that something about photography had changed.
This was the year the photo moved. It shed its flat, two-dimensional constraints and showed a life once left to the imagination.
The movement could be slight, as in Apple’s Live Photos, a new feature on the iPhone 6s and 6s Plus camera that records a snippet of video before and after the frozen moment to add an extra dimension.
The longtime Kings of the Camera must know their kingdoms are shrinking. If Canon or Nikon need further evidence, Flickr’s 2015 Year in Review shows the popular tool of choice for an engaged and global photography community is not a dedicated camera. It’s first and foremost a phone.
Apple’s iPhone was the popular device used by the Flickr community, according to an analysis of the EXIF data on pictures uploaded to the site. iPhone cameras accounted for 42 percent of the photos on the site, compared to the DSLRs of Canon, 27 percent, and the Nikon, 16 percent.
Canon has developed a CMOS camera sensor that records a 250-megapixel image. Not that this should kill your excitement about the 12 megapixels you’re going to get with the camera on the new iPhone 6s, but take a moment to consider the number.
How do we even fathom 250 megapixels? Canon, in its press release boasting of the pixel count (19,580 x 12,600), said engineers zoomed in on a photo taken of an airplane from 11 miles away and could distinguish the lettering on the side of the plane.
In an effort to prevent rivals from stealing its ideas, Apple patents everything it invents — from the iPhone and the iPad, to app icons and even “magic” tactile gloves. But compared to its biggest competitors, Apple’s patent portfolio from 2015 looks surprisingly bare.
Microsoft, Sony, Google, and LG have all outrank Apple in the patent department this year, while arch rival Samsung has absolutely crushed it.
It’s a trick photographer Luke Olsen learned when he was surrounded on the streets of his hometown. His shots from the Portland Zombie Walk showcase the lean and mean side of his stylish but macabre portraiture.
The organized chaos of events like the zombie walk offers comic relief from formal photography sessions filled with intricate lighting, staging and models. Any opportunity to capture inspired lunacy is technically practice, but Olsen gravitates toward flash mobs to cut loose with his camera-wielding compatriots. He’s thrown himself into the thick of SantaCon, the infamous alcohol-fueled rampage that grew from absurdist San Francisco street theater into a national headache. The moribund Portland Urban Iditarod, where teams of costumed runners dragged tricked-out shopping carts from bar to bar, has also been shutter fodder.
“It’s a great deal of fun to wander into a large event with a group of friends, shoot the event and reconvene later to see what everyone got,” says Olsen. “It’s like The Bang Bang Club, just 100 percent less deadly.”
Canon’s new G1 X Mark II brings good news and bad news. The bad news is that it ditches the optical viewfinder that has been found on G-series compacts like forever. The good news is that it adds a faster lens, better manual controls, a flip-up touch-screen LCD panel, Wi-Fi and NFC.
So, on balance, not so bad.
Canon’s new PowerShot N100 is also called the Story Camera. Why? Because it reads to you as you fall asleep at night? Because it puts speech bubbles in the mouths of your portrait subjects? Nope. It’s because it has a second camera on the back that snaps a photo of the photographer as they snap a picture of, well, anything.
In camera years[1], Canon’s G-Series is now drawing a pension and should really be scratching out a will. And when a product line is so successful and so mature, it gets hard to improve on it. The G15 had a big sensor, a fast ƒ1.8 lens and a handy front control dial, as well as all the rugged capability that made the G-Series last this long.
The new G16 adds very little, but it get one hugely handy update: Wi-Fi.
Poor Canon. When it comes to compact cameras, its heart is in the right place, but the market is shriveling so fast that sometimes it’s hard to see the point. Today’s example is the Vixia Mini camcorder, a video version of its quirky Powershot N. The Vixia Mini is a square box with a flip-out screen and a fisheye lens. And as a nod to smartphone users, it has Wi-Fi built in. But do we care?
You can read about the full spec rundown of the new Canon 70D SLR elsewhere (DP Review is a good bet). Here we’ll just take a look at the big (and it is big) new feature – the fancy video-friendly autofocus.
