Acapulco

Acapulco, the bilingual Apple TV+ comedy about the staff at a high-end Mexican resort, reaches the end of its wildly uneven second season this week. Maximo and Hugo make it to the former’s childhood home. Nora and Esteban are getting married. Julia and Maximo need to make a choice about the future. Memo gets what he wants in life. And Diane gets her resort back in order.

Indeed, everyone gets exactly what they want. What a very, very pat ending for a show that promised to tackle more real-life issues.

Bilingual Apple TV+ comedy Acapulco goes to the edge of misfortune this week before pulling back. Maximo should be happy with his new life with Isabelle, but can’t help but feel like he’s missing out on something. And Julia and Chad must think about their futures now that they know neither of them will be a part of the other’s.

Meanwhile, Memo misses Maximo, Hector’s confused, Chad is lost, and Diane needs Don Pablo back in a hurry. All told, “The Power of Love” is a very convenient episode of the lightweight series.

Apple TV+ comedy Acapulco heads as far into crowded crossroads as possible this week as people learn to be human again. The show about the hopeful staff of an exclusive Mexican resort finds Maximo faced with an important guest who will teach him there’s more to life than success.

Meanwhile, Nora misses Sara and has to stop fighting her heart. Diane has meddled with Chad for the last time. Memo tries to help Hector live for a day, and Julia needs to do some serious reconsidering. The episode, entitled “Money Changes Everything,” finds everyone in transition — and it’s better than we’ve gotten lately from this show.

It’s dueling dinner parties on this week’s episode of Apple TV+ culture clash comedy Acapulco. Memo is under investigation, Chad is under suspicion, Julia’s jealous, Esteban’s nervous, Sara’s drunk, Hector’s in lust, and — as usual — Maximo’s in the middle.

It’s an agreeably hectic week on the show, which doesn’t seem sure how to proceed with its more- serious ideas. As a result, Acapulco relies on an old-hat sitcom formula instead.

Apple TV+ comedy Acapulco, about an old millionaire reminiscing about his early life as a wage slave at a popular resort in the ’80s, takes two trips down memory lane this week. Diane relives her glory days before Las Colinas, while Maximo remembers a moral dilemma that cost him and rewarded him in equal measure.

There’s a party at the resort, and all the ghosts of Diane’s past are invited in an unfortunately middling episode.

Candy-colored Apple TV+ comedy Acapulco takes stock of its situation on an eventful trip to the city this week. Sara is sleeping at Las Colinas illegally, and her mother Nora still wants to put the fear of god into her. Meanwhile, Memo’s feeling down and Maximo’s solution just makes things worse. Also, Chad wants to dance, and Don Pablo wants out.

Acapulco goes through a few ups and downs this week as the creative team takes a few risks, and the writers fall back on bad habits.

Apple TV+ ’80s comedy Acapulco has romance on the brain this week. Maximo and Julia have to talk, Hector and Don Pablo are feeling unloved by Diane, Memo’s love is over and blooming at once, and Sara is heartbroken but she ain’t seen nothin’ yet.

A strong episode of the tacky comedy reveals some important things about the limits of a show like this, how formula and reality don’t always match, and how much you can get away with in a comedy. It’s a fascinating, frustrating study in the state of the sitcom.

Bilingual Apple TV+ comedy series Acapulco returns this week for a second season of bright colors and frothy hijinx narrated by Eugenio Derbez. The Mexican resort is an ’80s uproar, young Maximo’s life is crumbling (though he won’t admit it), and his family is at a crossroads. And everyone, as usual, needs a favor.

The second season so far seems exactly like the first, which is to be expected, so if you like the softest possible jokes, you’re in luck. The show is fleetingly charming and expertly designed — the art direction remains Acapulco‘s greatest virtue — and little by little, it’s relaxing into a funnier groove.

Apple TV+ received nine nominations across six programs for the 27th Annual Critics Choice TV Awards. That includes Best Drama Series for For All Mankind, Best Comedy Series for Ted Lasso, and Best Movie Made for Television for Come From Away.

The winners will be announced in January.

Apple TV+ brings its first bilingual sitcom to audiences with Acapulco, a workplace comedy with a nostalgic bent. Eugenio Derbez produces and stars in this look back at Mexican resort culture in the 1980s.

Will audiences continue their love affair with the Latin star?