Steve Jobs is coming to the radio. Through the medium of song, that is!
With theaters closed due to the coronavirus pandemic, Seattle Opera plans to treat listeners to some much-needed opera by broadcasting some of its past performances on the radio (and streaming them online). Apple fans might want to tune in for Grammy-winning opera The (R)evolution of Steve Jobs, which tells the story of Apple’s iconic late co-founder and CEO.
The San Francisco Opera company said Tuesday that it is scrapping its entire summer season — including its premiere of a critically acclaimed opera about the life of Apple co-founder Steve Jobs — as a result of the coronavirus pandemic.
The classical Grammy Award-winning opera The (R)evolution of Steve Jobs had been scheduled to run June 20 through July 3. But like Apple’s canceled keynote last month, it will now no longer take place as planned.
The (R)evolution of Steve Jobs, an opera based on the life of Apple’s late co-founder and CEO, bagged the Grammy for best opera recording last night.
The Santa Fe Opera Orchestra recording of composer Mason Bates’ opera triumphed over nominees including Doctor Atomic by John Adams, Alceste by John-Baptiste Lully, Der Rosenkavalier by Strauss and Rigoletto by Verdi.
It’s not often that a business executive’s life can be described as operatic. If that’s true for anyone, though, it may well be Apple’s late CEO and co-founder Steve Jobs — whose life saw plenty of the kind of dramatic triumphs and failures that inform the best operas.
It’s therefore appropriate that Jobs’ life forms the basis for The (R)evolution of Steve Jobs, a modern opera which is soon to make its debut in Seattle.
Steve Jobs’ life is about to get yet another retelling — this time in the form of an opera entitled The Revolution of Steve Jobs, coming to The Santa Fe Opera as part of the company’s 2017 season.
Remember the time Jobs broke into song while firing the MobileMe team? Soon you will.
France’s Opéra de Lyon is set to begin performing its multimedia opera — combining the story of Steve Jobs with that of Henry V, taken from Shakespeare’s 1599 play.
Written by German composer Roland Auzet, “Steve Five (King Different)” explores the supposed similarities between the two rulers (one of Silicon Valley, the other of England) who changed the nature of reality by inventing. The opera features both sung and spoken opera, as well as poetry, rap and orchestral interludes — and will debut on Friday, March 14 at the Théâtre de la Renaissance in Lyon, France. Subsequent showings will follow on March 15, 17, and 18.
If you’ve ever wanted to listen to an opera based on the life of Steve Jobs, now’s your chance!
Called The (R)evolution of Steve Jobs, the 95-minute production comprises 19 different scenes from Jobs’ life, taking him from childhood through the founding of Apple with Steve Wozniak to his departure and eventual return to the company he helped create. Here’s how you can listen.
Always wanted to know more about the life of Steve Jobs, but been put off by the lack of show-stopping musical numbers? The Santa Fe Opera is here to offer a solution.
This Saturday, the Santa Fe Opera in New Mexico debuts its long-awaited production, The (R)evolution of Steve Jobs. It tells the life story of Apple’s co-founder and most iconic CEO in a way no biography has done before.
Edward Parks III will likely be the first singer on an opera stage to perform in running shoes, jeans and a black mock turtleneck shirt.
Yet Parks knows there is nothing casual about playing Steve Jobs. He is soaking up all he can about the late Apple co-founder as he prepares to bring his much-heralded baritone voice to the role this summer in the world premiere of The (R)evolution of Steve Jobs at the Santa Fe Opera.
“I’m taking in everything that is out there and stuffing it in my head so that I can come away with my own thoughts of who he was and what he means to us,” Parks, 33, told Cult of Mac. “I think at first it was a little daunting. This is going to have a lot of attention, not just from the opera world but in the tech community.”
Television and cinema have mostly failed in presenting a Steve Jobs story that earns the approval of knowledgeable Apple fans.
Now it’s opera’s turn to make something compelling.
