The upcoming Final Cut Pro version 10.7 brings in improvements to timeline navigation and organization, as well as new changes that Apple says will simplify complex edits.
And Final Cut Pro for iPad 1.3 includes new features intended to enhance using the professional-grade video-editing application on a touchscreen.
After a long wait, Final Cut Pro, Apple’s professional video editing software, is now available for M1 or newer iPads. Editors accustomed to Final Cut Pro on their Mac can easily switch to their iPad as a portable editing machine.
However, before starting with Final Cut Pro on your iPad, you need to know how it differs from the Mac build. Both versions enable pro-level video editing, but they are understandably different in key ways.
Responding to years of requests for iPad versions of professional-grade software, Apple released Final Cut Pro and Logic Pro for iPadOS on Tuesday.
These are not “lite” versions of Apple’s video editing and music creation software. They are equivalent to the macOS ones, but adapted for iPad. And that includes additional features.
This week on Cult of Mac’s podcast: Apple finally brings Logic Pro and Final Cut Pro to iPad, and apparently uses some clever spycraft to take down a leaker in the process. Talk about killing two birds with one stone.
Also on The CultCast:
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The iPad version of Final Cut Pro that Apple recently unveiled includes a “pro camera mode” with a number of manual settings not included in the standard camera application. iPhone users saw this and quickly started calling for these features to be brought over to iOS, too.
Perhaps in iOS 17?
In April, a group of film and TV professionals signed an open letter asking Apple to address longstanding Final Cut Pro upgrade requests and to better promote the popular and powerful program as a standard editing tool in their industry.
Cupertino offered some reassurance in a public reply to the letter on Thursday.
In an open letter sent to Apple CEO Tim Cook on Tuesday, more than 100 film and TV professionals called on the company to publicly commit to building its video editing software Final Cut Pro into an industry-standard tool.
The group praised FCP as as “the biggest leap forward in editing technology since the move to digital” but complained it’s not living up to its potential.
The group noted, bitterly, that even the crew on CODA — the first streaming service release to win a Best Picture Oscar, and Apple’s own release — would probably not have chosen to edit it with FCP.
Apple and Adobe added better support for Apple silicon to a couple of their marquee applications for video professionals.
Apple’s Final Cut Pro has been optimized for the new Mac Studio desktop. And Adobe’s After Effects now offers native support for the Apple M1 chip.
The just-launched MacBook Pro models are the first with a screen notch. And this apparently came as a surprise to many of Apple’s own software developers as some of the company’s professional apps don’t support the screen cutouts. Which means they can’t fill the new Mac displays and must leave blank areas.
This won’t make it easier for Apple to convince third-party developers to fully support the latest macOS notebooks.
A big update has come to popular iPad video editing app LumaFusion with version 3.0. It adds video stabilization, external drive editing, a graphic equalizer and more.
Apple on Tuesday rolled out a fresh Final Cut Pro update to eliminate a bug and improve its blade tool pointer. The version 10.5.4 release is free for existing Final Cut Pro owners and available to download now.
This week on The CultCast: The next generation of AirPods might be incoming! We’ll tell you what we know. Plus, Final Cut Pro and Logic Pro are likely coming to iPad, along with Mini LED and Touch ID … under the screen. This could be the new Touch ID tech we’ve been waiting for. And stay tuned to hear how to listen to YouTube music in the background, without paying for YouTube Red. It’s a hot tip, and it’s coming your way.
Our thanks to Netgear for supporting this episode. The Orbi WiFi 6 router gives you ultra-fast speeds and wider coverage throughout your home – it’s the biggest revolution in Wi-Fi ever. Check it out today at Netgear.com/bestwifi.
There are less than 100 days until WWDC 2019 and new iPad features are looming large on the mind of Apple fans.
In a new iOS 13 mockup, concept designer Léo Valle suggests some simple, yet groundbreaking features that would make the iPad a true Mac replacement. Some of these features probably won’t make the cut on iOS 13 this year, but even if one makes it’d be a game-changer.
Since the new iPad Pro’s launch, debate about the powerful devices has become increasingly polarized into two opposing camps: futurists and realists.
The futurists argue that the iPad is the future computing. Apple’s tablet has eliminated the need for laptops, they say, and anyone who claims they can’t manage their workflows on iOS is living in the past (and should just get with the program).
The realists, on the other hand, retort that while the iPad may be cool, it remains limited by iOS in a lot of very important ways. Those limitations mean it is currently impossible to use the iPad as a primary workstation for pros.
So, who is right?
On the day that the long-awaited iMac Pro finally goes on sale, Apple has rolled out a big Final Cut Pro update. Its professional video editing software now supports HDR and 360-degree virtual reality content.
It’s been four long years since Apple’s last big update to the MacBook Pro lineup. But Apple finally answered our prayers and delivered us the brand new MacBook Pro we’ve been waiting for — or did it?
It’s a beautiful machine with an intriguing new interface element called the Touch Bar. Check out my full MacBook Pro review below for more.
If you watched the most recent Mac media event, you already got a preview of Final Cut X — thanks to the on-stage demo showing how it worked in conjunction with the MacBook Pro’s new Touch Bar. But there’s a whole lot more to the Final Cut Pro 10.3 update than that.
To check out what you’ll find in the latest update for Apple’s video-editing software, check out our comprehensive video below.
It has been two years since Apple debuted the completely redesigned Final Cut Pro X in the Mac App Store for only $300. Final Cut Pro X was a simplified, barebones version of the $700 workhorse that came before it, and Apple managed to lose the faith of many media professionals in one fell swoop. Although Apple has continued to add big features to the new Final Cut over the years, many pro users have abandoned it for other alternatives.
Apple is beginning a new Final Cut marketing push to win back the hearts of professionals, according to a new report.
Today Apple issued a significant update to Final Cut Pro that squashes a number of bugs. The 10.0.7 update addresses “overall stability, performance and compatibility” according to Apple, and it’s a free download for existing users in the Mac App Store.
The last Final Cut Pro update was released back in October, and it brought several key new features, including multichannel audio and RED camera support.
Following the announcement of Apple’s new Retina Display-equipped MacBook Pros, new updates for several of the company’s OS X apps have been seeded. Final Cut Pro, Aperture, and iPhoto for Mac have all been updated with Retina graphics for the new MacBook Pro. The updates include several more improvements, including a shared photo library between iPhoto and Aperture.
There have been concerns about the fate of the Mac Pro ever since Apple killed off the Xserve a year and a half ago. Although Apple didn’t say the Mac Pro was on the chopping block, the company did let it go without an update for quite some time. Although the Mac Pro didn’t get featured in today’s WWDC keynote like the MacBook lineup, which includes the new MacBook Pro, it did receive a long-needed update.
The biggest reaction to the Mac Pro’s update today is a sense of relief by many creative professionals and Mac-focused IT departments. The update proves that Apple isn’t signing the death warrant for its most powerful and most expandable Mac. That makes the updated specs a symbol of Apple’s commitment to high-end and high-performance systems in addition to being a major product update.
TSA is the latest U.S. federal agency to make a significant investment in Apple technologies in what may be a move away from RIM’s BlackBerry and Windows PCs. The agency is set to start a pilot program that will run over the next three years and will involve heavy investment in Macs, iPhones, iPads, and even Apple TVs.
According to federal documents (PDF link), the security agency plans to spend $3 million on Apple products and has an amazingly wide range of uses for them in mind. The plans go well beyond the scope of Apple investments made by other U.S. government agencies like the EPA and FAA, which focus primarily on iPhones and/or iPads.
Wow! 2011 has been one of the most interesting years in recent memory for Apple Inc. Of course the death of Apple’s co-founder, Steve Jobs, stands out as one of the most important events of the year for Apple, but there have been a load of other stories too that have made 2011 a very memorable year for the fruit company. From one controversy to the next, to record-breaking earnings, and new products, Apple has plowed through 2011 with a steady determination to be the best technology company on the planet. Only one device underwent a redesign (the iPad), while other form factors stayed the same. Instead of focusing on making pivotal leaps forward with hardware, Apple’s main focus of 2011 was to fortify their strong foundation in the software game.
Here’s Cult of Mac’s look back on the Apple in the year 2011.
Disgruntled video editors who were unsatisfied with their Final Cut Pro X purchase earlier this year seem to have turned to Adobe’s products instead. The company’s video tools for Mac have seen a 45% growth year-over-year, undoubtedly thanks to the fiasco that surrounded Apple’s latest Final Cut following its release.
Yesterday, Apple held a private briefing for enterprise contracts in London about Final Cut Pro X, and if you’re a Final Cut Pro X customer hoping that Apple will be patching in missing functionality like XML import and project support for Final Cut Pro 6 and 7, well, sorry chief: you’re just out of luck.
