Look, man, just…watch the video, ok? Photo: Gramercy Pictures
“Sometimes the more you look,” says Tony Shaloub as Freddy Riedenschneider in The Man Who Wasn’t There, “the less you really know.”
Which, of course, sounds like the main theme of almost any Coen brothers film you might have seen; the duo tends to pack even their more mainstream film work with quirky, interesting characters who muse on the meaning of life while behaving, well, oddly.
Steven Baxter, an author, broadcaster and filmmaker, has edited all the films from the Coens’ oeuvre into one stunning visual essay that focuses on themes present in many of the Coen films.
“…this essay has the characters talk to one another across the films so we can more clearly hear the Coens’ dominant concerns: identity, miscommunication and morality,” writes Baxter in the video description. “Taken as a trinity, these elements indicate that the Coens’ true subject is the search for value in a random and amoral universe.”
Not every video game that ties into a blockbuster movie has to be crap, destined to fill the bargain bins of your local electronics store. There are a surprising number of quality titles based on movies that belie the rather common conception of movie video games as fodder for kids and bargain hunters alike.
As we wait for Jurassic World to end up on the silver screen (with an appropriately awful tie-in video game likely to surface), here’s a list of the good ones: ten of the best film-based video game spin offs from the last couple of decades.
This delightfully colorful video game had kids throwing apples and leaping across dangerous bazaar stalls to re-enact some of the crazy scenes from the Disney animated movie of the same name. The title blended some Prince of Persia gameplay with the easy-on-the-eyes color palette of the Disney hit to create a very playable video game experience.
Spider-Man 2 (2004 - Playstation 2, Xbox, GameCube)
Here's one of the only video game adaptations of Marvel’s web-slinger that actually captures the true joy of swinging from rooftop to rooftop in New York. Sure, the side missions are a bit repetitive, and it took some grinding to get to new story chapters, but this Activision title is worth seeking out just for the city roaming alone.
This game was less tie-in and more franchise-based, but it surely brought the braininess of the original story — full of political and social intrigue — to the forefront, rather than sticking with David Lynch’s weird adaptation for the silver screen. You get to build the army of one of the three houses from Herbert’s sci-fi epic, and then command and conquer the rest of desert planet Arrakis.
Perhaps the only Bond game worth noting, GoldenEye holds a special place in every gamer's heart from the era. While the graphics are dated beyond belief at this point, GoldenEye might be that one game that introduced everyone to the idea of multiplayer death matches in style.
Peter Jackson's King Kong: The Official Game of the Movie (2005 - PlayStation 2, Xbox 360)
Strangely compelling, this pixel-based spin-off from the celluloid film of the same name had bargain-bin written all over it. Until you played the game and realized that it was a challenging, well-conceived romp through the jungles where a giant ape can fight a big old T-Rex. Hats off to Ubisoft for making something good out of something that could have been absolutely awful and still have sold some copies.
Sure, this is mainly a kids’ game, but being able to beat up other martial arts animals while controlling a giant panda is one of the great joys in life. The animation is fantastic, as should any video game based on a Dreamworks animated feature, and the difficulty curve ramps up nicely as you progress through the game. It’s a fantastic time with younger nieces or nephews who really shouldn’t watch you own noobs in Call of Duty.
Lego Star Wars: The Complete Saga (2007 - PlayStation 3, Xbox 360)
Also available on Mac and Windows, Lego Star Wars: The Complete Saga launched an entire series of games that took the concept of toy bricks re-enacting entire genre movies to a whole new level. You'll thrill and laugh as you guide all your favorite Star Wars characters from all six films through their respective storylines, with a large does of humor thrown in for good measure.
Just because it's a kids game doesn't make Virgin Interactive's The Lion King any less compelling, especially when it came out in the early ‘90s. You’ll get to leap, run, dash, roar, and attack Simba’s enemies at each stage of this fun game on the Sega Genesis or Super NES. This one came out at the height of the 16-bit revolution and just hows off the fun to be had with a simple side-scroller themed with the hit movie’s lions.
The Chronicles of Riddick: Escape from Butcher Bay (2004 - Xbox, Windows)
I have to be honest: the movie this game is based on is one of the two films I've ever walked out on in my life. I just hated it when I saw it in the theater. Imagine my surprise, then, when the reviews of the game came out that said what a masterpiece it was. Vivendi Games somehow created a stealth-based video game (with Vin Diesel's help, we hear) that transcended its own source material. Hooray!
While Disney's movie Tron doesn't quite hold up these days, what with its rudimentary green screen and awkwardly tight LED unitards, the video game still holds a special charm for those of us who remember how cool it was to launch our light bikes across the master computer grid while feeding quarter after quarter into the hungry machines at the local arcade. It's like the movie was made to be a video game, or something.
Bram Stoker’s Dracula: Say what you want about this 1992 version of the infamous proto-vampire, there’s a lot to like here. Directed by auteur-extraordinaire Francis Ford Coppola, it also starred Gary Oldman, Winona Ryder, and Anthony Hopkins. In this film, Dracula comes to England an old man, growing younger by the minute, and turning into a monster in the process. It’s a lush, operatic film with some serious eroticism to it. Coppola uses old-school film tricks like reversing the film, multiple exposures and varying shutter speed to create a visually stunning movie about the seriously overplayed vampire king that tries to re-create the original novel via its multiple points of view. While it’s frequently campy, this big budget film is worth a re-watch.
The Exorcist: William Peter Blatty’s 1971 novel about demonic possession and exorcism was based on an actual 1949 case that the author heard about while attending Georgetown University in Washington, DC, leading him to set his book there. The 1973 movie, directed by William Friedkin and written by Blatty himself, is a faithful re-telling of the horrifying story about a young girl’s rapid transformation into a vomit-spitting, head-rotating demon from hell, scaring the crap out of everyone who went to see it in theaters. It stars Ellen Burstyn, Max von Sydow, and Linda Blair, The Exorcist is an exercise in tight, creepy horror storytelling with solid practical special effects that still look convincing today.
Frankenstein: The original film based on the original novel by Mary Shelly, 1931’s Frankenstein, stars Boris Karloff in the tale of the proto-mad scientist who creates life in his lab from an assembled collection of body parts gathered from corpses. What makes this film still worth the watch is both the superb make-up effects and the inherent loneliness of Karloff’s portrayal of the monster. When it happens upon the young girl at the pond and exchanges the flower, you’ll be hard pressed not to empathize with the creature, even as he tosses the child into the pond.
Let the Right One In: If you like atmospheric genre films, you’ll love this 2008 film from Sweden, written by John Ajvide Lindqvist, the author of the book its based on. The acting is subdued and the two young leads are absolutely mesmerizing as the human and vampire protagonists. Oskar is a 12-year-old pacifist of a boy who’s constantly bullied in school. Beautiful 12-year-old Eli moves in next to him at the same time a series of gory deaths and attacks start to happen around town. It’s a beautiful meditation on friendship, loneliness, and adolescence that also happens to be an incredibly scary movie. Be sure to have someone with you when you view it, so you can hold hands and scream together in fear.
The Legend of Hell House: This 1973 horror film was produced in the UK and directed by John Hough. Starring Roddy McDowell and Pamela Franklin, it’s based on the 1971 novel Hell House by Richard Matheson, the same guy who wrote I Am Legend; he also wrote the screenplay. A group of both physicists and parapsychologists spend a week in a English manor house that they’ve been told is haunted, and at which previous researchers were horribly murdered. It’s a haunted house movie done right, with plenty of over-the-top acting and sweaty ‘70s actors, and I mean that in a good way.
The Wicker Man: This 2006 re-do of the 1973 classic horror film stars Nicolas Cage as a sheriff investigating the disappearance of a young girl on a small island. He finds out there’s a bigger mystery to be solved, though, among the secretive neo-pagan islnd community. It sounds like a ton of fun, right, but ends up detouring into a crazy, barely comprehensible mess of a plot with enough misogynous activity from Nic Cage in a bear suit than you can handle. When you set out to remake a classic of the genre, you need to bring more to the table than director Neil LaBute (In The Company of Men) was able to.
Queen of the Damned: While Interview with a Vampire was a low point for both Tom Cruise and Anne Rice fans, the second movie to come from her novels is an utter travesty. Starring Aaliyah, the young R&B singer who was tragically killed in a plane crash in 2001, the film plays more as a goth-club flavored TV movie with Rice’s famous vampire Lestat taking up much of the overwrought screen time. The soundtrack is awful, the special effects questionable at best, and the dialogue super melodramatic and cheesy. Stay away from this one.
Dreamcatcher: Even the acting chops of Morgan Freeman and Demian Lewis combined with the directing talent of Lawrence Kasdan (The Empire Strikes Back) and a screenplay by William Goldman (Butch Cassidy and the Sundance Kid) can’t save this awful adaptation of one of Stephen King’s worst books, Dreamcatcher. The original novel is about a young man with mental retardation who becomes a group of boys’ unofficial mascot. When the men reunite for a hunting trip decades later, they discover an…alien invasion. Yeah, it’s that disjointed. USA Today called it “A moviegoer's nightmare,” writing that “the story is incoherent, inane and interminable.” Honestly, there’s no need to watch this one.
30 Days of Night: As someone who lives in Alaska and has visited Barrow, where this horror flick about zombies in the coldest, darkest place in the US, is supposed to be set, I found it to be utterly unrealistic. Sure, I can handle supernatural killers who lurk in the dark to eat human beings during the longest night of the year during the winter, but — seriously — Barrow isn’t a frontier town anymore with Western movie-style saloons and such. I could probably even forgive that horrifying oversight if this 2007 movie based on a fantastic graphic novel (written by Steve Niles, illustrated by Ben Templesmith, and published by IDW Publishing) itself wasn’t a long slog through a lot of half-hearted attempts and jump scares and tons of “shredding and gurgling,” as Entertainment Weekly calls it, saying, “30 Days of Night is relentless, but it's also relentlessly one-note.” Pass.
Pet Sematary: I really wanted to like this movie, since I enjoyed the heck out of the 1983 Stephen King novel of the same name. The 1989 movie was directed by Mary Lambert, whose resume includes 1992’s Pet Sematary II and 2005’s Urban Legends: Bloody Mary, so you know how she rolls. Add to that a screenplay by the master himself (have you seen Maximum Overdrive? It's awful) and a set of actors that no one knew, and you’ve got yourself a pretty horrible movie. King’s novels are so successful because they give readers a sense of the inner fear of their characters, something we can all relate to. Translating that to the screen is hard, as evidenced by the incredible hit or miss quality of the cinema adaptations of King’s work. This one? Don’t bother.
Look, I’ll be straight with you, I’m not a movie critic. Nope, just an average moviegoer. But I am an Apple fan, and probably, like you, one who greatly admired Steven P. Jobs.
So ever since last Tuesday, when I got to sit through an early screening of Ashton Kutcher’s much-hyped new movie, Jobs, people have been asking me what I think of it. Is this a film that lives up to the buzz? Did Kutcher deliver? Or more often, “Just how bad was it?”
Path gets a stack of new features in its latest update.
Path just pushed out a new update to its iPhone app, introducing a number of nifty new features. Users now have the ability to share their favorite films and books, send personal invitations with their own message to their friends, snap photos using the volume button and then edit them with Path’s new tools, and more.
Crackle is one of the fastest-growing digital entertainment networks, offering hundreds of high quality Hollywood movies and TV series from Columbia Pictures, Tri-Star, Screen Gems, Sony Pictures Classics and more.
Fans of the service couldn’t previously enjoy this content on their iOS device due to its Flash-based website, however, the official Crackle application is now available to download in the App Store.
The application is free and supports all iOS devices, while the content is ad-supported and free to watch. It lets you enjoy high quality content over Wi-Fi and 3G and build your own queue of content for viewing online or on your iOS device.
Crackle currently features movies such as The Da Vinci Code, Big Daddy, Ghostbusters, and Snatch, while its TV series collection boasts Seinfeld, Spider-Man, Married With Children, and The Three Stooges, amongst hundreds of other great titles.