Gura Gear’s Kiboko 22L+ ($379) can gulp down multiple DLSRs, two or three lenses, your multitude of other photo accessories, and oh yeah, a 17-inch Macbook Pro, but still fit in the overhead bin of almost any aircraft in the world.
Few camera bags are built keep your camera gear safe while you hike, bike, and conquer the wilderness like the manly man that you are. But the Flipside Sport 15L All-Weather camera bag from Lowepro ($135) was designed to do exactly that, and comes standard with some tricks you won’t find on your everyday camera sack.
Most camera bags today offer a big pocket or pouch you can use to keep safe your motley crew of memory cards and batteries, but I really hate digging through a man-purse full of photo nicknacks just to find the SD card I need. Worse, in my years as a photographer, I can’t count how many times I’ve misplaced or lost entirely items from my conglomerate of memory cards because I end up just throwing them somewhere in my bag.
The SD Pixel Pocket Rocket (PPR for short, $15.75) and DSLR Battery Holder 4 (DBH 4, $16.50) from ThinkThank Photo aim to fix those storage woes by keeping your ample nacelles and secure disks stored and stashed in their own teensy little wallets.
Hmmpph! Their own wallets? It’s a wacky notion, to be sure — but I think it’s working!
So, check this out. The folks behind CameraSize, a clever little web site that compares camera specifications with easily viewable images for size comparison, have created SensorSize. Ever wondered what the camera on your iPhone 4S is packing? How about comparing it to other smartphones, point and shoot phones, or – gasp – actual DSLR cameras?
SensorSize will do it all, with a nice little infographic, as you can see above.
All great photographers know how to light well. And step one of good lighting is getting your flash off the top of your DLSR, where it sits and spews gross rays onto every one of your unfortunate victims, and onto a light stand where it belongs.
But how does one make a flash work when it’s not on the camera? The Phottix Odin Flash Trigger for Canon ($350) is up to the task, but that’s a major understatement. The Odin isn’t just another flash trigger system — it’s a Cadillac of features at a Honda price.
Most all DSLRs come with built-in top-side brackets you can use to attach your camera strap. But what you might not know, is that it’s far more comfortable to attach your camera strap to the bottom of your DSLR, especially while you’re walking. And wearing your camera while it’s slung down near your hip also helps prevent your lens from bumping and grinding into the nearest person, place, or thing — something you’ll appreciate in a crowded room.
But how do you connect a strap to your DSLR’s bottom? An adapter that screws into your camera’s tripod mount will do the trick. And the C-Loop ($40), from Custom SLR, is exactly that. But the C-Loop also has an inconspicuous talent that all other tripod mount adapters lack.
There are probably a thousand different flash-diffusing accessories out there that claim to transform your DSLR Speedlite’s sickly beam of photons into one that’s more soft’n'dreamy. Problem is, many portable diffusers are tricky to use, don’t work well, or both.
But the Gary Fong Lightsphere Collapsible ($60), though it looks a little too much like a flash’s top hat, is surprisingly effective at softly lighting all that surrounds it.
The Gary Fong Puffer ($22) has one function: diffuse your popup flash’s harsh light, making it softer, more eye-pleasing, and eminently more usable. It mostly delivers on that promise, but will it cure my distain for actually using popup flash? Doubtful.
The International ($350), from Think Tank Photo, is similar to every other piece of rolling luggage you’ve probably used, with a retractable handle and rolling wheels, but on the inside, instead of keeping your dirty drawers stowed, it secures treasures of a different kind: your plethora of expensive camera gear. And it does so admirably.
As the March 31 deadline for this year’s award approaches, IPPA founder Kenan Aktulun talks to Cult of Mac about his favorite pics, the distinction between good and great iPhone photos and why apps may not help you create them.