“I could probably track my interest in toys via Star Wars,” Larner says. “When I was a kid in the early ’80s, I was completely swept up by the original Kenner 3.75-inch range. Then, in the ’90s, the remastered movies came out along with whispers of the prequels so the Star Wars toy range was reintroduced, so that caught my interest again. However, it was when Lego had the bright idea of making Star Wars Lego sets in 1999 that I really got sucked in and I haven’t looked back since!”
Merek Davis is not a coder. The developer never even made an app before 2013. Yet on his first iOS at-bat, he hit an App Store grand slam with Mextures, his photo-editing app that quickly became one of the top photo apps of the year.
Mextures is like Photoshop for your iPhone, only easier to use. The app’s editing tools and formulas let you tweak and re-tweak pics, adding light leaks, textures and color gradients that can turn even your crappiest pics into something majestic.
It’s a bona fide hit, with some of the most-followed names on Instagram using Davis’ creation. But it almost never happened.
Sister Marie Chantal, left, kicks at an instructor during a Tae Kwon Do class in January 1994. Jack Manning/The New York Times
John Hills conducts an exercise class for people over 65 in January 1969. The published captions read: "Who says physical fitness is only for youngsters. Counting, with exaggerated enunciation, against pressure of fingers helps excercise the face and rest the body halfway through the hour-long session." Patrick A. Burns/The New York Times
Sgt. Richard Richards of the 86th Precinct demonstrates his shooting stance for a photographer during a police revolver competition in March of 1958. Ernie Sisto/The New York Times
Heavily armed Indochinese Communist soldiers, including women and young boys, occupy the city of Phnom Penh on May 4, 1975, marking the end of five years of war in Cambodia. At first the mood of the city was jubilant with the rebels being welcomed. Dith Pran/The New York Times
President Dwight D. Eisenhower at his Gettysburg farm walking around the grounds chatting with reporters and photographers in January 1955. George Tames/The New York Times
Umpire Durwood Merrill ejects Seattle Mariners manager Chuck Cottier during a 1985 game at Yankee Stadium. After arguing nose-to-nose with Merrill for several minutes, Cottier yanked first base out of the ground and heaved it into right field. Vic DeLucia/The New York Times
Giacomo Lauri-Volpi poses as Pollione from "Norma" in which he sang at the Metropolitan Opera in November 1927. The New York Times.
A contact sheet of a skark swimming at an aquarium, May 1960. Sam Falk/The New York Times
A New York fire inspires a fantastic coiled pattern of hoses. Sam Falk/The New York Times
A man-made anchor holds down a plane at La Guardia Field in February, 1940. The New York Times.
An eight-story inflatable King Kong deflated on top of the Empire State Building after it developed a hole in its shoulder. The balloon ape was tethered to the skyscraper in April 1983 to commemorate the 50th anniversary of the King Kong movie. Sara Krulwich/The New York Times
Inside a New York City morgue, the rich, famous and celebrated rest in the same space with the soldier, the wheat farmer and nuns trained in the martial arts. There’s even a car show model who was mauled by a lion.
Darcy Eveleigh pulls drawers at random and gives these people another day. They’re not dead, just filed.
Eveleigh is a New York Times picture editor who curates the popular Tumblr blog, The Lively Morgue, a collection of historic and often quirky images found in the Times’ photo archive.
Eveleigh will not live to see every photo. The files are believed to hold between 10 and 20 million images. The site reports that if Times picture editors posted 10 new archived photos on the blog each day, they might have every picture online by the year 3935.
“They are all accidental small treasures I did not mean to come across,” Eveleigh said of the serendipity she relies on during her regular visits to the morgue, located three stories below ground level.
Find out how a light stencil can put Bambi — or anything else you can dream up — in your pictures. Photo: Janelle Pietrzak
Photography is all about light, and photographers are all about light painting. There are many tricks to try, from isolating objects with incandescence outside the frame to shining light directly at the camera as in Janelle Pietrzak’s Bambi series, created using light stencils.
Creating this interesting analog photo effect doesn’t require any special equipment, just a detachable flash, some craft materials and a lot of imagination.
Bambi and the first hints of spring! Finally warm enough to take him outside.
Splicing a cute little animal into a photograph doesn’t take more than a few seconds for anybody with a copy of Photoshop.
But Colorado artist Janelle Pietrzak spends hours cutting light stencils with a razor blade, then uses a shoebox and long-exposure photography to bring Bambi and other cuddly creatures to life inside her home.
“If you look at my photographs there is fantasy world full of mythical creatures, floating orbs, ghosts and goddesses, all created by manipulating light,” Pietrzak tells Cult of Mac. “The catch is that I hardly use any Adobe Photoshop. What you see in the images is basically what I saw on the back of my camera.”
Chicago’s A & A Studios is home to the Museum of Mourning Photography and Memorial Practice, which houses a most unusual photo collection. Photo: David Pierini/Cult of Mac
My little red-haired niece approached the casket with a single flower and placed it with the father she looks so much like.
I raised my camera to my eye and made a picture.
Though secure with my reasons for snapping the photo, I understood how taboo this could seem to others. I never made a print to pass around or display. I look at the photo now, 10 years later, and get reacquainted with grief, struck by a visceral appreciation for a chapter that continues to unfold in my family story.
"I’m always with a camera, and usually with more than one camera, ready to shoot at all the Portland events I attend," says Olsen.
Grab a camera when the zombies come. They won’t eat your brains — they’ll strike a pose.
It’s a trick photographer Luke Olsen learned when he was surrounded on the streets of his hometown. His shots from the Portland Zombie Walk showcase the lean and mean side of his stylish but macabre portraiture.
The organized chaos of events like the zombie walk offers comic relief from formal photography sessions filled with intricate lighting, staging and models. Any opportunity to capture inspired lunacy is technically practice, but Olsen gravitates toward flash mobs to cut loose with his camera-wielding compatriots. He’s thrown himself into the thick of SantaCon, the infamous alcohol-fueled rampage that grew from absurdist San Francisco street theater into a national headache. The moribund Portland Urban Iditarod, where teams of costumed runners dragged tricked-out shopping carts from bar to bar, has also been shutter fodder.
“It’s a great deal of fun to wander into a large event with a group of friends, shoot the event and reconvene later to see what everyone got,” says Olsen. “It’s like The Bang Bang Club, just 100 percent less deadly.”
Apple and Adobe make major moves to change the way we manage our photographs. Photo: Charlie Sorrel/Cult of Mac
Ubiquitous cloud storage and editing solutions for your photos are like buses: You wait ages for one, and then two come along at once.
Both Apple and Adobe are going all-in on allowing you to view and edit your photos on any device. Adobe has done this by bringing its Lightroom desktop app to mobile. Apple is doing it by ditching iPhoto and Aperture and starting again with the upcoming Photos app for iOS.
While the approaches are different, they both look rad. And they’ll drive a fundamental shift in the way we manage our photos.
Montreal artist Meags Fitzgerald turns intimate photo-booth pictures into short films.
Before anyone ever uttered the word “selfie,” Meags Fitzgerald had accumulated thousands of photos of herself taken in photo booths in the malls and train stations near her home.
She produced strips of four one-of-a-kind poses almost daily, sometimes hiding in a mall photo booth until after close. High-school friends dubbed her “the Photo Booth Girl.” Today, when the Montreal artist pulls the curtain in a booth, the flashes sometimes don’t stop until she has enough photos to produce a movie.
“It’s very much an obscure labor of love,” said Fitzgerald, a freelance illustrator who has produced six film shorts, all in photo booths. “There are certainly people who have used photo booths in their mediums but I’m the only one I know who has used them in this way, in this length or with the narrative purpose I’ve tried.”
Scanning apps will let you turn a pile of photos into a useful digital archive. Photo: David Pierini/Cult of Mac
The 1940s hockey photos we found among my aunt’s possessions are a mystery she took to her grave. But with a little internet research and some sharing through social media, I figured I could put names to the players’ faces and stories that would bring the photos to life.
I needed a photo scanner. My smartphone and the right app puts one in my pocket.
For the hockey project, I tested three photo-scanning apps, each of which allowed me to digitize and share old photos without the need for computer equipment, Photoshop or the expense of a scanning service.