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Gadget Watch: New gear for the beach, the bedroom and the kitchen

iPhone or Canon? A veteran photographer debates digital versus analog

During his 25-year career as a photographer, Dan Marcolina has captured moments of everyday despair and delight, from beaches and backyards to bus stations and wedding celebrations.

His work exhibits the ease of an inside joke or a knowing wink; the images are visual juxtapositions that live up to a high point of praise from Richard Avedon, who once commented that Marcolina makes images that aren’t “trying to be beautiful.”

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Analog photo technique brings Bambi to life

Splicing a cute little animal into a photograph doesn’t take more than a few seconds for anybody with a copy of Photoshop.

But Colorado artist Janelle Pietrzak spends hours cutting light stencils with a razor blade, then uses a shoebox and long-exposure photography to bring Bambi and other cuddly creatures to life inside her home.

“If you look at my photographs there is fantasy world full of mythical creatures, floating orbs, ghosts and goddesses, all created by manipulating light,” Pietrzak tells Cult of Mac. “The catch is that I hardly use any Adobe Photoshop. What you see in the images is basically what I saw on the back of my camera.”

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App Watch: An iTunes substitute, photo tools and other useful upgrades

Gadget Watch: New gear to trick out your iPad, your bike and your camera

Bringing imaginary cities to life with the iPad

Watkins holds a fingerpainting titled It's a long way up featured at an exhibit in Verona, Italy.

iPad artist Matthew Watkins holds a finger painting titled It’s a long way up, which is featured in an exhibit in Verona, Italy.

Matthew Watkins has brought iPad finger paintings into the real world in more formats than any other artist we know.

His digital artwork has made the leap into the tangible on carpets, cars, plexiglass and the more usual prints, videos, books and live installations at fashion shows and art events. Watkins, who lives in Southern Italy — by way of Manchester, England, and a childhood spent in Toronto — uses his personal peregrinations as a source of inspiration for his ongoing series on imaginary cities, which hovers between utopia and dystopia.

“I’m drawn to urban decay and architectural artifacts,” Watkins says of the works that were on display in a recent exhibit at Verona’s Palazzo Gran Guardia. “I’ve drawn buildings and cities since I was a child. As a teenager I would draw my own imaginary worlds. I still do.”

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Stumptown shooter stalks the sexy and the strange

Grab a camera when the zombies come. They won’t eat your brains — they’ll strike a pose.

It’s a trick photographer Luke Olsen learned when he was surrounded on the streets of his hometown. His shots from the Portland Zombie Walk showcase the lean and mean side of his stylish but macabre portraiture.

The organized chaos of events like the zombie walk offers comic relief from formal photography sessions filled with intricate lighting, staging and models. Any opportunity to capture inspired lunacy is technically practice, but Olsen gravitates toward flash mobs to cut loose with his camera-wielding compatriots. He’s thrown himself into the thick of SantaCon, the infamous alcohol-fueled rampage that grew from absurdist San Francisco street theater into a national headache. The moribund Portland Urban Iditarod, where teams of costumed runners dragged tricked-out shopping carts from bar to bar, has also been shutter fodder.

“It’s a great deal of fun to wander into a large event with a group of friends, shoot the event and reconvene later to see what everyone got,” says Olsen. “It’s like The Bang Bang Club, just 100 percent less deadly.”

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