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Fantasy clashes with reality in wonky wonderlands

Real life gets old real quick. Work, chores, traffic jams, monotony — all the details of the daily grind infect the human body and build into a fever that only breaks when bags get packed.

The search for diversion leads to amusement parks and roadside wonders, roller coasters and stage extravaganzas. Kids can be kids, adults can be kids again, and sometimes, David Walter Banks is on hand to capture fantasy becoming reality with behind-the-scenes images that cast new light on tourist attractions.

Such moments of cognitive dissonance comprise The Fourth Wall. The entertainment industry takes in billions annually but even the most luxurious resorts and casinos provide an imperfect illusion. Visitors fill the gaps between animatronics and costumes with their own imagination, and the disconnect beats at the heart of Banks’ photo project.

“I love the idea of these places,” he says. “As adults, so many of us have lost our wonder and given up our urge to chase dreams. In a way, these places invite the adult population to chase an outlandish dream once more, even if only for a fleeting moment. Even if it’s plastic and cracked and they know it is all fake. They are still getting up, putting on their tennis shoes, and going out in search of magic.”

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Sci-fi toys spring to life in filmic photos

By day, Robert Larner works for an investment firm. By night he directs Stormtroopers, Transformers and Daleks.

Using toys, camera tricks and a keen sense of story, the photographer delights Flickr and Instagram fans with movie stills. But the movies don’t exist.

The Scotsman grew up a discerning cineaste with a taste for the Indiana Jones, Back to the Future and Ghostbusters movie franchises, but his greatest inspiration — in film and toys — was Star Wars.

“I could probably track my interest in toys via Star Wars,” Larner says. “When I was a kid in the early ’80s, I was completely swept up by the original Kenner 3.75-inch range. Then, in the ’90s, the remastered movies came out along with whispers of the prequels so the Star Wars toy range was reintroduced, so that caught my interest again. However, it was when Lego had the bright idea of making Star Wars Lego sets in 1999 that I really got sucked in and I haven’t looked back since!”

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Why iPad art is more than a passing fad — though you soon might smell it

Early doodles on the iPad looked a lot like this generation’s Etch-a-Sketch.

But in just a few years, after celebrated artists such as David Hockney have shown their iPad works in galleries, Apple’s revolutionary device has come into its own as a canvas.

The eclectic group of works above are finalists in the second annual Mobile Digital Art Exhibition (aka MDAC Summit 2014), an upcoming art-packed weekend of workshops and a celebration of digital art in Palo Alto, a stone’s throw from Apple headquarters. Take a gander and vote on them by July 31 for the People’s Choice Award.

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iPhone or Canon? A veteran photographer debates digital versus analog

During his 25-year career as a photographer, Dan Marcolina has captured moments of everyday despair and delight, from beaches and backyards to bus stations and wedding celebrations.

His work exhibits the ease of an inside joke or a knowing wink; the images are visual juxtapositions that live up to a high point of praise from Richard Avedon, who once commented that Marcolina makes images that aren’t “trying to be beautiful.”

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Analog photo technique brings Bambi to life

Splicing a cute little animal into a photograph doesn’t take more than a few seconds for anybody with a copy of Photoshop.

But Colorado artist Janelle Pietrzak spends hours cutting light stencils with a razor blade, then uses a shoebox and long-exposure photography to bring Bambi and other cuddly creatures to life inside her home.

“If you look at my photographs there is fantasy world full of mythical creatures, floating orbs, ghosts and goddesses, all created by manipulating light,” Pietrzak tells Cult of Mac. “The catch is that I hardly use any Adobe Photoshop. What you see in the images is basically what I saw on the back of my camera.”

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