When traveling, if you forget your charger, you’re often hosed. Especially for the Apple Watch. That’s why I keep a Zens Powerbank battery pack in my bag. The Powerbank features a built-in charger for the Apple Watch, plus a USB port for plugging an iPhone or iPad.
It’s light and easy to carry around, yet has enough juice for recharging an Apple Watch almost 12 times.
Looking like something Elvis Presley would rock, the Shure MV51 is a handsome, retro-styled microphone well-suited to podcasting with an iPad or iPhone. Sturdy and portable, I find it great for recording on the go. It’s small enough to throw into a jacket pocket and, because it’s made of all metal, it’s nigh indestructible.
Paired with an iPhone and Shure’s well-designed recording app, it’s a lot more compact than most podcasting rigs, and versatile enough for most recording situations. Best of all, the audio it captures sounds great.
After his death, Steve Jobs became mythic. He’s remembered as an asshole and a technology seer: a Tony Stark-like figure who could uniquely divine the sci-fi future, conjuring magical products from whole cloth almost single-handedly.
He’s also seen as infallible: a business and technology genius with powers of divination beyond those of us mere mortals.
But To Pixar and Beyond, a new book by Lawrence Levy, the former CFO of Pixar, paints a very different picture.
Editor’s note: This weekend was the 15th anniversary of the iPod, the humble digital music player that reshaped Apple.
To mark the occasssion, Cult of Mac is republishing this illustrated history of the iPod — put together to celebrate the device’s 10th anniversary, and originally published on Oct. 22 2011.
An Illustrated History of the iPod
The iPod grew out of Steve Jobs’ digital hub strategy. Life was going digital. People were plugging all kinds of devices into their computers: digital cameras, camcorders, MP3 players. The computer was the central device, the “digital hub,” that could be used to edit photos and movies or manage a large music library. Jobs tasked Apple’s programmers with making software for editing photos, movies and managing digital music. While they were doing this, they discovered that all the early MP3 players were horrible. Jobs asked his top hardware guy, Jon Rubinstein, to see if Apple could do better.
There’s a constant war in our house for charging bricks and cables. I like to keep chargers in certain places so I know where they are — beside the bed for example. But they constantly disappear, thanks to my light-fingered kids.
It drives me bananas, which is why I like the Udoq, a universal charging stand that neatly organizes and charges between two and eight devices. It can’t be easily half-inched.
It’s true: music can put you in the mood for love. A Spotify survey found that music is more arousing than touch. That’s why OhMiBod’s iPhone-connected sex toys make sense; they enhance the mood as well as buzzing in time to the beat.
“Our massagers offer an unrivaled sensory experience that allows singles and couples to not only hear their favorite music, but feel it as well,” says the firm’s website.
In this week’s episode of Kahney’s Korner, I talk to Suki Dunham, cofounder of OhMiBod, a female-owned and operated company that makes a line of iPhone and iPad controlled female pleasure products.
Suki used to work at Apple, where she learned a lot about product design, packaging and marketing, which she applies to her business selling high-tech vibrators.